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COPYRIGHTED MATERIAL IN SC, VOLUME 94, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Comitatus, v. 30, 1999. Reproduced by permission.—Comparative Drama, v. 37, spring, 2003. Copyright © 2003, by the Editors of Comparative Drama. Reproduced by permission.—Critical Survey, v. 11, 1999. Republished with permission of Berghahn Inc., conveyed through Copyright Clearance Center, Inc.—Daily Telegraph, July 25, 2003. Copyright © by Telegraph Group Limited 2003. Reproduced by permission.—English Literary Renaissance, v. 13, winter, 1983. Copyright © 1983 by English Literary Renaissance. Reproduced by permission of the editors.—Financial Times, March 23, 2002. Copyright © 2002 by Financial Times Information Ltd. Reproduced by permission.—Guardian, December 15, 2000; December 16, 2000; July 24, 2003. Copyright © 2000, 2003 by Guardian Publications Ltd. All reproduced by permission of Guardian Newspapers Limited.—Independent, May 27, 2000. Copyright © 2000 by Independent Newspapers (UK) Ltd. Reproduced by permission.—Journal of Politics, v. 43, February 12, 1981. Copyright © 1981 by Basil Blackwell Ltd. Reproduced by permission of Blackwell Publishing Ltd.—New Literary History, v. 29, summer, 1998. Copyright © 1998 by the Johns Hopkins University Press. Reproduced by permission.—New York Times, December 19, 1996. Copyright © 1996 by the New York Times Co. Reprinted with permission.—Observer, March 24, 2002 for “The King’s Cross” by Susannah Clapp. Copyright © 2002 by The Observer. Reproduced by permission of the author.—Religion and the Arts, v. 7, 2002. Copyright © 2002 by Koninklijke Brill, Leiden, The Netherlands. Courtesy of Brill Academic Publishers.— Renaissance Drama, v. 32, 2003. Copyright © 2003 by Northwestern University Press. All rights reserved. Reproduced by permission.—Shakespeare Survey, v. 10, 1957. Copyright © 1957 by Cambridge University Press. Reprinted with the permission of Cambridge University Press.—Studies in English Literature 1500-1900, v. 40, spring, 2000; v. 41, spring, 2001; v. 43, winter, 2003. Copyright © 2000, 2001, 2003 by the Johns Hopkins University Press. All reproduced by permission.—Times Literary Supplement, May 11, 2001; January 31, 2003. Copyright © 2001, 2003 by the Times Supplements Limited. All reproduced from the Times Literary Supplement by permission.

COPYRIGHTED MATERIAL IN SC, VOLUME 94, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Barbour, Kathryn. From “Flout ’em and Scout ’em and Scout ’em and Flout ’em: Prospero’s Power and Punishments in The Tempest,”in Shakespearean Power and Punishment: A Volume of Essays. Edited by Gillian Murray Kendall. Fairleigh Dickinson University Press, 1998. Copyright © 1998 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Bathory, Dennis. From “‘With Himself at War’: Shakespeare’s Roman Hero and the Republican Tradition,” in Shakespeare’s Political Pageant: Essays in Literature and Politics. Edited by Joseph Alulis and Vickie Sullivan. Rowman & Littlefield, 1996. Copyright © 1996 by Rowman & Littlefield Publishers, Inc. Reproduced by permission.—Besnault, Marie-Hélène, and Michel Bitot. From “Historical Legacy and Fiction: The Poetical Reinvention of King Richard III,”in The Cambridge Companion to Shakespeare’s History Plays. Edited by Michael Hattaway. Cambridge University Press, 2002. Copyright © 2002 by Cambridge University Press. Reprinted with the permission of Cambridge University Press.—Brotton, Jerry. From “‘This Tunis, sir, was Carthage’: Contesting Colonialism in The Tempest,”in Post-Colonial Shakespeares. Edited by Ania Loomba and Martin Orkin. Routledge, 1998. Copyright © 1998 by Jerry Brotton. Reproduced by permission of Taylor & Francis Books Ltd., and the author.