An Occurrence at Owl Creek Bridge, Ambrose Bierce | Copyright Page
ISSN 0895-9439
Volume 72
Criticism of the Works of Short Fiction Writers
Joseph Palmisano Project Editor
Project Editor
Joseph Palmisano
Editorial
Jessica Bomarito, Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovic´ , Michelle Lee, Ellen McGeagh, Thomas J. Schoenberg, Lawrence J. Trudeau, Russel Whitaker
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Short Story Criticism, Vol. 72
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ISSN 0895-9439
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Preface
Scope of the Series
SSC is designed to serve as an introduction to major short story writers of all eras and nationalities. Since these authors have inspired a great deal of relevant critical material, SSC is necessarily selective, and the editors have chosen the most important published criticism to aid readers and students in their research.
Approximately eight to ten authors are included in each volume, and each entry presents a historical survey of the critical response to that author’s work. The length of an entry is intended to reflect the amount of critical attention the author has received from critics writing in English and from foreign critics in translation. Every attempt has been made to identify and include the most significant essays on each author’s work. In order to provide these important critical pieces, the editors sometimes reprint essays that have appeared elsewhere in Thomson Gale’s Literary Criticism Series. Such duplication, however, never exceeds twenty percent of an SSC volume.
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vii
& Francis Books, Inc., and the author.—Gilbert, Susan, and Susan Gubar. From The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press, 1979. Reproduced by permission.— Griffin, Susan E. From “Resistance and Reinvention in Sandra Cisneros’ Woman Hollering Creek,” in Ethnicity and the American Short Story. Edited by Julie Brown. Copyright © 1997 by Julie Brown. Garland Publishing, 1997. All rights reserved. Reproduced by permission of Routledge/Taylor & Francis Books, Inc., and the author.—Guerra, Veronica A. From “The Silence of the Obejas: Evolution of Voice in Alma Villanueva’s ‘Mother, May I’ and Sandra Cisneros’s ‘Woman Hollering Creek,’” in Living Chicana Theory. Edited by Carla Trujillo. Third Woman Press, 1998. Copyright © 1998 by Third Woman Press. Reproduced by permission.—Hertz, Neil. From Meridan: Crossing Aesthetics. Stanford University Press, 2003. Copyright © 2003 by the Board of Trustees of the Leland Stanford Jr. University. Reproduced with permission of Stanford University Press, www.sup.org.—Knoepflmacher, U. C. From George Eliot’s Early Novels: The Limits of Realism. University of California Press, 1968. Copyright © 1968 The Regents of the University of California. Reproduced by permission.—Paravisini-Gebert, Lizabeth. From Jamaica Kincaid: A Critical Companion. Greenwood Press, 1999. Copyright © 1999 by Lizabeth Paravisini-Gebert. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Payant, Katherine. From “Borderland Themes in Sandra Cisneros’s Woman Hollering Creek,” in The Immigrant Experience in North American Literature: Carving out a Niche. Edited by Katherine B. Payant and Toby Rose. Greenwood Press, 1999. Copyright © 1999 by Katherine B. Payant and Toby Rose. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Redinger, Ruby V. From George Eliot: The Emergent Self. Alfred
A. Knopf, 1975. Copyright © 1975 by Rudy V. Redinger. Used by permission of Alfred A. Knopf, a division of Random House, Inc.—Simmons, Diane. From Jamaica Kincaid. Twayne Publishers, 1994. Copyright © 1994 by Diane Simmons. Reproduced by permission of the Gale Group.—Spencer, Laura Gutierrez. From “Fairy Tales and Opera: The Fate of the Heroine in the Work of Sandra Cisneros,” in Speaking the Other Self: American Women Writers. Edited by Jeanne Campbell Reesman. The University of Georgia Press, 1997. Copyright © 1997 by The University of Georgia Press. Reproduced by permission of The University of Georgia Press.—Uglow, Jennifer. From George Eliot. Virago, 1987. Reproduced by permission of Time Warner Book Group UK.
PHOTOGRAPHS APPEARING IN SSC, VOLUME 72, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Cisneros, Sandra, 1991, photograph by Dana Tynan. AP/Wide World Photos. Reproduced by permission.—Eliot, George, drawing. The Library of Congress.
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