Titus Andronicus (Vol. 73) | Copyright Page
ISSN 0883-9123
Volume 73
Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations
Michael L. LaBlanc
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Michael L. LaBlanc
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Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Julie Keppen, Jelena O. Krstovic´, Michelle Lee, Thomas J. Schoenberg, Lawrence J. Trudeau, Russel Whitaker
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Shakespearean Criticism, Vol. 73
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ISSN 0883-9123
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN SC, VOLUME 73, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
Cineaste, v. 25, 2000; v. 26, 2001. Copyright © 2000, 2001 by Cineaste Publishers, Inc. Reproduced by permission.— Comparative Drama, v. II, Fall, 1968. Copyright 1968, by the editors of Comparative Drama. Reproduced by permission.—Critical Survey, v. 9, 1997. Reproduced by permission.—Exemplara, v. 6, Fall, 1994. © 1994 Center for Medieval and Early Renaissance Studies, SUNY. Reproduced by permission.—Literature/Film Quarterly, v. 28, 2000; v. 29, April, 2001. Reproduced by permission.—The Massachusetts Review, v. 40, n. 1, Spring, 1999. Copyright 1999 The Massachusetts Review. Reproduced by permission.—The New Republic, v. 219, September 7, 1989. © 1989 The New Republic, Inc. Reproduced by permission.—The New York Times, March 8, 2002. Reproduced by permission.—Shakespeare Quarterly, v. 31, Spring, 1980; v. 51, Winter, 2000; v. 52, Summer, 2001. © 1980, 2000, 2001 Folger Shakespeare Library. Reproduced by permission.—Shakespeare Studies, v. XIV, 1981. Reproduced by permission.—South Atlantic Review, v. 46, November, 1981. Copyright © 1981 by South Atlantic Modern Language Association. Reproduced by permission.— The Spectator, v. 288, March 23, 2002. © 2002 by The Spectator. Reproduced by permission.—Studies in English Literature: 1500-1900, v. 36, Spring, 1996; v. 41, Spring, 2001. Reproduced by permission.—Studies in Philology, v. 89, Spring, 1992. © 1992 The University of North Carolina Press. Reproduced by permission of the publisher.—Style, v. 21, Spring, 1987. Reproduced by permission of the publisher and the author.—Texas Studies in Literature and Language, v. XVI, Spring, 1974. Copyright © 1974 by the University of Texas Press. Reproduced by permission.—Theatre Journal, v. 33, October, 1981. Reproduced by permission.—Times Literary Supplement, n. 5129, July 20, 2001; n. 5166, April 5, 2002. Reproduced by permission.—Upstart Crow, v. 10, 1990. Reproduced by permission.—Variety, v. 386, March 18, 2002, March 25-31, 2002. Reproduced by permission.—The Village Voice, v. 47, March 19, 2002. Copyright © 2002 Village Voice Media, Inc. Reproduced by permission of The Village Voice.
COPYRIGHTED MATERIAL IN SC, VOLUME 73, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Barber, C. L. From “The Family in Shakespeare’s Development: Tragedy and Sacredness,” in Representing Shakespeare: New Psychoanalytic Essays, pp. 188-202. Edited by Murray M. Schwartz and Coppélia Kahn. Johns Hopkins University Press, 1980. Copyright © 1980 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.—Bate, Jonathan. From the introduction to Titus Andronicus. Edited by Jonathan Bate. Routledge, 1995. © 1995 Jonathan Bate. All rights reserved. Reproduced by permission.—Berthoud, Jacques. From the introduction to Titus Andronicus. Edited by Sonia Massai. Penguin Books, 2001. Copyright © Jacques Berthoud, 2001. All rights reserved. Reproduced by permission of Penguin Books Ltd.—Brewer, Derek. From Symbolic Stories: Traditional Narratives of the Family Drama in English Literature. D. S. Brewer, 1980. © D. S. Brewer 1980. Reproduced by permission.—Doebler, Bettie Anne. From “‘Dispaire and Dye’: The Ultimate Temptation of Richard III,” in Shakespeare Studies, vol. VII. Edited by J. Leeds Barroll. University of South Carolina Press, 1974. Copyright © 1974 by The Council for Research in the Renaissance. Reproduced by permission.—Downie, Penny. From “Queen Margaret in Henry VI and Richard III,” in Players of Shakespeare 3: Further Essays in Shakespearian Performance by Players with the Royal Shakespeare Company. Edited by Russell Jackson and Robert Smallwood. Cambridge University Press, 1993. © Cambridge University Press, 1993. Reproduced by permission of Cambridge University Press.—Howlett, Kathy M. From Framing Shakespeare on Film. Ohio University Press, 2000. © 2000 by Kathy M. Howlett. All rights reserved. Reproduced by permission.—James, Max H. From ‘Our House is Hell’: Shakespeare’s Troubled Families. Greenwood Press, 1986. Copyright © 1986 by Max H. James. All rights reserved. Reproduced by permission of the author.—Johnson, Robert. From “Titus Andronicus: The First of the Roman Plays,” in Essays on Shakespeare: In Honour of A. A. Ansari. Edited by T. R.