—Bushnell, Rebecca W. From “Julius Caesar,” in A Companion to Shakespeare’s Works: Volume I, The Tragedies. Edited by Richard Dutton and Jean E. Howard. Blackwell, 2003. Copyright © 2003 by Basil Blackwell Ltd. Reproduced by permission of Blackwell Publishing Ltd.— Cantor, Paul A. From Shakespeare’s Rome: Republic and Empire. Cornell University Press, 1976. Copyright © 1976 by Cornell University. Used by permission of the publisher, Cornell University Press.—Dubrow, Heather. From “‘I fear there will a worse come in his place’: Surrogate Parents and Shakespeare’s Richard III,” in Maternal Measures: Figuring Caregiving in the Early Modern Period. Edited by Naomi J. Miller and Naomi Yavneh. Ashgate, 2000. Copyright © 2000 by Naomi J. Miller and Naomi Yavneh. All rights reserved. Reprinted with the permission of the author, the editors, and Cambridge University Press.—James, Heather. From “Cultural Disintegration in Titus Andronicus: Mutilating Titus, Vergil, and Rome,” in Violence in Drama: Themes in Drama, 13. Edited by James Redmond. Cambridge University Press, 1991. Copyright © 1991 by Cambridge University Press. Reprinted with the permission of Cambridge University Press and the author.—Kahn, Coppélia. From “Shakespeare’s Classical Tragedies,” in The Cambridge Companion to Shakespearean Tragedy. Edited by Claire McEachern. Cambridge University Press, 2002. Copyright © 2002 by Cambridge University Press. Reprinted with the permission of Cambridge University Press.—Kahn, Coppélia. From Roman Shakespeare: Warriors, Wounds, and Women. Routledge, 1997. Copyright © 1997 by Coppélia Kahn. All rights reserved. Reproduced by permission of Taylor & Francis Books Ltd., and the author.—Knowles, James. From “Insubstantial Pageants: The Tempest and Masquing Culture,” in Shakespeare’s Late Plays: New Readings. Edited by Jennifer Richards and James Knowles. Edinburgh University Press, 1999. Copyright © by James Knowles, 1999. Reproduced by permission.—Lee, Byung-Eun. From “Shakespeare’s Villeinizing of Jack Cade,” in Shakespeare’s Theories of Blood, Character, and Class: A Festschrift in Honor of David Shelley Berkeley. Edited by Peter C. Rollins and Alan Smith. Peter Lang, 2001. Copyright © 2001 by Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Liebler, Naomi Conn. From “King of the Hill: Ritual and Play in the Shaping of 3 Henry VI,”in Shakespeare’s English Histories: A Quest for Form and Genre. Edited by John W. Velz. Medieval & Renaissance Texts & Studies, 1996. Copyright © 1996 by Center for Medieval and Early Renaissance Studies State University of New York at Binghamton. Reproduced by permission of Arizona Board of Regents for Arizona State University.—Mack, Michael. From “The Consolation of Art in the Aeneid and The Tempest,”in Reading the Renaissance: Ideas and Idioms from Shakespeare to Milton. Edited by Marc Berley. Duquesne University Press, 2003. Copyright © 2003 by Duquesne University Press. All rights reserved. Reproduced by permission.—McNeely, Trevor. From Proteus Unmasked: Sixteenth-Century Rhetoric and the Art of Shakespeare. Lehigh University Press, 2004. Copyright © 2004 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Miola, Robert S. From “Shakespeare’s Ancient Rome: Difference and Identity,” in The Cambridge Companion to Shakespeare’s History Plays. Edited by Michael Hattaway. Cambridge University Press, 2002. Copyright © 2002 by Cambridge University Press. Reprinted with the permission of Cambridge University Press and the author.