Romeo and Juliet (Vol. 65) - Copyright Page

Romeo and Juliet (Vol. 65) - Copyright Page

ISSN 0883-9123

Volume 65

Excerpts from the Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations

Michelle Lee

Editor

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Library of Congress Catalog Card Number 86-645085
ISBN 0-7876-5240-7
ISSN 0883-9123
Printed in the United States of America

10987654321

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN SC, VOLUME 65, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Ben Jonson Journal, v. 6, 1999 for “The Present Tense: Shakespeare’s Sonnets and the Menaces of Time” by Robert L. Montgomery. Reproduced by permission of the author.—The Comparatist, v. 24, May, 2000 for “The Oriental Framework of Romeo and Juliet” by Abdulla Al-Dabbagh. Reproduced by permission of the publisher and the author.—Critical Quarterly, v. 29, Spring, 1987. Reproduced by permission of Blackwell Publishers.—Critical Survey, v. 5, 1993. Reproduced by permission.—English, v. 32, Autumn, 1983 for “’Tempus’ in The Tempest,” by D. S. McGovern. © The English Association, 1983. Reproduced by permission of the publisher and the author.—English Literary Renaissance,v. 16, Spring, 1986. Reproduced by permission.—English Studies, v. 77, May, 1996. © 1996; v. 78, January, 1997; September, 1997. © 1997, Swets & Zeitlinger. All reproduced by permission.—Essays in Criticism, v. 25, January, 1975 for “Time and the Trojans” by John Bayley. Reproduced by permission of the publisher and the author.—Essays in Literature, v. 14, Spring, 1987; v. 16, Spring, 1989. Both reproduced by permission.—Forum for Modern Language Studies, v. 35, January, 1999 for “’Adapted for Television’: David Thacker’s Measure for Measure,” by Stephen J. Phillips. Reproduced by permission of publisher and author.—Journal of English and Germanic Philology, v. 63, April, 1964 for “Time and The Tempest” by James E. Robinson. Reproduced by permission; v. 64, April, 1965 for “Shakespeare and the Abyss of Time” by Harold E. Toliver. Reproduced by permission of the publisher and the author.—Journal of the History of Ideas, v. 26, July-September, 1965. Reproduced by permission.—Literature-Film Quarterly, v. 25, April, 1997; v. 28, 2000. © copyright 1997 Salisbury State College. Both reproduced by permission.—Modern Language Review,v.71, April, 1976. Reproduced by permission.—Renascence, v. 39, Summer, 1987. Reproduced by permission.—Shakespeare Quarterly, v. 15, Summer, 1964; v. 20, Winter, 1969; v. 26, Winter, 1975; v. 47, Fall, 1996. © The Folger Shakespeare Library, 1964, 1969, 1975, 1996. All reproduced by permission. —Shakespeare Studies, v. 65, 1995. Reproduced by permission.—Shakespeare Survey, v. 39, 1987 for “Orson Welles’s Othello: A Study of Time in Shakespeare’s Tragedy” by Lorne M. Buchman. Reproduced by permission of Cambridge University Press and the author.—Studies in English Literature, 1500-1900, v. 2, Spring, 1962; v. 3, Winter, 1963; v. 27, Spring, 1987; v. 30, Spring, 1990; v. 36, Spring, 1996. All reproduced by permission.—Studies in Philology, v. 88, Summer, 1991. Reproduced by permission.—Theatre Journal,

v. 51, March, 1999. Reproduced by permission.—Times Literary Supplement, October 20, 2000. Reproduced by permission.—Variety, v. 382, March 26, 2001. Reproduced by permission.

COPYRIGHTED EXCERPTS IN SC, VOLUME 65, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Barish, Jonas. From Shakespeare’s Universe: Renaissance Ideas and Conventions. Edited by John M. Mucciolo. Scolar Press, 1996. Copyright © 1996 by Scolar Press. All rights reserved. Reproduced by permission.—Chedgzoy, Kate. From William Shakespeare: Measure for Measure. Northcote House, 2000. Copyright © 2000 by Northcote House. All rights reserved. Reproduced by permission.—Dollimore, Jonathan. From Political Shakespeare: New Essays in Cultural Materialism. Edited by Jonathan Dollimore and Alan Sinﬁeld. Manchester University Press, 1985. Copyright © 1985 by Manchester University Press. All rights reserved. Reproduced by permission.—Gulley, Ervene. From Law and Literature Perspectives. Edited by Bruce L. Rockwood. Peter Lang, 1996. Copyright © 1996 by Peter Lang. All rights reserved. Reproduced by permission.—Jorgens, Jack. From Romeo and Juliet: Critical Essays. Garland Publishing Inc., 1993. Copyright © 1993 by Garland Publishing Inc. All rights reserved. Reproduced by permission.— Levenson, Jill L. From an introduction to Romeo and Juliet by William Shakespeare. Edited by Jill L. Levenson. Oxford University Press, 2000. Copyright © 2000 by Oxford University Press. All rights reserved. Reproduced by permission.—McCandless, David. From Shakespearean Power and Punishment: A Volume of Essays. Edited by Gillian Murray Kendall. Associated University

