Home > Shakespearean Criticism > As You Like It (Vol. 90) - Sharon Hamilton (essay date 2003)
As You Like It (Vol. 90) - Sharon Hamilton (essay date 2003)
Sharon Hamilton (essay date 2003)
SOURCE: Hamilton, Sharon. “Daughters Who Act in Their Fathers' Stead: Portia (The Merchant of Venice), Viola (Twelfth Night), and Rosalind (As You Like It).” In Shakespeare's Daughters, pp. 125-50. Jefferson, N.C.: McFarland & Company, 2003.
[In the following excerpt, Hamilton discusses Rosalind in terms of her role as the authority figure who orchestrates much of the action in As You Like It.]
Rosalind, like her sister heroines, is made to fend for herself in the world. She, too, chooses male disguise as protection and release. Because her father is not dead but merely exiled, however, we get to see his influence at firsthand. More than the other two comedies, As You Like It anticipates the romances, particularly The Tempest and The Winter's Tale, in the idealization of a pastoral place where kindness and generosity prevail. The tone is more high-spirited and...
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- Introduction
- Criticism: Overviews And General Studies
- Criticism: Character Studies
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Criticism: Production Reviews
- Ben Brantley (review date 9 August 1999)
- Brendan Lemon (review date 16 August 1999)
- Alastair Macaulay (review date 3 April 2000)
- Ian Shuttleworth (review date 5 January 2001)
- Patrick Carnegy (review date 29 March 2003)
- Katherine Duncan-Jones (review date 4 April 2003)
- Alastair Macaulay (review date 20 August 2003)
- Criticism: Themes
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