Henry VIII (Vol. 82) - Copyright Page

ISSN 0883-9123

Volume 82

Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations

Michelle Lee

Project Editor

Project Editor

Michelle Lee

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Julie Keppen, Michael L. LaBlanc, Thomas J. Schoenberg

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Shakespearean Criticism, Vol. 82

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of SC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN SC, VOLUME 82, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

The American Scholar, v. 71, autumn, 2002. Copyright © 2002 by the United Chapters of the Phi Beta Kappa Society. Reproduced by permission of the publishers.—Arena Magazine, August, 2000. Copyright 2000 by Arena Printing and Publications Pty. Ltd. Reproduced by permission.—The Centennial Review, v. XLII, winter, 1998. Republished with permission of The Centennial Review.—Cineaste, v. 25, summer, 2000. Copyright © 2000 by Cinema Guild. Reprinted by permission of the publisher.—College Literature, v. 19, February, 1992. Copyright 1992 by West Chester University. Reproduced by permission.—Comparative Drama, v. 34, winter, 2001. © Copyright 2001, by the Editors of Comparative Drama. Reproduced by permission.—English Language Notes, v. 38, September, 2000. © Copyright 2000, Regents of the University of Colorado. Reproduced by permission.—Hamlet Studies, v. 15, summer-winter, 1993; v. 17, summer-winter, 1995; v. 20, summer-winter, 1998. © 1993, 1995, 1998 by Hamlet Studies. All reproduced by permission of the author.— Modern Language Studies, v. XXV, spring, 1995 for “‘Lucrece the Chaste’: The Construction of Rape in Shakespeare’s The Rape of Lucrece” by Sara E. Quay. Copyright, Northeast Modern Language Association, 1995. Reproduced by permission of the publisher and the author.—Modern Philology, v. 97, August, 1999. Copyright © 1999 by The University of Chicago. Reproduced by permission.—Mosaic: A Journal for the Interdisciplinary Study of Literature, v. 35, September, 2002. Copyright Mosaic 2002. Reproduced by permission.—New York Times, v. 147, May 28, 1998; June 14, 1998; May 12, 2000; May 26, 2000; July 27, 2001; June, 2002. Copyright © 1998, 2000, 2001, 2002 by The New York Times Company. All reproduced by permission.—Proceedings of the British Academy, v. LXX, 1984. Copyright © 1985, by The British Academy. All rights reserved. Reproduced by permission.—Raritan: A Quarterly Review, v. 18, fall, 1998. Copyright © 1998 by Raritan: A Quarterly Review. Reproduced by permission.—Renaissance Quarterly, v. 52, winter, 1999. © 1999 Renaissance Society of America. Reproduced by permission.—Shakespeare Quarterly, v. 33, winter, 1982; v. 35, spring, 1984; v. 50, 1999. © The Johns Hopkins University Press. Reproduced by permission.—Shakespeare Studies: An Annual Gathering of Research, Criticism, and Reviews, v. VII, 1975; 1982. Copyright © 1975, 1982 by The Council for Research in the Renaissance. All rights reserved. Reproduced by permission.—The Spectator, v. 286, May 12, 2001. © 2001 by The Spectator. Reproduced by permission of The Spectator.—Texas Studies in Language and Literature, v. 33, fall, 1991 for “Palisading the Elizabethan Body Politic” by Linda Woodbridge. Copyright © 1991 by the University of Texas Press. Reproduced by permission of the publisher and the author.— Times Educational Supplement, v. 4486, June, 2002. Reproduced from The Times Educational Supplement by permission.—The Upstart Crow, v. 19, 1999. Copyright 1999 by Clemson University. Reproduced by permission.—Variety, v. 383, June 4, 2001; July 23, 2001. Copyright 2001 Cahners Business Information. Reproduced by permission.