Presses, 1998. Copyright © 1998 by Associated University Presses. All rights reserved. Reproduced by permission.— Moisan, Thomas. From In Another Country: Feminist Perspectives on Renaissance Drama. Edited by Dorothea Kehler and Susan Baker. The Scarecrow Press Inc., 1991. Copyright © 1991 by The Scarecrow Press Inc. All rights reserved. Reproduced by permission.—Porter, Joseph A. From Shakespeare’s Mercutio: His History and Drama. University of North Carolina Press, 1988. Copyright © 1988 by University of North Carolina Press. All rights reserved. Reproduced by permission.—Sypher, Wylie. From The Ethic of Time: Structures of Experience in Shakespeare. Seabury Press, 1976. Copyright © 1976 by Seabury Press. All right reserved. Reproduced by permission.—Turner, Frederick. From Shakespeare and the Nature of Time. Clarendon Press, 1971. Copyright © 1971 by Clarendon Press. All rights reserved. Reproduced by permission.—Westerweel, Bart. From Renaissance Culture in Context: Theory and Practice. Edited by Jean R. Brink and William F. Gentrup. Scolar Press, 1993. Copyright © 1993 by Scolar Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SC, VOLUME 65, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Bannen, Ian as Orlando and Vanessa Redgrave as Rosalind in a scene from As You Like It by William Shakespeare. Hulton/ Archive Photos, Inc. Reproduced by permission.—Blake, Mervyn as Montague, Joel Kenyon as Benvolio, Max Helpmann as Escalus, Kenneth Pogue as Capulet, Louise Marlowe as Juliet, and Christopher Walken as Romeo in a scene from the 1968 Stratford Festival production of Romeo and Juliet, written by William Shakespeare, directed by Douglas Campbell. Courtesy of Stratford Festival Archives. Reproduced by permission.—Bochner, Lloyd as the Duke, Peter Mews as the Constable, and Douglas Campbell as Pompey in a scene from the 1954 Stratford Festival production of Measure to Measure by William Shakespeare, directed by Cecil Clarke. Courtesy of Stratford Festival Archives. Reproduced by permission.—Brawley, Lucia as Juliet and Henry Clarke as Romeo in the 1999 production of Brush Up Your Shakespeare, photograph. AP/Wide World Photos. Reproduced by permission.—Cimolino, Antoni as Romeo and Megan Porter Follows as Juliet in a scene from the 1992 Stratford Festival production of Romeo and Juliet, written by William Shakespeare, directed by Richard Monette. Courtesy of Stratford Festival Archives. Reproduced by permission.—Forrest, Edwin as Macbeth, engraving c. 1840-1870. Courtesy of The Library of Congress. Reproduced by permission.—Gerussi, Bruno as Romeo and members of the Festival Company in a scene from the 1960 Stratford Festival production of Romeo and Juliet, by William Shakespeare, directed by Michael Langham. Courtesy of the Stratford Festival Archives. Reproduced by permission.—Henry, Martha as Isabella and William Hutt as the Duke in a scene from Measure for Measure by William Shakespeare, directed by Robin Phillips. Courtesy of Stratford Festival Archives. Reproduced by permission of Stratford Festival, William Hutt and Martha Henry.—Hutt, William as the Duke, Leslie Yeo as the Provost, Michael Fletcher as Escalus, Lewis Gordon as Pompey, Martha Henry as Isabella, and members of the Festival company in a scene from the 1975 Stratford Festival production of Measure for Measure, written by William Shakespeare, directed by Robin Phillips. Courtesy of Stratford Festival Archives. Reproduced by permission.—Larkin, Sheena as Mistress Overdone and Lewis Gordon as Pompey in a scene from the 1975 Stratford Festival production of Measure for Measure, written by William Shakespeare, directed by Robin Phillips. Courtesy of Stratford Festival Archives. Reproduced by permission.—Mason, James as Angelo and Lloyd Bochner as the Duke in a scene from the 1954 Stratford Festival production of Measure for Measure by William Shakespeare, directed by Cecil Clarke. Courtesy of Stratford Festival Archives. Reproduced by permission.—Rain, Douglas as Tybalt, Bruno Gerussi as Romeo, and Christopher Plummer as Mercutio in a scene from the 1960 Stratford Festival production of Romeo and Juliet, written by William Shakespeare, directed by Michael Langham. Courtesy of Stratford Festival Archives. Reproduced by permission.—Romeo and Juliet in the balcony scene, photograph.—Sim, Alastair as Prospero, photograph by John Pratt. Hulton/Archive Photos, Inc. Reproduced by permission.—Van Bridge, Tony as Escalus, William Needles as the Provost, Jackie Burroughs as Marianna, Douglas Rain as Angelo, William Hutt as the Duke, and Martha Henry as Isabella in a scene from the 1976 Stratford Festival production of Measure for Measure, written by William Shakespeare, directed by Robin Phillips. Courtesy of Stratford Festival Archives. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and deﬁne such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Ann Marie Wiescinski Comparative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan