Editor

COPYRIGHTED EXCERPTS IN SC, VOLUME 61, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Belgian Essays on Language and Literature, 1994. Reproduced by permission.—Cahiers Élisabéthains, v. 54, October, 1998, for “King Lear’s Reflections in The Mirror of Nobody: An Iconographical Question,” by Josée Nuyts-Giornal. All rights reserved. Reproduced by permission of the publisher and the author.—Comparative Drama, v. 29, Spring, 1995; v. 31, Winter, 1997-98. Both reproduced by permission.—Critical Review, v. 37, 1997. Reproduced by permission.—ELH, v. 31, September, 1964; v. 64, Fall, 1997. Copyright © 1964, 1997 by The Johns Hopkins University Press. Reproduced by permission.—English Literary Renaissance, v. 19, Winter, 1989. Copyright © 1989 by English Literary Renaissance. Reproduced by permission.—English Studies, v. 78, November, 1997. Copyright © 1997, Swets & Zeitlenger. Reproduced by permission.—English Studies in Canada, v. VII, Spring, 1981. Copyright © Association of Canadian College and University Teachers of English, 1981. Reproduced by permission of the publisher.—Essays in Criticism, v. 11, January, 1961 for “Stuart Cymbeline,” by Emrys Jones. Reproduced by permission of the Editors of Essays in Criticism and the author.—Exemplaria, v. 8, Fall, 1996. Copyright © Center for Medieval and Early Renaissance Studies, SUNY. Reproduced by permission.—New Literary History, v. 30, Spring, 1999. Copyright © 1999 by New Literary History, The Johns Hopkins University Press. Reproduced by permission.—Renascence, v. 40, Spring, 1997. Reproduced by permission.— Shakespeare Quarterly, v. 35, Winter, 1984; v. 37, Summer, 1986; v. 39, Autumn, 1988. v. 50, Winter, 1999; v. 51, Spring, 2000. Copyright © 1984, 1986, 1988, 1999, 2000 by The Folger Shakespeare Library. All reproduced by permission of The Johns Hopkins University Press.—Shakespeare Studies, v. 12, 1979. Copyright © 1979 by Associated University Presses, Inc. All rights reserved. Reproduced by permission of the author.—Shakespeare Survey, v. 50, 1997. Reproduced by permission.—Studia Neophilologica, v. 71, 1999. Reproduced by permission.—Studies in English Literature, 1500-1900,

v. 38, Spring, 1998. Copyright © 1998 by William Marsh Rice University. Reproduced by permission.—Yearbook of English Studies, v. 30, 2000. Copyright © Modern Humanities Research Association, 2000. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN SC, VOLUME 61, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Battenhouse, Roy. From Shakespeare and the Christian Tradition. Edited by E. Beatrice Batson. The Edwin Mellen Press, 1994. Copyright © 1994 by The Edwin Mellen Press. All rights reserved. Reproduced by permission.—Clark, Glenn. From Playing the Globe: Genre and Geography in English Renaissance Drama. Edited by John Gillies and Virginia Mason Vaughan. Fairleigh Dickinson University Press, 1998. Copyright © 1998 by Associated University Presses, Inc. Reproduced by permission.—Kahn, Paul W. From Law and Love: The Trials of King Lear. Yale University Press, 2000. Copyright © 2000 by Yale University. All rights reserved. Reproduced by permission.—Lewis, Cynthia. From Particular Saints: Shakespeare’s Four Antonios, Their Contexts, and Their Plays. University of Delaware Press, 1997. © 1997 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Marcus, Leah S. From Puzzling Shakespeare: Local Reading and Its Discontents. University of California Press, 1988. Copyright © 1988 by The Regents of the University of California. Reproduced by permission of the author.—McMullan, Gordon. From Shakespeare’s Late Plays: New Readings. Edited by Jennifer Richards and James Knowles. Edinburgh University Press, 1999. Copyright © Edinburgh University Press, 1999. Chapter copyright © Gordon McMullan, 1999. Reproduced by permission.—Paris, Bernard

J. From Shakespeare’s Personality. Edited by Norman N. Holland, Sidney Homan, Bernard J. Paris. University of California Press, 1989. Copyright © 1989 by The Regents of the University of California. Reproduced by permission of the author.—Patterson, Annabel. From Elizabethan Theater: Essays in Honor of S. Schoenbaum. Edited by R. B. Parker and

