Home > Shakespearean Criticism > Othello (Vol. 53) - Michael Neill (essay date 1998)
Othello (Vol. 53) - Michael Neill (essay date 1998)
Michael Neill (essay date 1998)
SOURCE: “‘Mulattos,’ ‘Blacks,’ and ‘Indian Moors’: Othello and Early Modern Constructions of Human Difference,” in Shakespeare Quarterly, Vol. 49, No. 4, Winter, 1998, pp. 361-74.
[In the following essay, Neill discusses the contradictory significance of race in Othello.]
“I think this play is racist, and I think it is not”:1 Virginia Vaughan's perplexed response to Othello is symptomatic of the problems faced by late-twentieth-century critics in approaching the racial dimensions of Shakespeare's play. For if the work of recent scholars has taught us anything about early modern constructions of human difference, it is that any attempt to read back into the early modern period an idea of “race” based on post-Enlightenment taxonomy is doomed to failure.2 To talk about race in Othello is to fall into anachronism; yet not to talk about it is to...
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- Introduction
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Criticism: Race
- Ruth Cowhig (essay date 1977)
- Phyllis Natalie Braxton (essay date 1990)
- James R. Andreas (essay date 1992)
- Kim Hall (essay date 1993)
- James R. Aubrey (essay date 1993)
- Margo Hendricks (essay date 1996)
- Janet Adelman (essay date 1997)
- Michael Neill (essay date 1998)
- Patrick C. Hogan (essay date 1998)
- Virginia Mason Vaughan (essay date 1998)
- Criticism: Gender Issues
- Criticism: Language And Imagery
- Criticism: Social Background
- Further Reading
- Copyright