ix
Sharma. Shalabh Book House, 1986. © 1986 T. R. Sharma. All rights reserved. Reproduced by permission.—Jowett, John. From the introduction to The Tragedy of King Richard III. Edited by John Jowett. Oxford University Press, 2000. © John Jowett 2000. All rights reserved. Reproduced by permission of Oxford University Press.—Kahn, Coppélia. From “The Providential Tempest and the Shakespearean Family,” in Representing Shakespeare: New Psychoanalytic Essays, pp. 217
43. Edited by Murray M. Schwartz and Coppélia Kahn. The Johns Hopkins University Press, 1980. Copyright © 1980 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission of Johns Hopkins University Press.— Kermode, Frank. From William Shakespeare: The Final Plays. Longmans, Green & Co., 1963. © Frank Kermode, 1963. Reproduced by permission.—Knights, L. C. From William Shakespeare: The Histories. Longmans Green & Co., 1962. ©
L. C. Knights, 1962. Reproduced by permission.—Little, Arthur L., Jr. From Shakespeare’s Jungle Fever: National-Imperial Re-Visions of Race, Rape, and Sacrifice. Stanford University Press, 2000. © 2000 by the Board of Trustees of the Leland Stanford Jr. University, forthcoming with Stanford University Press. Reproduced by permission of Stanford University Press, www.sup.org.—Lull, Janis. From the introduction to King Richard III. Edited by Janis Lull. Cambridge University Press, 1999. © Cambridge University Press 1999. Reproduced by permission of Cambridge University Press and the author.—Marienstras, Richard. From “Of a Monstrous Body,” in French Essays on Shakespeare and His Contemporaries. Edited by Jean-Marie Magnum and Michèle Willems. University of Delaware Press, 1995. © 1995 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—McFarland, Thomas. From “The Image of Family in King Lear,” in On ‘King Lear’. Edited by Lawrence Danson. Princeton University Press, 1981. Copyright © 1981 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Novy, Marianne. From “Multiple Parenting in Pericles,” in ‘Pericles’: Critical Essays. Edited by David Skeele. Garland Publishing, Inc., 2000. Copyright © 2000 by David Skeele. All rights reserved. Reproduced by permission of Routledge, Inc., part of The Taylor & Francis Group.—Pierce, Robert B. From Shakespeare’s History Plays: The Family and the State. Ohio State University Press, 1971. Copyright © 1971 by the Ohio State University Press. All rights reserved. Reproduced by permission of the author.—Schwartz, Murray M. From “Between Fantasy and Imagination: A Psychological Exploration of Cymbeline,” in Psychoanalysis and Literary Process. Edited by Frederick Crews. Winthrop Publishers, Inc., 1970. © 1970 by Winthrop Publishers, Inc. All rights reserved. Reproduced by permission of the author.
PHOTOGRAPHS APPEARING IN SC, VOLUME 73, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Cymbeline, Act I, scene i, from a photogravure after a painting by John H. F. Bacon, 1903. Frontispiece to The Complete Works of William Shakespeare, vol. XIV, Cymbeline (New York, 1907). The Library of Congress.—Cymbeline, Act II, scene ii, from a photogravure by Goupil and Company after a painting by Alexander von Liezen-Mayer in Gallery of Shakespeare Illustrations from Celebrated Works of Art (Boston, 1909).—Forrest, Edwin, as Richard III, steel engraving. Martin and Johnson © 1855. The Library of Congress.—Grenville, Arthur, as Cloten in Cymbeline, photograph. Getty Images. Reproduced by permission.—Hamlet, Act III, scene iv, from an engraving by A. Ragona, after a painting by W. Hamilton. The Folger Shakespeare Library. Reproduced by permission.—Keene, Thomas W., as Richard III, color lithograph poster by W. J. Morgan and Company, 1854, montage of scenes from Richard III. W. J. Morgan and Company © 1854. The Library of Congress.—King Lear, Act I, scene i, painting.—Kingsley, Ben, as Iachimo in Cymbeline, c. 1980, photograph. Getty Images. Reproduced by permission.—Olivier, Laurence, as King Richard III in the 1955 movie version of Richard III, movie still. The Kobal Collection/Olivier Productions/London Films/Big Ben Films. Reproduced by permission.—Olivier, Laurence, as King Richard III and Joyce Redman as Lady Anne Neville in a September 30, 1944 production of Richard III, photograph. Getty Images. Reproduced by permission.—Pericles, Act V, scene i, T. Stothard R. A., Aug, Fox sc. Published by W. Pickering, 52 Chancery Lane, 1825, The Folger Shakespeare Library. Reproduced by permission.—Titus Andronicus, Act II, scene iii, engraving.—Titus Andronicus, Act IV, Scene i, illustration.—Titus Andronicus, Act IV, scene ii, from an engraving by F. Starling, from a drawing by G. F. Sargent, printed by Alfred Adlard.—Titus Andronicus, Act IV, Scene ii, illustration.—The Winter’s Tale, Act II, scene i, engraving by J. Finter, after a painting by W. Hamilton, published June 4, 1797 by J. and J. Boydell at the Shakespeare Gallery Pall Mall and No. 90 Cheapside. Special Collections Library, University of Michigan. Reproduced by permission.
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