Much Ado about Nothing (Vol. 31) | Larry S. Champion (essay date 1970)

Larry S. Champion (essay date 1970)

SOURCE: "The Comedies of Identity," in The Evolution of Shakespeare's Comedy: A Study in Dramatic Perspective, Harvard University Press, 1970, pp. 60-95.

[In the following essay, Champion asserts that the "merry war" between Beatrice and Benedick is the central action of Much Ado about Nothing, contending that "the Hero-Claudio affair functions as a veil of fiction which maintains the clarity of the viewer's comic perspective on Benedick and Beatrice."]

In Much Ado about Nothing, Benedick, Beatrice, and Don John are depicted on the level of identity. The personality of Don John … does not alter in the course of the play, but the action results in exposing him to the surrounding characters for the hypocrite and would-be villain that he is. On the other hand, Benedick and Beatrice do develop; at the outset both consider themselves impervious to love—indeed their greatest pleasure is in...

[The entire page is 5175 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the:

Lookup any word on eNotes with our dictionary. Highlight the word and press SHIFT + D for a definition, or SHIFT + T for a synonym.