— Miola, Robert S. From “Cymbeline: Shakespeare’s Valediction to Rome,” in Roman Images: Selected Papers from the English Institute. Edited by Annabel Patterson. Johns Hopkins University Press, 1982. Copyright © 1983. Reprinted with permission of the Johns Hopkins University Press.—Paster, Gail Kern. From The Idea of the City in the Age of Shakespeare. The University of Georgia Press, 1985. Copyright © 1985 by the University of Georgia Press. Reproduced by permission.—Schlueter, Nathan. From “Prospero’s Second Sailing: Machiavelli, Shakespeare, and the Politics of The Tempest,”in Shakespeare’s Last Plays: Essays in Literature and Politics. Edited by Stephen W. Smith and Travis Curtright. Lexington Books, 2002. Copyright © 2002 by Rowman & Littlefield Publishers, Inc. Reproduced by permission.—Seed, Patricia. From “‘This Island’s mine’: Caliban and Native Sovereignty,” in The Tempest and Its Travels. Edited by Peter Hulme and William H. Sherman. Reaktion Books, 2000. Copyright © by Reaktion Books Ltd. 2000. All rights reserved. Reprinted by permission of the University of Pennsylvania Press.—Taylor, Mark. From Shakespeare’s Imitations. University of Delaware Press, 2002. Copyright © 2002 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Thomas, Vivian. From Shakespeare’s Roman Worlds. Routledge, 1989. Copyright © 1989 by Vivian Thomas. Reproduced by permission of Taylor & Francis Books Ltd., and the author.—Wells, Robin Headlam. From “Blessing Europe: Virgil, Ovid, and Seneca in The Tempest,”in Shakespeare and Intertextuality: The Transition of Cultures Between Italy and England in the Early Modern Period. Edited by Michele Marrapodi. Bulzoni Editore, 2000. Copyright © 2000 by Bulzoni Editore. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SC, VOLUME 94, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Antony and Cleopatra. Ryan, Robert as Antony and Katharine Hepburn as Cleopatra, photograph. Time Life Pictures/Getty Images. Reproduced by permission.—Coriolanus. Mr. Vandenhoff as Coriolanus, engraving, ca. 19th century. Copyright © Historical Picture Archive/Corbis. Reproduced by permission.—Henry VI, Part I. Joan of Arc in Prison, engraving. Copyright © Historical Picture Archive/Corbis. Reproduced by permission.—Henry VI, Part II. Lord Say brought before Jack Cade, photograph. Copyright © Bettmann/Corbis. Reproduced by permission.—Henry VI, Part III, Act II, scene v. Illustration depicting a battle scene in which a son has killed his father and a father has killed his son, by Josiah Boydell and John Ogborne. Shakespeare Collection, Special Collections Library, University of Michigan.—Julius Caesar. A scene from Julius Caesar, illustration. Copyright © Bettmann/Corbis. Reproduced by permission.—Richard III. Edmund Kean as Richard III, by H. Humphrey, May 7, 1814, George Cruikshank (1792-1878). The Library of Congress.—Richard III. Illustration of a scene depicting the murder of the two princes in the tower of London. From A Book about Shakespeare by J. N. McIlwraith, 1898.—The Tempest. Ariel, Stephano, Trinculo, and Caliban in a scene from The Tempest. From A Book about Shakespeare by J. N. McIlwraith, 1898.—The Tempest. Ferdinand and Miranda in Act I, scene ii of The Tempest. From Tales of Shakespeare; Illustration by Elizabeth Shippen Green Elliott (1871-1954). Library of Congress.—The Tempest.

Prospero and Miranda in a scene from The Tempest. From A Book about Shakespeare by J. N. McIlwraith, 1898.—Titus Andronicus. Bradley, David as Titus Andronicus at the Royal Shakespeare Theatre, Stratford-Upon-Avon, September 19, 2003, photograph. Copyright © Robbie Jack/Corbis. Reproduced by permission.