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COPYRIGHTED EXCERPTS IN SC, VOLUME 56, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Cahiers Elisabethains, April, 1988 for “Rebellion, Class Consciousness, and Shakespeare’s 2 Henry VI,” by Michael Hattaway. Reproduced by permission of the publisher and the author.—College English, v. 58, February, 1996 for “Possible Pasts: Historiography and Legitimation in Henry VIII,” by Ivo Kamps. Copyright © by the National Council of Teachers of English. Reproduced by permission of the publisher and the author. —Criticism, v. 38, Summer, 1996; v. 41, Summer, 1999; v. 41, Winter, 1999. Copyright © by Wayne State University Press. Reproduced by permission of the publisher.— ELH, v. 55, Summer, 1988; v. 61, Fall, 1994; v. 65, Winter, 1998. Reproduced by permission of The Johns Hopkins University Press.—English Studies, v. 75, May, 1994; v. 79, September, 1998. Copyright © 1994, 1998 by Swets & Zeitlinger. Reproduced by permission.—Iowa State Journal of Research, v. 53, February, 1979. Reproduced by permission.—Journal of Medieval and Renaissance Studies, v. 22, Fall, 1992. Copyright © by Duke University Press, Durham, NC. Reproduced by permission.—Philological Quarterly, v. 70, 1991 for “History, Theatricality, and the ‘Structural Problem’ in the Henry IV Plays,” by Paul Yachnin; v. 74, Winter, 1995 for “King John and The Troublesome Raigne: Sources, Structure, Sequence,” by Brian Boyd. Copyright © by The University of Iowa. Reproduced by permission of the authors.—Shakespeare Quarterly, v. 29, 1978; v. 43, Winter, 1992; v. 50, Winter, 1999. Copyright © by The Folger Shakespeare Library. Reproduced by permission.—Shakespeare Studies Annual, v. XXVII, 1999. Copyright © 1999 by Associated University Presses, Inc. Reproduced by permission.—Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, v. 42, 1989 for “Truth and Art in History Plays” by G. K. Hunter; v. 43, 1991 for “The Politics of Conscience in All is True (or Henry VIII),” by Camille Wells Slights; v. 52, 1999 for “When All Is True: Law, History and Problems of Knowledge in Henry VIII,” by Barbara Kreps. Copyright © 1991, 1989, 1999 Cambridge University Press. Reproduced with the permission of Cambridge University Press and the authors.—Studies in Philology, v. 92, No. 4, Fall, 1995. Copyright © 1995 by the University of North Carolina Press. Reproduced by permission of the publisher.— Susquehanna University Studies, v. 10, 1978. Reproduced by permission.—University of Toronto Quarterly, v. 60, Winter, 1990 for “Elizabethan Civic Pageantry in Henry VI,” by Randall Martin. Copyright © by University of Toronto Press. Reproduced by permission of University of Toronto Press Incorporated.—The Yearbook of English Studies, v. 21, 1991; v. 23, 1993. Copyright © 1991, 1993 by The Modern Humanities Research Association. Reproduced by permission.

COPYRIGHTED EXCERPTS IN SC, VOLUME 56, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Brownlow, F. W. From Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of Athens. Copyright © 1977 by F. W. Brownlow. Reproduced by permission of Macmillan, London and Basingstoke.—Clemen, Wolfgang. From Shakespeare’s Styles: Essays in Honour of Kenneth Muir. Cambridge University Press. Copyright © 1980 by Cambridge University Press. Reproduced with the permission of Cambridge University Press and the author.— Holderness, Graham. From Shakespeare’s History. Gill and Macmillan, St. Martin’s Press, 1985. Copyright © 1985 by Graham Holderness. Reproduced in North America by permission of St. Martin’s Press, LLC, by Gill and Macmillan in the rest of the world.—Jones, Robert C. From These Valiant Dead: Renewing the Past in Shakespeare’s Histories. University of Iowa Press, 1991. Copyright © 1991 by the University of Iowa. Reproduced by permission.—Leech, Clifford. From Shakespeare: The Chronicles. Longmans, Green, & Co. Ltd., 1962. Copyright © 1962 by Clifford Leech. Reproduced by permission of the author.—Noll, Mark A. From “The Reformation and Shakespeare: Focus on Henry VIII,”in Shakespeare and the Christian Tradition. Edited by E. Beatrice Batson. Edwin Mellen Press, 1994. Copyright © 1994 by The Edwin Mellen Press. Reproduced by permission.—Pugliatti, Paola. From Shakespeare the Historian. Macmillan, 1996. Copyright © 1996 by Paola Pugliatti. Reproduced by permission of Macmillan, London and Basingstoke.—Ricks, Don M. From

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Shakespeare’s Emergent Form: A Study of the Structures of the Henry VI Plays. Utah State University Press, 1968. Reproduced by permission.—Riggs, David. From Shakespeare’s Heroical Histories: Henry VI and Its Literary Tradition. Harvard University Press, 1971. Copyright © 1971 by the President and Fellows of Harvard College. Reproduced by permission of Harvard University Press.—Robinson, Marsha. From “The Historiographic Methodology of King John,”in King John: New Perspectives. Edited by Deborah T. Curren-Aquino. Associated University Presses, 1989. Copyright © 1989 by Associated University Presses, Inc. Reproduced by permission.—Wikander, Matthew H. From The Play of Truth and State: Historical Drama from Shakespeare to Brecht. Johns Hopkins University Press, 1986. Copyright © 1986 by The Johns Hopkins University Press. Reproduced by permission of The Johns Hopkins University Press.

PHOTOGRAPHS APPEARING IN SC, VOLUME 56, WERE RECEIVED FROM THE FOLLOWING SOURCES:

A scene from William Shakespeare’s King John, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Engraving with Henry VIII in the center position, surrounded (clockwise) by engravings of Cardinal Wolsey, Queen Katherine, Cardinal Campeius, Duke of Norfolk, Duke of Suffolk, Gardiner, Anne Bullen, Earl of Surrey, Duke of Buckingham, and Cranmer. Special Collections Library, University of Michigan. Reproduced by permission.—Act I, scene iii from William Shakespeare’s Henry VI, Part 3, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act I, scene iv from William Shakespeare’s Henry VI, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act I, scene iv from William Shakespeare’s Henry VIII, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act II, scene i, from Shakespeare’s Henry VI, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act II, scene ii from William Shakespeare’s Henry VI, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act II, scene iv from William Shakespeare’s Henry VI, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act III, scene iii from William Shakespeare’s King John, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act III, scene iv from William Shakespeare’s King John, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act IV, scene i from William Shakespeare’s King John, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act IV, scene ii from William Shakespeare’s Henry VIII, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act IV, scene ii from William Shakespeare’s Henry VIII, engraving. Special Collections Library, University of Michigan. Reproduced by permission.—Act V, scene v from William Shakespeare’s Henry VIII, engraving. Special Collections Library, University of Michigan. Reproduced by permission.