The Taming of the Shrew (Vol. 77) | Further Reading
FURTHER READING
CRITICISM
Brooks, Charles. “Shakespeare's Romantic Shrews.” Shakespeare Quarterly 11, no. 3 (summer 1960): 351-56.
Suggests that Kate is based on the same notions of feminine nature as Shakespeare's more immediately sympathetic comic heroines, and that she possesses a keen wit, a passionate nature, and a strength of will that audiences admire.
Christensen, Ann C. “Petruchio's House in Postwar Suburbia: Reinventing the Domestic Woman (Again).” Post Script: Essays in Film and the Humanities 17, no. 1 (fall 1997): 28-42.
Considers mid-twentieth-century adaptations of The Taming of the Shrew, including Cole Porter's Kiss Me, Kate and Franco Zeffirelli's 1966 film version of the play, as they depict new definitions of domesticity in the postwar era.
Culpeper, Jonathan. “A Cognitive Approach to Characterization: Katherina in Shakespeare's The Taming of the...
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