The Tempest (Vol. 84) | Copyright Page
ISSN 0883-9123
Volume 84
Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations
Michelle Lee
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Michelle Lee
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Jessica Bomarito, Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovi´c, Ellen McGeagh, Joseph Palmisano, Linda Pavlovski, Thomas J. Schoenberg, Lawrence J. Trudeau, Russel Whitaker
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Shakespearean Criticism, Vol. 84
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN SC, VOLUME 84, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
Comparative Drama, v. 73, summer, 1986; v. 29, spring, 1995-1996. Copyright © 1986, 1995-1996 by the Editors of Comparative Drama. All reproduced by permission.—Criticism, v. 44, 2002. Copyright © 2003 Wayne State University Press. All rights reserved. Reproduced by permission.—ELH, v. 34, June, 1967; v. 44, spring, 1977. Copyright © 1967, 1977 Johns Hopkins University Press. Both reproduced by permission.—New Statesman, v. 132, February 3, 2003; June 30, 2003. Copyright © 2003 by Statesman & Nation Publishing Company Limited. Both reproduced by permission.— Renaissance and Reformation/Renaissance et Reforme, v. 23, summer 1999. Copyright © 1999 by Canadian Society for Renaissance Studies/Societ´e Canadienne d’Etudes de la Renaissance. Reproduced by permission.—Renaissance Drama, v. 16, 1985; v. 25, 1994. Copyright © 1985, 1996 by Northwestern University Press. Both reproduced by permission.— Renaissance Drama, n.s. 31, 2002 for “Dirty Amens: Devotion, Applause, and Consent in Richard III” by Ramie Targoff. Edited by Jeffrey Mastern and Wendy Wall. Copyright © 2002 by Northwestern University Press. All rights reserved. Reproduced by permission.—Research Opportunities in Renaissance Drama, v. 29, 1986-1987. Reproduced by permission.—Shakespeare Bulletin, v. 21, winter, 2003 for “Review of The Tempest” by Thomas Larque. Copyright © 2003 Shakespeare Bulletin. Reproduced by permission of the publisher and the author.—Shakespeare Newsletter, springsummer, 1992. Copyright © 2001 by Iona College Department of English. Reproduced by permission.—Shakespeare Quarterly, v. 31, spring, 1980. Copyright © 1980 Folger Shakespeare Library. Reproduced by permission of John Hopkins University Press.—Studies in Iconography, v. 10, 1984-1986. Reproduced by permission.—Studies in Philology, v. 67, 1970; v. 99, fall, 2002. Copyright © 1970, 2002 by the University of North Carolina Press. Reproduced by permission.— Spectator, v. 286, May 5, 2001. Copyright © 2001 by Spectator. Reproduced by permission of Spectator.—Theatre Journal, v. 51, 1999. Copyright © 1999 by University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—Upstart Crow, v. 11, 1991; v. 13, 1993; v. 17, 1997. Copyright © 1991, 1993, 1997 Clemson University. All rights reserved. All reproduced by permission.—Variety, v. 375, July 26, 1999; v. 377, January 10, 2000; v. 379, June 12, 2000; v. 385, January 28, 2002; v. 386, March 18, 2002. Copyright © 1999, 2000, 2002 by Cahners Business Information. All reproduced by permission.
