Home > Shakespearean Criticism > The Merchant of Venice (Vol. 77) - Robert Smallwood (review date 2000)
The Merchant of Venice (Vol. 77) - Robert Smallwood (review date 2000)
Robert Smallwood (review date 2000)
SOURCE: Smallwood, Robert. “Shakespeare Performances in England, 1999.” Shakespeare Survey 53 (2000): 244-73.
[In the following excerpted review, Smallwood describes Trevor Nunn's production of The Merchant of Venice for the National Theatre as brilliant, and praises the principal actors, particularly Henry Goodman's Shylock.]
There was no such sense of a one-man show about the National Theatre ensemble's second Shakespeare of the year, a production, again directed by Trevor Nunn, of The Merchant of Venice at the Cottesloe Theatre, played in traverse mode. Hildegard Bechtler's design placed the Venetian scenes of the play in the middle of the traverse in a Cabaret world of thirties dance music, elegant café tables on a black and white chequered floor, much drinking of champagne, the noisy young men of the Christian community in an impressive range of well-cut suits and blacks...
[The entire page is 1993 words long]
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Criticism: Production Reviews
- Peter Marks (review date 13 January 1999)
- Hal Jensen (review date 2 July 1999)
- Matt Wolf (review date 2 August 1999)
- Robert Smallwood (review date 1999)
- John Simon (review date 14 February 2000)
- Alvin Klein (review date 5 November 2000)
- Robert Smallwood (review date 2000)
- Caryn James (review date 8 October 2001)
- Toby Young (review date 10 November 2001)
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