Home > Shakespearean Criticism > King Lear (Vol. 83) - Alan Rosen (essay date 2001)
King Lear (Vol. 83) - Alan Rosen (essay date 2001)
Alan Rosen (essay date 2001)
SOURCE: Rosen, Alan. “King Lear Without End: Shakespeare, Dramatic Theory, and the Role of Catastrophe.” In Dislocating the End: Climax, Closure and the Invention of Genre, pp. 6-26. New York: Peter Lang Publishing, Inc., 2001.
[In the following essay, Rosen examines the unconventional dramatic form of King Lear, particularly the appearance of the climax early in the play instead of at the end, where it traditionally occurs.]
That catastrophe informs the substance and texture of King Lear is clear. First performed in 1605-1606, a few years after James I assumed the throne, the play begins with a kingdom ruled by a majestic figure, presiding over a court of respectful and obedient subjects. However, the respect and obedience that grace Lear's court quickly dissipates; soon there is bitter internecine rivalry and eventually civil and international war. Meanwhile, the characters most...
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- Introduction
- Criticism: Overviews And General Studies
- Criticism: Character Studies
- Criticism: Production Reviews
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Criticism: Themes
- Sears Jayne (essay date spring 1964)
- Dean Frye (essay date March 1965)
- Joseph Wittreich (essay date 1984)
- Cherrell Guilfoyle (essay date 1990)
- June Schlueter (essay date 1995)
- Richard Knowles (essay date spring 1999)
- Susan Viguers (essay date March 2000)
- Michael Edwards (essay date autumn 2000)
- Alan Rosen (essay date 2001)
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