The Short Happy Life of Francis Macomber | Copyright

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SSFS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN SSFS, VOLUME 1, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. XXVin, November, 1956. Copyright © 1956 Duke University Press, Durham, NC. Reproduced with permission.—The Antioch Review, v. XXV, Fall, 1965. Copyright © 1965 by The Antioch Review Inc. Reproduced by permission of the Editors.—Belles Lettres: A Review of Books by Women, v. 10, Summer, 1995. Reproduced by permission.—The Boston Globe, My 19,1995. © 1995 Globe Newspaper Co. Reproduced courtesy of The Boston Globe.— CLA Journal, v. XX, September, 1976; v. XXXVII, June, 1994. Copyright 1976, 1994 by The College Language Association. Both used by permission of The College Language Association.—College English, v. 23, May, 1962 for' 'Point of View in "The Secret Sharer' " by Charles G. Hoffmann. Copyright © 1967 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.—Conradiana, v. XVIII, 1986 for "Shared Secret or Secret Sharing in Joseph Conrad's 'The Secret Sharer' " by Mary Ann Dazey. Reproduced with permission of Texas Tech University Press and the author.—Doris Lessing Newsletter, v. 9, Spring, 1985. © 1985 by Brooklyn College, The City University of New York. Reproduced by permission.—English Journal, v. 56, December, 1967 for "The Architecture of Walter Mitty's Secret Life'' by Carl Sundell. Copyright © 1967 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.—Essays in Literature, v. XV, Fall, 1988. Copyright 1988 by Western Illinois University. Reproduced by permission.—The Explicator, v. XII, March, 1954; v. 32, May, 1974; v. 42, Summer, 1984; v. 48, Summer, 1990. Copyright 1954,1974, 1984, 1990 by Helen Dwight Reid Educational Foundation. All reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The Georgia Review, v. XXVin, Summer, 1974. Copyright, 1974, by the University of Georgia. Reproduced by permission.—The Hemingway Review, v. II, Spring, 1983; v. XI, Fall, 1991. Copyright 1983, 1991 by The Ernest Hemingway Foundation. Both reproduced by permission of the publisher.—James Joyce Quarterly, v. 7, Summer, 1970. Copyright, 1970, The University of Tulsa. Reproduced by permission.—Journal of American Culture, v. 15, Summer, 1992. Copyright© 1992byRayB.Browne. Reproduced by permission.—The Journal of General Education, v. 28, Spring, 1976. Copyright 1976 by The Pennsylvania State University Press, University Park, PA. Reproduced by permission.— The Journal of Narrative Technique, v. 5, January, 1975 for " 'Don't You Know Who I Am': The Grotesque in Oates's 'Where Are You Going, Where HaveYou Been?' " Copyright © 1975byTfte7oar-nal ofNarrative Technique. Reproduced by permission of the publisher and the author.—Kentucky Romance Quarterly, v. 26,1979. Copyright© 1979 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Literature/Film Quarterly, v. 10, 1982. Reproduced by permission.—Mark Twain Journal, v. XX, Winter, 1979-80. Reproduced by permission.—MEWS, v. 12, Fall, 1985. Copyright, MELUS, The Society for the Study of Multi-Ethnic Literature of the United States, 1985. Reproduced by permission.—The Nathaniel Hawthorne Journal, 1973 for "The Woe That Is Madness: Goodman Brown and the Face of the Fire" by RobertE. Morsberger. Copyright © 1973 by Bruccoli Clark Publishers, Inc. Reproduced by permission of the author.—New York Folklore Quarterly, v. XXIV, December, 1968. Copyright 1968 by the New York Folklore Society. Reproduced by permission.—Renascence, v. XXI, Autumn, 1968. © copyright 1968, Marquette University Press. Reproduced by permission.—The Southern Literary Journal, v. 25, Spring, 1994. Copyright 1994 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.— Southwest Review, v. XLI, Summer, 1956. © 1956 Southern Methodist University. Reproduced by permission.—Studies in Short Fiction, v. 18, Summer, 1981; v. 22, Spring, 1985; v. 26, Fall, 1989. Copyright 1981, 1985,1989 by Newberry College. All reproduced by permission.—The USF Language Quarterly, v. XV, Spring-Summer, 1977. Reproduced by permission

