Shakespearean Criticism

Twelfth Night (Vol. 34) | Terence Eagleton (essay date 1967)

Terence Eagleton (essay date 1967)

SOURCE: "Language and Reality in Twelfth Night" in Critical Quarterly, Vol. 9, No. 3, Autumn, 1967, pp. 217-28.

[In the essay that follows, Eagleton contends that the language of Twelfth Night melds with its reality and, through the central subject of love, collapses and confuses the social roles of the characters.]

At the opening of Twelfth Night, Orsino describes his love for Olivia in terms which directly recall some of the paradoxes of language and illusion in other Shakespearian plays:

O spirit of love, how quick and fresh art thou!
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price
Even in a minute.
                                   (1, 1)

Orsino's love...

[The entire page is 5917 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the:

Lookup any word on eNotes with our dictionary. Highlight the word and press SHIFT + D for a definition, or SHIFT + T for a synonym.