Editor

COPYRIGHTED EXCERPTS IN SC, VOLUME 57, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

AUMLA, n. 70, November, 1988. Reproduced by permission.—College Literature, v. XVI, Fall, 1989. Copyright © 1989 by West Chester University. Reproduced by permission.—Comparative Drama, v. 26, Winter, 1992-93; v. 27, Summer, 1993; v. 32, Spring, 1998. Copyright © 1993, 1998 by the Editors of Comparative Drama. Reproduced by permission.— Critical Quarterly, v. 12, 1970 for “Casting off the Old Man: History and St. Paul in Henry IV” by D. J. Palmer; v. 28, Spring-Summer, 1986. Reproduced by permission of Blackwell Publishers.—Criticism, v. XL, Fall, 1998. Copyright © 1998 Wayne State University Press. Reproduced by permission of the publisher.—ELH, v. 58, Summer, 1991. Copyright © 1991 by The Johns Hopkins University Press. Reproduced by permission.—English Literary Renaissance, v. 16, Spring, 1986 for “Macbeth’s War on Time,” by Donald W. Foster. Reproduced by permission of the publisher.—Essays in Literature, v. 14, Fall, 1987. Reproduced by permission.—Essays in Theatre, v. 9, November, 1990. Reproduced by permission.—Forum for Modern Language Studies, v. XXXIV, January, 1998. © Forum for Modern Language Studies 1998. All rights reserved. Reproduced by permission.—Interpretation, v. 16, Spring, 1989. © 1989 by Interpretation. Reproduced by permission.—Iowa State Journal of Research, v. 59, February, 1985. Reproduced by permission.—The Kentucky Review, v. 8, Summer, 1988. © copyright 1988, by the Editors of Comparative Drama. Reproduced by permission.—Philosophy and Literature, v. 19, 1995. Copyright © 1995 by The Johns Hopkins University Press. Reproduced by permission.—Proceedings of the British Academy, v. 76, April, 1990. © The British Academy 1991. Reproduced by permission.—Renaissance Drama, v. 21, 1990; v. 25, 1994. Reproduced by permission.—Renaissance Papers, 1991. Reproduced by permission.—Renaissance Studies, v. 11, March, 1997. © 1997 The Society for Renaissance Studies and Oxford University Press. Reproduced by permission.—Shakespeare Quarterly, v. 35, 1984; v. 36, 1985 for “Poetry and Plot in The Winter’s Tale” by Russ McDonald; v. 48, Spring, 1997. Reproduced by permission of the publisher and the authors.—Shakespeare Studies, v. 21, 1993. Reproduced by permission.—The Sixteenth Century Journal, v. 20, Spring, 1989. Copyright © 1989 by The Sixteenth Century Journal Publishers, Inc. All rights reserved. Reproduced by permission.—Studies in English Literature, 1500-1900, v. 31, Spring, 1991; v. 33, Spring 1993. Reproduced by permission.— Studies in the Literary Imagination, v. 32, Spring, 1999. Copyright © 1999 Department of English, Georgia State University. Reproduced by permission.—Texas Studies in Literature and Language, v. 15, 1974. Reproduced by permission.—Theatre Journal, v. 41, May, 1989. Copyright © 1989 by The Johns Hopkins University Press. Reproduced by permission.

COPYRIGHTED EXCERPTS IN SC, VOLUME 57, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Adelman, Janet. From ‘Born of Woman’: Fantasies of Maternal Power in Macbeth,”in Cannibals, Witches, and Divorce: Estranging the Renaissance. Edited by Marjorie Garber. The Johns Hopkins University Press, 1987. © 1987 The English Institute. All rights reserved. Reproduced by permission.—Berryman, John. From Berryman’s Shakespeare. Edited by John Haffenden. Farrar, Straus and Giroux, 1999. Copyright © 1999 by Kate Donahue Berryman. All rights reserved. Reproduced by permission of Farrar, Straus and Giroux, Inc.—Bradbrook, M. C. From “King Henry IV,” in Stratford Papers on Shakespeare. Edited by B. W. Jackson. McMaster University, 1965. Reproduced by permission.—Gay, Penny. From William Shakespeare’s As You Like It. Northcote House, 1999. © 1999 by Penny Gay. Reproduced by permission.— Hunter, Robert G. From “Shakespeare’s Comic Sense as It Strikes Us Today: Falstaff and the Protestant Ethic,” in Shakespeare, Pattern of Excelling Nature. Edited by David Bevington and Jay L. Halio. Associated University Presses, 1978. Reproduced by permission.—Middleman, Louis I. From “Henry IV, Part I: The Two Faces of Revolt,” in In Honor of Austin Wright. Carnegie-Mellon University, 1972. Copyright © by The Department of English, Carnegie-Mellon University.

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Reproduced by permission.—Tayler, Edward W. From Nature and Art in Renaissance Literature. Columbia University Press, 1964. Copyright © 1964 by Columbia University Press, New York. All rights reserved. Republished with permission of the Columbia University Press, 562 W. 113th St., New York, NY 10025.—Watson, Robert N. From Shakespeare and the Hazards of Ambition. Harvard University Press, 1984. © 1984 by the President and Fellows of Harvard College. Reproduced by permission of the publisher and the author.—Wofford, Susanne L. “’o You I Give Myself, For I Am Yours’: Erotic Performance and Theatrical Performatives in As You Like It,”in Shakespeare Reread: The Texts in New Contexts. Edited Russ McDonald. Copyright © 1994 by Cornell University. Used by permission of the publisher, Cornell University Press.

PHOTOGRAPHS APPEARING IN SC, VOLUME 57, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Act II, scene iii, from William Shakespeare’s The Winter’s Tale, from Smirke’s Illustrations, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Act V, scene iii, from William Shakespeare’s The Winter’s Tale, from the Boydell-Shakespeare Gallery, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Balogh, Peter as Henry IV and Jason Marr as Prince Hal in GreenStage’s 2000 production of William Shakespeare’s Henry IV, Part One, photograph by Ken Holmes. © GreenStage. Reproduced by permission.—From William Shakespeare’s The Winter’s Tale, from Gallerie des Personnages © facing p. 27, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—From William Shakespeare’s The Winter’s Tale, from Gallerie des Personnages © facing p. 29, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Gerussi, Bruno as MacDuff, Christopher Plummer as Macbeth, and members of the Festival Company in background, in the Stratford Festival’s 1962 production of William Shakespeare’s Macbeth, directed by Peter Coe, photograph. Courtesy of Stratford Festival Archives. Reproduced by permission.—Gielgud, Sir John as Macbeth in a 1942 publicity photo, photograph. AP/Wide World Photos. Reproduced by permission.—Gordon, Lewis as Falstaff in the 1979 Stratford Festival’s production of William Shakespeare’s Henry IV, Part Two, directed by Peter Moss, photograph. Courtesy of Stratford Festival Archives. Reproduced by permission.—Hepburn, Katharine as Rosalind in the 1950 Theatre Guild’s production of William Shakespeare’s As You Like It, photograph. AP/Wide World Photos. Reproduced by permission.— Mahaffey, Mike as Touchstone and Lisa Viertel as Audrey in GreenStage’s 1997 production of William Shakespeare’s As You Like It, photograph by Grace Reamer. © GreenStage. Reproduced by permission.—McKenna, Senna as Lady Macbeth in the Stratford Festival’s 1995 production of William Shakespeare’s Macbeth, directed by Marti Maraden, photograph. Courtesy of Stratford Festival Archives. Reproduced by permission.—McQuinn, Mark as Mortimer, Kathleen Ulrich as Lady Mortimer, Kimberly Atkinson as Lady Percy, and Barzin Akhavan as Hotspur in GreenStage’s 2000 production of William Shakespeare’s Henry IV, Part One, photograph by Ken Holmes. © GreenStage. Reproduced by permission.— Paltrow, Gwyneth as Rosalind in a 1999 revival of William Shakespeare’s As You Like It at the Williamstown Theatre, photograph. AP/Wide World Photos. Reproduced by permission.—Sorenson, Peter as Orlando and Erin Day as Rosalind in GreenStage’s 1997 production of William Shakespeare’s As You Like It, photograph by Grace Reamer. © GreenStage. Reproduced by permission.—Thomas, G. Valmont as Mistress Quickly in William Shakespeare’s Henry IV, Part 2 at the 1999 Oregon Shakespeare Festival, photograph. AP/Wide World Photos. Reproduced by permission.—Taylor, Valerie, April Olrich, and Anita Sharp Bolster as the witches in a 1960 production of Macbeth, directed by George Schaefer, photograph. The Kobal Collection. Reproduced by permission..