Home > Shakespearean Criticism > The Winter's Tale (Vol. 57) - Lynn Enterline (essay date 1997)

The Winter's Tale (Vol. 57) - Lynn Enterline (essay date 1997)

Lynn Enterline (essay date 1997)

SOURCE: “‘You speak a language that I understand not’: The Rhetoric of Animation in The Winter's Tale,” in Shakespeare Quarterly, Vol. 48, No. 1, Spring, 1997, pp. 17-44.

[In the essay that follows, Enterline examines Shakespeare's interpretation of Ovidian and Petrarchan rhetoric as a means of discussing the role of power and the female voice in The Winter's Tale.]

Between Leontes's opening imperative, “Tongue-tied our queen? Speak you” (1.2.28), and the final act, where Hermione as living statue returns to her husband yet says nothing directly to him, The Winter's Tale traces a complex, fascinated, and uneasy relation to female speech.1 A play much noted for interrogating the “myriad forms of human narration”2—old tales, reports, ballads, oracles—The Winter's Tale begins its investigation of language when Hermione tellingly jests to...

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