COPYRIGHTED MATERIAL IN SC, VOLUME 84, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Daniell, David. From The Tempest. Macmillan, 1989. Copyright © David Daniell 1989. All rights reserved. Reproduced by permission.—Davidson, Clifford. From “The Iconography of Illusion and Truth in The Winter’s Tale,” from a lecture delivered at the 1981 Ohio Shakespeare Conference, “Shakespeare and the Arts: Yesterday and Today.” Wright State University, 1981. All rights reserved. Reproduced by permission.—Davidson, Clifford. From “The Iconography of Wisdom and Folly in King Lear,”in Shakespeare and the Emblem: Studies in Renaissance Iconography and Iconology. Edited by Tibor Fabiny. Attila Jozsef University, 1984. Copyright © 1984 by Clifford Davidson. Reproduced by permission of the author.—de Somogyi, Nick. From the introduction to The Shakespeare Folios: Richard III. Edited by Nick de Somogyi. Nick Hern Books, 2002. Copyright © 2002 by Nick de Somogyi and Nick Hern Books. All rights reserved. Reproduced by permission.—Hall, Grace R. W. From The Tempest as Mystery Play: Uncovering Religious Sources of Shakespeare’s Most Spiritual Work. McFarland & Company, Inc., 1999. Copyright © 1999 Grace R. W. Hall. All rights reserved. Reproduced by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandpub.com.— Hamilton, Sharon. From Shakespeare’s Daughters. McFarland & Company, Inc., 2003. Copyright © 2003 Sharon Hamilton. All rights reserved. Reproduced by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandpub.com.—Hassel, R. Chris, Jr. From Songs of Death: Performance, Interpretation, and the Text of Richard III. University of Nebraska Press, 1987. Copyright © 1987 by University of Nebraska Press. All rights reserved. Reproduced by permission.—Kiséry, András. From “Emblems of the Polity: The Wounds of Rhetoric and of the Body Politic in Shakespeare’s Rome,” in The Iconography of Power: Ideas and Images of Rulership on the English Renaissance Stage. Edited by Gyorgy E. Szonyi and Rowland Wymer. Institute of English and American Studies, University of Szeged, 2000. Copyright © 2000 The Institute of English and American Studies, University of Szeged. Reproduced by permission.—Leggatt, Alexander. From the introduction to English Renaissance Comedy. Manchester University Press, 1999. Copyright © Alexander Leggatt 1999. Reproduced by permission.—MacKenzie, Clayton G. From Emblems of Mortality: Iconographic Experiments in Shakespeare’s Theatre. University Press of America, 2000. Copyright © 2000 by University Press of America, Inc. All rights reserved. Reproduced by permission.—McGrail, Mary Ann. From Tyranny in Shakespeare. Lexington Books, 2001. Copyright © 2001 by Lexington Books. All rights reserved. Reproduced by permission.—Mebane, John S. From Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and Shakespeare. University of Nebraska Press, 1989. Copyright © 1989 by the University of Nebraska Press. All rights reserved. Reproduced by permission.—Plasse, Marie A. From “Corporeality and the Opening of Richard III,”in Entering the Maze: Shakespeare’s Art of Beginning. Edited by Robert F. Willson, Jr. Peter Lang Publishing, Inc., 1995. Copyright © 1995 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Sanford, Rhonda Lemke. From “A Room Not of One’s Own: Feminine Geography in Cymbeline,”in Playing the Globe: Genre and Geography in English Renaissance Drama. Edited by John Gillies and Virginia Mason Vaughn. Fairleigh Dickinson University Press, 1998. Copyright © 1988 by Associated University Press. All rights reserved. Reproduced by permission.—Stephens, Charles. From Shakespeare’s Island: Essays on Creativity. Polygon, 1994. Copyright © Charles Stephens 1994. Reproduced by permission.—Vaughan, Virginia Mason and Alden T. Vaughan. From the introduction to The Arden Shakespeare: The Tempest. Edited by Virginia Mason Vaughan and Alden T. Vaughan. Thomas Nelson and Sons, Ltd., 1999. Copyright © 1999 Virginia Mason Vaughan & Alden T. Vaughan. Reproduced by permission.—Wayne, Valerie. From “The Woman’s Parts of Cymbeline,”in Staged Properties in Early Modern English Drama. Edited by Jonathan Gil Harris and Natasha Korda. Cambridge University Press, 2002. Copyright © 2002 by Cambridge University Press. Reproduced by permission.—Wickham, Glynne. From “Riddle and Emblem: A Study in the Dramatic Structure of Cymbeline,”in English Renaissance Studies: Presented to Dame Helen Gardner in Honour of Her Seventieth Birthday. Oxford University Press, 1980. Copyright © 1980 by Oxford at the Clarendon Press. Reproduced by permission.