COPYRIGHTED MATERIAL IN SC, VOLUME 82, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Barton, Anne. From “The Synthesizing Impulse,” in William Shakespeare’s A Midsummer Night’s Dream. Edited by Harold Bloom. Chelsea House Publishers, 1987. © 1987 by Chelsea House Publishers. Reproduced by permission of the author.—Burrow, Colin. From the introduction to Shakespeare: The Complete Sonnets and Poems. Edited by Colin Burrow. Oxford University Press, 2002. © by Colin Burrow 2002. All rights reserved. Reproduced by permission of Oxford University Press.—Dubrow, Heather. From “A Mirror for Complaints: Shakespeare’s Lucrece and Generic Tradition,” in Renaissance Genres: Essays on Theory, History, and Interpretation. Edited by Barbara Kiefer Lewalski. Harvard University Press, 1986. Copyright © by the President and Fellows of Harvard College 1986. All rights reserved. Reproduced by permission.—Foakes, R. A. From “Hamlet’s Neglect of Revenge,” in Hamlet: New Critical Essays. Edited by Arthur F. Kinney. Routledge, 2002. Copyright © 2002 by Arthur F. Kinney. All rights reserved. Reproduced by permission.—Halio,

Jay L. From the introduction to The Oxford Shakespeare: King Henry VIII, or All Is True by William Shakespeare and John Fletcher. Edited by Jay L. Halio. © 1999, by Jay L. Halio. All rights reserved. Reproduced by permission.— Hamilton, Sharon. From Shakespeare’s Daughters. McFarland & Company, Inc., Publishers, 2003. © 2003 by Sharon Hamilton. All rights reserved. Reproduced by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640, www.mcfarlandpub.com.—Hodgdon, Barbara. From The End Crowns All: Closure and Contradictions in Shakespeare’s History. Princeton University Press, 1991. Copyright © 1991, by Princeton University Press. All rights reserved. Reproduced by permission.—Leinwand, Theodore B. From “‘I Believe We Must Leave the Killing Out’: Deference and Accommodation in A Midsummer Night’s Dream,” in A Midsummer Nights Dream: Critical Essays. Edited by Dorothea Kehler. Garland Publishing, Inc., 1997. Copyright 1997 by Dorothea Kehler. Reproduced by permission of the publisher and the author.—Maroto Camino, Mercedes. From “’That Map Which Deep Impression Bears’: The Politics of Conquest in Shakespeare’s Lucrece,”in Shakespeare: World Views. Edited by Heather Kerr, Robin Eaden, and Madge Mitton. Associated University Presses, 1996. Copyright © 1996 by Associated University Presses. All rights reserved. Reproduced by permission.—Nevo, Ruth. From “Fancy’s Images,” in William Shakespeare’s A Midsummer Night’s Dream. Edited by Harold Bloom. Chelsea House Publishers, 1987. © 1987 by Chelsea House Publishers. Reproduced by permission of the author.— Pearlman, E. From William Shakespeare: The History Plays. Twayne Publishers, 1992. Copyright © 1992, by Twayne Publishers. All rights reserved. Reproduced with permission of the Gale Group.—Rhoads, Diana Akers. From Shakespeare’s Defense of Poetry: A Midsummer Night’s Dream and The Tempest. Copyright 1985 by University Press of America. Reproduced by permission.—Richmond, Hugh M. From Shakespeare’s English Histories: A Quest for Form and Genre. Medieval and Renaissance Texts and Studies, 1996. Copyright © 1996, by the Center for Medieval and Early Renaissance Studies, State University of New York at Binghampton. All rights reserved. Reproduced by permission.— Smidt, Kristian. From Unconformities in Shakespeare’s History Plays. Macmillan, 1982. Copyright © 1982, by Kristian Smidt. All rights reserved. Reproduced by permission of Macmillan, an imprint of Simon & Schuster Macmillan.—Wiles, David. From Shakespeare’s Almanac: A Midsummer Night’s Dream: Marriage and the Elizabethan Calendar. © David Wiles 1993. Reproduced by permission.—Wiles, David. From “The Carnivalesque in A Midsummer Night’s Dream,”in Shakespeare and Carnival After Bakhtin. Edited by Ronald Knowles. St. Martin’s Press, Inc. Copyright 1998 by Macmillan Press Ltd. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SC, VOLUME 82, WERE RECEIVED FROM THE FOLLOWING SOURCES:

