Home > Shakespearean Criticism > The Merchant of Venice (Vol. 77) - Toby Young (review date 10 November 2001)
The Merchant of Venice (Vol. 77) - Toby Young (review date 10 November 2001)
Toby Young (review date 10 November 2001)
SOURCE: Young, Toby. “Won Over.” Spectator 287, no. 9040 (10 November 2001): 88-9.
[In the following excerpted review of Loveday Ingram's feminist production of The Merchant of Venice, Young states that the male characters were too emasculated to be credibly seen as romantic figures.]
Jews are treated a good deal less sympathetically in the Royal Shakespeare Company's latest production of The Merchant of Venice. As directed by Loveday Ingram, Shylock is a villain of the first water and it takes all the ingenuity of Portia, played as a heroic mother-figure by Hermione Gulliford, to save Antonio and Bassanio from his clutches. This is an unashamedly feminist reading of the play, and, while it serves to enliven the courtroom confrontation between Shylock and Portia, the male principals are left so emasculated it's difficult to take them seriously as romantic figures. Bassanio (Paul...
[The entire page is 304 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Criticism: Overviews And General Studies
- Criticism: Character Studies
-
Criticism: Production Reviews
- Peter Marks (review date 13 January 1999)
- Hal Jensen (review date 2 July 1999)
- Matt Wolf (review date 2 August 1999)
- Robert Smallwood (review date 1999)
- John Simon (review date 14 February 2000)
- Alvin Klein (review date 5 November 2000)
- Robert Smallwood (review date 2000)
- Caryn James (review date 8 October 2001)
- Toby Young (review date 10 November 2001)
- Criticism: Themes
- Further Reading
- Copyright