PHOTOGRAPHS APPEARING IN SC, VOLUME 84, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Cymbeline, Act I, scene i. Posthumus, Imogen, Cymbeline, the Queen, and Lords. By W. Hamilton.—Cymbeline, Act I, scene ii. Imogen and Posthumus. By M. E. Edwards (artist) and G. Greatbach (engraver). Special Collections Library, University of Michigan. Reproduced by permission.—Cymbeline, Act II, scene ii. Imogen and Iachimo. Special Collections Library, University of Michigan. Reproduced by permission.—Cymbeline, Act II, scene iv. Iachimo, Philario, and Postumus. By R. Westall.—Cymbeline, Act III, scene iv. Pisanio and Imogen. By J. Hoppner, R. A., engraved by Robert Thew.— Cymbeline, Act III, scene vi. Imogen as Fidele. By R. Westall, R. A., engraved by T. Gaugain.—Cymbeline, Act IV, scene
ii. Guiderius, Belarius, Arviragus, and Imogen. By G. F. Sargent (artist) and John Woods (engraver). Special Collections Library, University of Michigan. Reproduced by permission.—Hamlet, Act V, scene i. Hamlet and Horatio in the graveyard, undated woodcut. Copyright © Bettmann/Corbis. Reproduced by permission.—Richard III, Act III, scene i. The Dukes of Gloucester and Buckingham, the young Duke of York and Prince Edward, Cardinal Bourchier, Catesby, and others. By James Northcote. Special Collections Library, University of Michigan. Reproduced by permission.—Richard III, Act IV, scene ii. Edmund Kean as Richard III. Theatre Royal, Drury Lane, London. Mezzotint by Charles Turner, 1814. Library of Congress.—Richard III, Act IV, scene iii. The murder of the princes, engraving. University of Michigan Library. Reproduced by permission.—Richard III, Act IV, scene iii. Tower Scene. By James Northcote. Special Collections Library, University of Michigan. Reproduced by permission.—Richard III, Act V, scene iii. Richard III and Ghosts. By Friedrich Pecht (artist) and Tob. Bauer (engraver), facing page 49. From Shakespeare Scenes and Characters; a Series of Illustrations, selected and arranged by E. Dowden. Special Collections Library, University of Michigan. Reproduced by permission.—Richard III, Act V, scene iv. Richard III at Bosworth field. By Robert Smirke (1826). Special Collections Library, University of Michigan. Reproduced by permission.—Richard III. Kenneth Branagh as Richard III at the Crucible Theatre in Sheffield, England, March 2002, photograph. AP/Wide World Photos. Reproduced by permission.—The Tempest, Act I, scene ii. Miranda, Prospero, Ariel, and Caliban, engraving. By Henry Fuseli. Special Collections Library, University of Michigan. Reproduced by permission.—The Tempest, Act II, scene ii. Trinculo, Stephano, and Caliban, engraving. By Robert Smirke. Special Collections Library, University of Michigan. Reproduced by permission.—The Tempest, Act IV, scene i. Ferdinand, Miranda, and Prospero, engraving. By Joseph Wright. Special Collections Library, University of Michigan. Reproduced by permission.—The Tempest, Act V, scene i. Ferdinand and Miranda, engraving. By Francis Wheatley. Special Collections Library, University of Michigan. Reproduced by permission.—The Tempest. Alec McCowen as Prospero and Sarah Woodward as Miranda in the Royal Shakespeare Company production at the Barbican Theatre. August, 1993, London, England, photograph. Copyright © Robbie Jack/Corbis. Reproduced by permission.—The Winters Tale. Anthony Sher as Leontes in the Royal Shakespeare Company production at the Barbican Theatre. January, 1999, London, England, photograph. Copyright © Robbie Jack/Corbis. Reproduced by permission.
Thomson Gale Literary Criticism Series Advisory Board
The members of the Thomson Gale Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.
Barbara M. Bibel
Librarian Oakland Public Library Oakland, California
Dr. Toby Burrows
Principal Librarian The Scholars’ Centre University of Western Australia Library Nedlands, Western Australia
Celia C. Daniel
Associate Librarian, Reference Howard University Washington, D.C.
David M. Durant
Reference Librarian Joyner Library East Carolina University Greenville, North Carolina
Nancy Guidry
Librarian Bakersfield Community College Bakersfield, Calafornia
Steven R. Harris
English Literature Librarian University of Tennessee Knoxville, Tennessee
Mary Jane Marden
Collection Development Librarian St. Petersburg Jr. College Pinellas Park, Florida
Heather Martin
Arts & Humanities Librarian University of Alabama, Sterne Library Birmingham, Alabama
Susan Mikula
Director Indiana Free Library Indiana, Pennsylvania
Thomas Nixon
Humanities Reference Librarian University of North Carolina, Davis Library Chapel Hill, North Carolina
Mark Schumacher
Jackson Library University of North Carolina
Gwen Scott-Miller
Assistant Director Sno-Isle Regional Library System Marysville, Washington
Donald Welsh
Head, Reference Services College of William and Mary, Swem Library Williamsburg, Virginia
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