S. P. Zitner. University of Delaware Press, 1996. Copyright © 1996 by Associated University Presses, Inc. All rights

ix

reserved. Reproduced by permission.—Powlick, Leonard. From Shakespeare’s Late Plays: Essays in Honor of Charles Crow. Edited by Richard C. Tobias and Paul G. Zolbrod. Ohio University Press, 1974. Copyright © 1974 by Richard C. Tobias and Paul G. Zolbrod. Reproduced by permission.—Simonds, Peggy Muñoz. From Myth, Emblem, and Music in Shakespeare’s Cymbeline: An Iconographic Reconstruction. University of Delaware Press, 1992. Copyright © 1992 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Skura, Meredith. From Representing Shakespeare: New Psychoanalytic Essays. Edited by Murray M. Schwartz and Coppélia Kahn. The Johns Hopkins University Press, 1980. Copyright © 1980 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Zak, William F. From Sovereign Shame: A Study of King Lear. Bucknell University Press, 1984. Copyright © 1984 by Associated University Presses, Inc. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SC, VOLUME 61, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Addison, Laura, as Imogen, in a scene from William Shakespeare’s Cymbeline, engraving by Philip de Bay. Copyright © Historical Picture Archive/Corbis. Reproduced by permission.—East, Ron, as Gentleman, Powys Thomas as Cymbeline, James Blendick as Caius Lucius, Donald Sutherland as Dr. Cornelius, Joseph Totaro as Sword Bearer, and Patrick Crean as a Roman Captain in a scene from the 1970 Stratford Festival production of William Shakespeare’s Cymbeline, directed by Jean Gascon, photograph by Douglas Spillane. Courtesy of Shakespeare Festival Archives. Reproduced by permission.— Feore, Colm as Iachimo, and Joseph Ziegler as Posthumus, in a scene from the 1986 Stratford Festival production of William Shakespeare’s Cymbeline, directed by Robin Phillips, photograph by Robert C. Ragsdale. Courtesy of Shakespeare Festival Archives. Reproduced by permission.—Ferdinand in Act I, Scene II of William Shakespeare’s The Tempest, illustration by Arthur Rackham. The Library of Congress.—Holm, Ian, in William Shakespeare’s King Lear, photograph. AP/ Wide World. Reproduced by permission.—Holt, Monique, in a scene from William Shakespeare’s King Lear, photograph by Kamenko Pajic. AP/Wide World. Reproduced by permission.—Hutt, William as Lear, Elizabeth Shepherd as Cordelia, Pat Halloway as Goneril, and Carole Shelley as Regan, in a scene from the 1972 Stratford Festival production of William Shakespeare’s King Lear, directed by David William, photograph by Robert C. Ragsdale. Courtesy of Stratford Festival Archives. Reproduced by permission.—Hutt, William as Prospero, Victor A. Young as Sebastian, Bill Ballantyne as Francisco, Richard Monette as Caliban, Eric Donkin as Alonso, Richard Curnock as Gonzalo, Don Hunkin as Master, Jack Wetherall as Ferdinand, and Marti Maraden as Miranda, in a scene from the 1976 Stratford Festival production of William Shakespeare’s The Tempest, directed by Robin Phillips and William Hutt, photograph by Robert C. Ragsdale. Courtesy of Stratford Festival Archives. Reproduced by permission.—Pownall, Leon, as Henry VIII, in a scene from the 1986 Stratford Festival production of William Shakespeare’s Henry Vlll, directed by Brian Rintoul, photograph by Robert C. Ragsdale. Courtesy of the Stratford Festival Archives. Reproduced by permission.—Prospero and Miranda watch the storm in The Tempest, engraving by G. Romney. In The Dramatic Works of Shakespeare by John and Josiah Boydell, 1802.—Rackham, Arthur, illustrator. A scene from King Lear in Tales from Shakespeare. The Library of Congress.—Rain, Douglas, as Wolsey, and members of the Festival Company, in a scene from the 1961 Stratford Festival production of William Shakespeare’s Henry VIII, directed by George McCowan, photograph by Peter Smith. Courtesy of Stratford Festival Archives. Reproduced by permission.—Rain, Douglas, as Wolsey, Peter Donat as Surrey, Douglas Campbell as Henry VIII, John Vernon as Suffolk, and members of the Festival Company, in a scene from the 1961 Stratford Festival production of William Shakespeare’s Henry VIII, directed by George McCowan, photograph by Peter Smith. Courtesy of Stratford Festival Archives. Reproduced by permission.—Reid, Kate as Queen Katherine, Christine Bennett as Patience, Dinah Christie as Lady-in-Waiting, Barbara Collier as Singer, and Mary Anderson as Lady-in-Waiting, in a scene from the 1961 Stratford Festival production of William Shakespeare’s Henry VIII, directed by George McCowan, photograph by Peter Smith. Courtesy of Stratford Festival Archives. Reproduced by permission.—Thomas, Powys as Cymbeline, Mervyn Blake as Belarius, Stephen Markle as Arviragus, Leon Pownall as Guiderius, James Blendick as Caius Lucius, Maureen O’Brien as Imogen, Kenneth Welsh as Posthumus, Leo Ciceri as Iachimo, and members of the Festival Company, in a scene from the 1970 Stratford Festival production of William Shakespeare’s Cymbeline, directed by Jean Gascon, photograph by Douglas Spillane. Courtesy of Stratford Festival Archives. Reproduced by permission.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Com-Ann Marie Wiescinski parative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan