Project Editor

COPYRIGHTED EXCERPTS IN SC, VOLUME 67, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

ARIEL: A Review of International English Literature,: v. 30, January, 1999 for “‘Our inland’: Shakespeare’s Henry V and the Celtic Fringe” by Christopher Ivic. Reproduced by permission of the publisher and the author.—Cahiers Élisabéthains, October, 1988 for “Timon of Athens: A Shakespearean Experiment” by Robert Wilcher / October, 1992 for “Shakespeare’s Henry V: Towards the Problem Play” by Jonathan Hart / April, 1995 for “‘By the Mass, our hearts are in the trim’: Catholicism and British Identity in Olivier’s Henry V” by Stephen M. Buhler. All reproduced by permission of the publisher and respective authors.—Cinema Journal, v. 36, Spring, 1997 for “Men in Leather: Kenneth Branagh’s Much Ado About Nothing and Romantic Comedy” by Celestino Deleyto. Reproduced by permission of the publisher and the author.—Critical Quarterly, v. 9, Spring, 1967. Reproduced by permission of Blackwell Publishers.—ELH, v. 61, Spring, 1994; v. 61, Fall, 1994. Copyright © 1994 by the Johns Hopkins University Press. All rights reserved. Both reprinted by permission of the publisher. Reproduced by permission.—Essays in Criticism, v. 50, April, 2000 for “Hating Man in Timon of Athens”by Jeremy Tambling. Reproduced by permission of the publisher and the author.—Philological Quarterly, v. 69, Spring, 1990 for “Dramatic Play in Much Ado About Nothing: Wedding in the Italian Novella and English Comedy” by Laurie E. Osborne. Reproduced by permission of the author.—Renaissance Studies, v. 9, December, 1995 for “France in Shakespeare’s Henry V” by David Womersley. Reproduced by permission of the publisher and the author.—Shakespeare Bulletin, v. 15, Spring, 1997 for “Sleepless in Messina: Kenneth Branagh’s Much Ado About Nothing” by Michael J. Collins; v. 16, Spring, 1998 for “The 1997 Oregon Shakespeare Festival” by Alan Armstrong. Both reproduced by permission of the publisher and the respective authors.—Shakespeare Quarterly, v. 15, 1964; v. 25, Spring, 1974; v. 44, Winter, 1993; v. 51, Summer, 2000. All reproduced by permission.—Shakespeare Studies, v. 8, 1975; v. 17, 1985. Both reproduced by permission.— Shakespeare Survey, v. 30, 1977 for “Whatever Happened to Prince Hal? An Essay on Henry V” by William Babula. Reproduced by permission of the publisher and the author.—Spectator, v. 283, 4 September, 1999. Reproduced by permission.—Studies in English Literature, 1500-1900, v. 13, Spring, 1973; v. 13, Winter, 1973; v. 11, Spring, 1971; v. 39, Spring, 1999. All reproduced by permission.—Studies in Philology, v. 97, Spring, 2000. © 2000 by the University of North Carolina Press. Reproduced by permission of the publisher.—Texas Studies in Literature and Language, v. 18, Winter, 1977 for “Fortune and Friendship in Timon of Athens” by Lewis Walker. Copyright © 1977 by the University of Texas Press. All rights reserved. Reproduced by permission of the publisher and the author.—Theatre Journal, v. 52, March, 2000. Reproduced by permission.—Thoth, v. 16, Winter, 1975-6 for “Liberality, Friendship, and Timon of Athens” by John J. Ruszkiewicz. Reproduced by permission of the author.—Yearbook of English Studies, v. 23, 1993. Reproduced by permission.

