Home > Shakespearean Criticism > As You Like It (Vol. 90) - Katherine Duncan-Jones (review date 4 April 2003)
As You Like It (Vol. 90) - Katherine Duncan-Jones (review date 4 April 2003)
Katherine Duncan-Jones (review date 4 April 2003)
SOURCE: Duncan-Jones, Katherine. “Fidelity in a Forest.” Times Literary Supplement, no. 5218 (4 April 2003): 20.
[In the following review, Duncan-Jones offers a mixed assessment of Gregory Thompson's Royal Shakespeare Company (RSC) staging of As You Like It, praising the principal actors' performances, but lamenting the director's emphasis on somberness and his gratuitous theatrical interpolations.]
As You Like It has always attracted adapters. The earliest performance record we have is not of the play itself, but of Charles Johnson's Love in a Forest (1723), which pasted bits of it together with extracts from several other plays, including Richard II. But this was one of Johnson's least successful ventures, running at Drury Lane for only five performances. Analogously, Francesco Veracini's baroque opera Rosalinda ran for a mere ten performances at...
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- Criticism: Overviews And General Studies
- Criticism: Character Studies
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Criticism: Production Reviews
- Ben Brantley (review date 9 August 1999)
- Brendan Lemon (review date 16 August 1999)
- Alastair Macaulay (review date 3 April 2000)
- Ian Shuttleworth (review date 5 January 2001)
- Patrick Carnegy (review date 29 March 2003)
- Katherine Duncan-Jones (review date 4 April 2003)
- Alastair Macaulay (review date 20 August 2003)
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