Home > Shakespearean Criticism > The Merchant of Venice (Vol. 77) - Alvin Klein (review date 5 November 2000)
The Merchant of Venice (Vol. 77) - Alvin Klein (review date 5 November 2000)
Alvin Klein (review date 5 November 2000)
SOURCE: Klein, Alvin. “The Arguable Comedy in Merchant of Venice.” New York Times (5 November 2000): NJ11.
[In the following review, Klein assesses Richard Corley's production of The Merchant of Venice for the New Jersey Shakespeare Festival, contending that although it attempted to develop the play's romantic and comic features, it failed to offer an original take on Shakespeare's ambivalent treatment of Shylock.]
No kidding, The Merchant of Venice is a comedy.
Categorically speaking, that's not news to Shakespearean mavens, but it's invariably a surprise. The play is not a comic read, and it is rarely played for laughs. Richard Corley, the director of the New Jersey Shakespeare Festival's production here, seems hell-bent on proving that Merchant is merry and very romantic. We don't have to believe it, but it's a fair try.
In one of those...
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- Introduction
- Criticism: Overviews And General Studies
- Criticism: Character Studies
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Criticism: Production Reviews
- Peter Marks (review date 13 January 1999)
- Hal Jensen (review date 2 July 1999)
- Matt Wolf (review date 2 August 1999)
- Robert Smallwood (review date 1999)
- John Simon (review date 14 February 2000)
- Alvin Klein (review date 5 November 2000)
- Robert Smallwood (review date 2000)
- Caryn James (review date 8 October 2001)
- Toby Young (review date 10 November 2001)
- Criticism: Themes
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