COPYRIGHTED EXCERPTS IN SC, VOLUME 67, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Belsey, Catherine. From “Love as Trompe-l’oeil: Taxonomies of Desire in Venus and Adonis,” in Venus and Adonis: Critical Essays. Garland Publishing, Inc., 1997. Copyright © 1997 by Garland Publishing, Inc. All rights reserved. Reproduced by permission.—Branagh, Kenneth. From the Introduction to Much Ado About Nothing, by William Shakespeare, with Screenplay, Introduction, and Notes on the Making of the Movie by Kenneth Branagh. W.W. Norton & Company, 1993. Copyright © 1993 by Kenneth Branagh. Synopsis & Character Notes copyright © 1993 by Russel Jackson. Used by permission of W.W. Norton & Company, Inc.—Cousins, A. D. From “Venus and Adonis,” in Shakespeare’s Sonnets and Narrative Poems. Pearson Education Limited, 2000. Copyright © 2000 by Pearson Education Limited. All rights reserved. Reproduced by permission.—de Alvarez, Leo Paul S. From “Timon of Athens,” in Shakespeare as Political Thinker. Carolina Academic Press, 1981. Copyright © 1981 by Carolina Academic Press. All rights reserved. Reproduced by permission.—Erlich, Avi. From “Neither to Give Nor to Receive: Narcissism in Timon of Athens,” in CUNY English Forum. AMS Press, Inc., 1985. Copyright © 1985 by AMS Press, Inc. All rights reserved. Reproduced by permission.— Greenfield, Sayre N. From “Allegory to the Rescue: Saving Venus and Adonis from Themselves,” in The Ends of Allegory. University of Delaware Press, 1998. Copyright © 1998 by University of Delaware Press. All rights reserved. Reproduced by permission.—Hopkins, Lisa. From “Neighbourhood in Henry V,” in Shakespeare and Ireland: History, Politics, Culture. Macmillan Press Ltd., 1997. Copyright © 1997 by Macmillan Press. All rights reserved. Reproduced by permission.—Newman, Karen. From “Englishing the Other: ‘Le tiers exlu’ and Shakespeare’s Henry V,” in Fashioning Femininity and English Renaissance Drama. The University of Chicago Press, 1991. Copyright © 1991 by The University of Chicago Press. All rights reserved. Reproduced by permission.—Roe, John. From the Introduction to The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover’s Complaint, by William Shakespeare. Cambridge University Press, 1992. Copyright © 1992 by Cambridge University Press. All rights reserved. Reproduced by permission.—Slights, Camille Wells. From “The Unauthorized Language of Much Ado About Nothing,”in Shakespeare’s Comic Commonwealth. University of Toronto Press, 1993. Copyright © 1993 by the University of Toronto Press. All rights reserved. Reproduced by permission.—Stribrny, Zdenek. From “Henry V and History,” in Shakespeare in a Changing World. Lawrence & Wishart, 1964. Copyright © 1964 by Lawrence & Wishart. All rights reserved. Reproduced by permission.—Tinker, Michael. From “Theme in Timon of Athens,”in Shakespeare’s Late Plays: Essays in Honor of Charles Crow. Ohio University Press, 1974. Copyright © 1974 by Ohio University Press. All rights reserved. Reproduced by permission.—Zitner, Sheldon P. From the Introduction to Much Ado About Nothing, by William Shakespeare. Clarendon Press, 1993. Copyright © 1993 by Clarendon Press. All rights reserved. Reproduced by permission of Oxford University Press.

