As You Like It (Vol. 34) | Peter Hyland (essay date 1978)
Peter Hyland (essay date 1978)
SOURCE: "Shakespeare's Heroines: Disguise in the Romantic Comedies," in Ariel: A Review of International English Literature, Vol. 9, No. 2, April, 1978, pp. 23-39.
[In the following excerpt, Hyland emphasizes the metadramatic aspects of As You Like It, highlighted by Rosalind's pretense of being a man in the play.]
Shakespeare clearly saw that to achieve the audience involvement that he wanted he had to allow the disguised heroine to dominate the play; even so, in As You Like It, because he still feels the need to justify the act of disguising he does not bring Ganymede into the play until II.iv. As Ganymede, Rosalind does dominate the play, but it is significant that until she takes on her male disguise she appears to be weaker than Celia. Celia it is who suggests the idea of flight and disguise, while Rosalind can only raise somewhat fearful objections:
...
[The entire page is 687 words long]
Navigate