COPYRIGHTED EXCERPTS IN SSFS, VOLUME 1, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bell-Villada, Gene H. From Garcia Marquez: The Man and His Work. The University of North CarolinaPress, 1990.© 1990TheUniversityofNorth Carolina Press. All rights reserved. Used by permission of the publisher.—Bus, Heiner. From "The Establishment of Community m Zora Neale Hurston's 'The Eatonville Anthology' (1926) and Roland Hinojosa's 'Estampas del vallee' (1973)," in European Perspective on Hispanic Literature of the United States. Edited by Genvieve Fabre. Arte Publico Press, 1988. Copyright © 1988 by Arte Publico Press. Reproduced by permission.—Jackson, Shirley. From "Biography of a Story," in Come Along with Me. Edited by Stanley Edgar Hyman. VikingPress, 1968.Copyright 1948,1952,© 1960 by Shirley Jackson. Reproduced by permission of the Literary Estate of Shirley Jackson. In North America and the Philippines by permission of Viking Penguin, a division of Penguin Books USA Inc.—Wagner-Martin, Linda. From "Gilman's "The Yellow Wallpaper': A Centenary," in Charlotte Perkins Gilman: The Woman and Her Work. Edited by Sheryl L Meyering. UMI Research Press, 1989. Copyright © 1989 Sheryl L. Meyering. All rights reserved. Reproduced by permission of the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN SSFS, VOLUME 1, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Bingo game, photograph. Corbis-Bettmann. Reproduced by permission. Bradbury, Ray, photograph. Archive Photos, Inc. Reproduced by permission. Clemens, Samuel, photograph. AP/Wide World Photos. Reproduced by permission. Conrad, Joseph, photograph. Archive Photos. Reproduced by permission. Danticat, Edwidge, photograph. Copyright © 1994 Nancy Crampton. Reproduced by permission. Ellison, Ralph, photograph. AP/Wide World Photos. Reproduced by permission. Marquez, Gabriel Garcia, photograph. AP/Wide World Photos. Reproduced by permission. Gilman, Charlotte Perkins, portrait. Schlesinger Library, Radcliffe College. Reproduced by permission. The Scarlet Letter, movie still. M-G-M. Courtesy of the Kobal Collection. Reproduced by permission. Haitian refugees, photograph. AP/Wide World Inc. Reproduced by permission. Hawthorne, Nathaniel, photograph. The Library of Congress. Hemingway, Ernest, photograph by A. E. Hotchner. Reproduced by permission. Hemingway, Ernest, photograph. Archive Photos. Reproduced by permission. Hurston, Zora Neale, photograph by Carl Van Vechten. The Library of Congress. Jackson, Shirley, photograph. AP/Wide World Photos. Reproduced by permission. Joyce, James, photograph. AP/Wide World Photos. Reproduced by permission. The Secret Life of Walter Mitty, photograph. Corbis-Bettmann. Reproduced by permission. The Secret Life of Walter Mitty, movie still. Archive Photos. Reproduced by permission. Lessing, Doris, photograph. © Jerry Bauer. Reproduced by permission. The Most Dangerous Game In the World, photograph. Springer/Corbis-Bettmann Film Archive. Reproduced by permission. Olsen, Tillie, photograph by Miriam Berkley. Photo © Miriam Berkley. All rights reserved. Reproduced by permission. Porter, Katherine Anne, photograph. AP/Wide World Photos. Reproduced by permission. Smooth Talk, movie still. Archive Photos. Reproduced by permission. Thurber, James, photograph. AP/Wide World Photos. Reproduced by permission.