PHOTOGRAPHS APPEARING IN SC, VOLUME 67, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Akhavan, Barzin as Painter, Erin Day as Timon, and Tara Jensen as Poet in Act IV, scene iii of the theatrical production of William Shakespeare’s Timon of Athens, GreenStage, 1999 Summer Shakespeare in the Park, directed by Ken Holmes, photograph. © GreenStage. Reproduced by permission.—Bresslaw, Bernard as Dogberry in a scene from the 1980 theatrical production of William Shakespeare’s Much Ado about Nothing, playing at Regent’s Park Open Air Theatre, London, England, photograph. Hulton/Archive. Reproduced by permission.—Burton, Richard as Henry V and Hazel Penwarden as Princess Katherine in Act V, scene ii of the 1951 theatrical production of William Shakespeare’s Henry V, playing at Stratford-upon-Avon, Stratford, England, photograph. Hulton/Archive. Reproduced by permission.—Burton, Richard as Henry V in a scene from the 1951 theatrical production of William Shakespeare’s Henry V, playing at Stratford-upon-Avon, Stratford, England, photograph. Hulton/Archive. Reproduced by permission.—Carrier, Donald as King Charles VI, Nicolas Van Burek as the Dauphin, Robert Hamilton as the Duke of Orleans, Andrew Linley as Lord Rambures, Stephen Russell as the Constable of France, Sara Topham as Princess Katherine and Diane D’Aquila as Queen Isabel in Act II, scene iv of the 2001 Stratford Festival production of Henry V, directed by Jeannette Lambermont, photograph. Courtesy of Stratford Festival Archives. Reproduced by permission.—Engraving by William Hamilton, R. A. from a painting by J. Parker Norris. Claudio, Don John, Hero, Don Pedro, Leonato, Claudio, Beatrice, Benedick, and Friar Francis in Act IV, scene i of William Shakespeare’s Much Ado about Nothing, The University of Michigan Library. Reproduced by permission.—Engraving from 1844 book Galerie des Personnages de Shakespeare, Reproduits dans les Principales Scenes, by Amâdâe Pichot, two scenes from William Shakespeare’s Much Ado about Nothing, facing page 13 (top). The University of Michigan Library. Reproduced by permission.—Engraving from 1844 book Galerie des Personnages de Shakespeare, Reproduits dans les Principales Scenes, by Amâdâe Pichot, two scenes from William Shakespeare’s Much Ado about Nothing, facing page 14. The University of Michigan Library. Reproduced by permission.—Engraving from 1876 book Shakespeares Scenes and Characters; A Series of Illustrations, facing page 131, Don Pedro and Hero in William Shakespeare’s Much Ado about Nothing. The University of Michigan Library. Reproduced by permission.—Engraving of King Henry V, Princess Katherine, and Alice in Act V, scene ii of William Shakespeare’s Henry V. The University of Michigan Library. Reproduced by permission.—Jarvis, Martin as Henry V at the battle of Agincourt in a scene from the theatrical production of Henry V performed by National Youth Theatre, Sadler’s Wells, London, England, photograph. Hulton/Archive. Reproduced by permission.—Jensen, Tara, as Timandra, Ellen Dessler as Phrynia, and Erin Day as Timon in Act V, scene i of the theatrical production of William Shakespeare’s Timon of Athens, GreenStage, 1999 Summer Shakespeare in the Park, directed by Ken Holmes, photograph. © GreenStage. Reproduced by permission.—Richardson, Sir Ralph as Timon, unknown women as Phrynia and Timandra in Act IV, scene iii of the 1955 theatrical production of William Shakespeare’s Timon of Athens at London’s Old Vic Theatre, photograph. Hulton/Archive. Reproduced by permission.—Three scenes from William Shakespeare’s Henry V, (top) Archbishop of Canterbury talking to Bishop of Ely, Act I, scene i, (center) Katherine talking to Alice, Act III, scene iv, (bottom) Fluellen waving stick at Pistol, Act V, scene i. The University of Michigan Library. Reproduced by permission.—Title page from William Shakespeare’s Venus and Adonis, from Shakespeare’s Works (1714) v. 9, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—

“Venus and Adonis,” 1550s High Renaissance Italian painting by Titian, photograph. Hulton/Archive. Reproduced by permission.—Venus and Adonis, text page.—Wynyard, Diana as Beatrice and Sir John Gielgud as Benedick in a scene from the 1955 theatrical production of William Shakespeare’s Much Ado about Nothing, playing at the Phoenix Theatre, London, England, photograph. Hulton/Archive. Reproduced by permission.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher David M. Durant

Jackson Library Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library