Shakespearean Criticism

The Merchant of Venice (Vol. 40) | Further Reading

FURTHER READING

Berry, Ralph. "Discomfort in The Merchant of Venice." In Shakespeare and the Awareness of the Audience, pp. 46-26. London: Macmillan, 1985.

Analyzes the play's capacity to disturb and offend an audience and argues that the source of this discomfort is rooted in the depiction of the play's social transactions.

Bloom, Allan and Harry V. Jaffa. "On Christian and Jew: The Merchant of Venice" In Shakespeare's Politics, pp. 13-34. New York: Basic Books, Inc., 1964.

States that Shakespeare presents Shylock and Antonio as representatives of Judaism and Christianity, respectively, and argues that Shylock's fate is due in part to his status as a foreigner within the Christian community of Venice.

Cohen, Walter. "The Merchant of Venice and the Possibilities of Historical Criticism." ELH 49 (1982): 765-89.

Offers an overview of the play which combines both historical and structural...

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