A Midsummer Night’s Dream, Act II, scene ii, Helena, Demetrius, Oberon, and fairies by G. F. Sargent (artist) and J. Woods (engraver). From Shakespeare Illustrated, in a Series of Landscapes & Architectural Designs, by G. F. Sargent. Special Collections Library, University of Michigan. Reproduced by permission.—A Midsummer Night’s Dream, Act II, scene ii, Oberon and Titania. By Paul Thumann (artist), facing page 96. From Shakespeare in Art by Sadakichi Hartmann, Boston: L. C. Page, 1901. Special Collections Library, University of Michigan. Reproduced by permission.—A Midsummer Night’s Dream, Act II, scene ii, Puck and Oberon. By Robert Smirke (artist) and William Greatbatch (engraver), plate 8. From Smirkes Illustrations to Shakespeares Works (London, 1821-29). Special Collections Library, University of Michigan. Reproduced by permission.—A Midsummer Night’s Dream, Act III, scene i, Bottom, Peaseblossom, Cobweb, Moth, Mustardseed, and Titania in A Midsummer Night’s Dream.—A Midsummer Night’s Dream, Act III, scene i, Titania and Bottom by H. Fuseli, R. A., engraved by R. Rhodes.—A Midsummer Night’s Dream, Act IV, scene i, Hippolyta, Theseus, Demetrius, Lysander, Helena, Hermia, and Egeus. By Charles Geoffroy (artist), facing page 15. From Galerie des Personnages de Shakespeares by Medee Pichots (1795-1877), Paris. Special Collections Library, University of Michigan. Reproduced by permission.—A Midsummer Night’s Dream, Act IV, scene i, Oberon, Puck, Titania, Bottom, and fairies, by Henry Fuseli (n.d.).—A Midsummer Night’s Dream, title page of the first Quarto, 1600.—Hamlet, Abraham Sofaer as the King and Dorothy Greene as the Queen in a 1935 production of Shakespeare’s Hamlet at the Old Vic, London, England, UK, April 29, 1935, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Hamlet, Act III, scene i, Mel Gibson as Hamlet and Helena Bonham Carter as Ophelia in the 1999 film adaptation of Hamlet directed by Franco Zeffirelli. Paramount/The Kobal Collection. Reproduced by permission.—Hamlet, Act III, scene iv, Hamlet, the Queen, and the Ghost, engraving.—Hamlet, Act V, scene i, Paul Rhys as Hamlet in a production of Hamlet at the Young Vic Theatre in London, England, April 1999, photograph. © Robbie Jack/Corbis. Reproduced by permission.—Hamlet, Michael Maloney as Laertes and Kenneth Branagh as Hamlet in Act V, scene ii of the 1996 film adaptation of Hamlet directed by Kenneth Branagh. Castle Rock Entertainment/The Kobal Collection/Moutain, Peter. Reproduced by permission.—Henry VIII, Act I, scene i, Wolsey and Buckingham. By Solomon Hart (artist) and C. Roberts (engraver), facing page 19. From Shakespearean Scenes and Characters from Betterton to Irving by Austin Brereton. London and New York: Cassell, 1886. Special Collections Library, University of Michigan. Reproduced by permission.—Henry VIII, Act III, scene ii, Wolsey, Norfolk, Suffolk, Surrey, and Chamberlain, by Richard Westall (n.d.).—Henry VIII, Act IV, scene ii, Katherine’s Dream.— Henry VIII, Paul Jesson as King Henry VIII and Jane Lapotaire as Queen Katherine in a production of Henry VIII at RSC/ Swan Nov. 26, 1996, photograph. © Donald Cooper/Photostage. Reproduced by permission.—Rape of Lucrece, 1594, title page.—Rape of Lucrece, frontispiece to the Rowe edition of William Shakespeare’s The Rape of Lucrece, (1714), photograph. Reproduced by the permission of the Department of Rare Books and Special Collections Library, University of Michigan Library.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Barbara M. Bibel

Librarian Oakland Public Library Oakland, California

Dr. Toby Burrows

Principal Librarian The Scholars’ Centre University of Western Australia Library Nedlands, Western Australia

Celia C. Daniel

Associate Librarian, Reference Howard University Washington, D.C.

David M. Durant

Reference Librarian Joyner Library East Carolina University Greenville, North Carolina

Nancy Guidry

Librarian Bakersfield Community College Bakersfield, Calafornia

Steven R. Harris

English Literature Librarian University of Tennessee Knoxville, Tennessee

Mary Jane Marden

Collection Development Librarian St. Petersburg Jr. College Pinellas Park, Florida

Heather Martin

Arts & Humanities Librarian University of Alabama, Sterne Library Birmingham, Alabama

Susan Mikula

Director Indiana Free Library Indiana, Pennsylvania

Thomas Nixon

Humanities Reference Librarian University of North Carolina, Davis Library Chapel Hill, North Carolina

Mark Schumacher

Jackson Library University of North Carolina

Gwen Scott-Miller

Assistant Director Sno-Isle Regional Library System Marysville, Washington

Donald Welsh

Head, Reference Services College of William and Mary, Swem Library Williamsburg, Virginia