Project Editor

COPYRIGHTED MATERIAL IN SC, VOLUME 74, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

College English, v. 28, April 1967 for “Twelfth Night and the Meaning of Shakespearean Comedy,” by Elias Schwartz. Copyright © the National Council of Teachers of English. Reproduced by permission of the publisher and the author.— Commentary, v. 103, February 1997 for a review of Twelfth Night, by Donald Lyons. Copyright 1997 by the American Jewish Committee. All rights reserved. Reproduced by permission of the publisher and the author.—ELH, v. 31, September 1964. Reproduced by permission.—Entertainment Design, v. 34, October 2000. Copyright 2000, Intertec Publishing. Reproduced by permission.—Literature and Psychology, v. 22, 1972. © Editor 1972. Reproduced by permission of Literature & Psychology: A Psychoanalytic and Cultural Criticism.—Literature/Film Quarterly, v. 28, 2000. © copyright 2000 Salisbury State College. Reproduced by permission.—Modern Language Studies, v. 30, Spring 2000, for “No Rainbow without the Sun: Visibility and Embodiment in 1 Henry VI,” by Lisa Dickson. Copyright Northeast Modern Language Association 2000. Reproduced by permission of the publisher and author.—Mosaic, v. 29, June 1996. © Mosaic 1996. Acknowledgment of previous publication is herewith made.—The New Republic, v. 219, September 7, 1998. © 1998 The New Republic, Inc. Reproduced by permission of The New Republic.—The New York Times, August 21, 2000. Copyright © 2000 by The New York Times Company. Reproduced by permission—Philological Quarterly, v. 79, Spring 2000, for “Frozen with Fear: Virgil’s Aeneid and Act 4, Scene 1, of Shakespeare’s The Second Part of King Henry VI,”by George F. Butler. Copyright © 2000 by the University of Iowa. Reproduced by permission of the author.—Queen’s Quarterly, v. 90, Spring 1983 for “The Two Gentlemen of Verona: Shakespearean Comedy as a Rite of Passage,” by Arthur Holmberg. Reproduced by permission of the author.—Renaissance Quarterly, v. 54, Winter 2001. Reproduced by permission.—The Review of English Studies, v. 52, 2001. “Comfortable Doctrine: Twelfth Night and the Trinity,” by Paul Dean. © Oxford University Press 2001. Reproduced by permission of Oxford University Press and the author.—The Shakespeare Newsletter, v. 50, Winter 2000/2001. Reproduced by permission.—Shakespeare Quarterly, v. 16, Spring 1965; v. 24, Summer 1973; v. 29, Winter 1978; v. 33, Spring 1982; v. 47, Spring 1996; v. 50, Autumn 1999; v. 51, Autumn 2000; v. 52, Winter 2000-2001. All reproduced by permission.—Shakespeare Studies, v. 22, 1994. © 1994 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, v. 50, 1997 for “Secrecy and Gossip in Twelfth Night,” by John Kerrigan; v. 52, 1999 for “Gulls, Cony-Catchers and Cozeners: Twelfth Night and the Elizabethan Underworld,” by Angela Hurworth; v. 52, 1999, for “Shakespeare Performances in England, 1998,” by Robert Smallwood. All reproduced by permission of Cambridge University Press.—Studies in English Literature 1500-1900, v. 35, Spring 1995; v. 42, 2002. Both reproduced by permission.—TCI: The Business of Entertainment Technology and Design, v. 31, February 1997. © Intertec Publishing Corp. All rights reserved. Reproduced by permission.—Theatre Journal, v. 51, 1999. © 1999, University and College Theatre Association of the American Theatre Association. Reproduced by permission of the Johns Hopkins University Press.—USA Today, July 17, 1998. Copyright 1998, USA Today. Reproduced by permission.—Variety, v. 380, August 28-September 3, 2000. Reproduced by permission.

COPYRIGHTED MATERIAL IN SC, VOLUME 74, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Charney, Maurice. From Julius Caesar. Edited by Maurice Charney. Applause, 1996. Copyright © 1996 by Applause Books. All rights reserved. Reproduced by permission.—Cox, John D., and Eric Rasmussen. From King Henry VI Part 3. Edited by John D. Cox and Eric Rasmussen. Arden Shakespeare, 2001. Editorial material copyright © 2001 by John D. Cox and Eric Rasmussen. All rights reserved. Reproduced by permission.—Girard, René. From New Casebooks: Julius Caesar. Edited by Richard Wilson. Palgrave, 2002. Introduction, selection, and editorial matter copyright © 2002 by Richard Wilson. All rights reserved. Reproduced by permission.—Hamer, Mary. From William Shakespeare: Julius Caesar. Northcote House Publishers Ltd., 1998. Copyright © 1998 by Mary Hamer. All rights reserved. Reproduced by permission.—Hodgdon, Barbara. From Transforming Shakespeare: Contemporary Women’s Re-Visions in Literature and Performance. Edited by Marianne Novy. St. Martin’s Press, 1999. Copyright © 1999 by Marianne Novy. All rights reserved. Reproduced by permission.—Knights, L. C. From “Hamlet” and Other Shakespearean Essays. Cambridge University Press, 1979. Copyright © 1979 by L. C. Knights. All rights reserved. Reproduced by permission of Cambridge University Press.—Kujawinska-Courtney, Krystyna. From “Th’ Interpretation of the Time”: The Dramaturgy of Shakespeare’s Roman Plays. University of Victoria, 1993. Copyright © 1993 by Krystyna Kujawinska-Courtney. All rights reserved. Reproduced by permission of the publisher and author.—Leech, Clifford. From The Arden Edition of the Works of William Shakespeare: The Two Gentlemen of Verona. Edited by Clifford Leech. Methuen and Co., 1969. Editorial matter copyright © 1969 by Methuen and Co. All rights reserved. Reproduced by permission.—Magro, Marla F. and Mark Douglas. From Retrovisions: Reinventing the Past in Film and Fiction. Edited by Deborah Cartmell, I.Q. Hunter, and Imelda Whelehan. Pluto Press, 2001. Copyright © 2001 by Deborah Cartmell, I.Q. Hunter, and Imelda Whelehan. All rights reserved. Reproduced by permission.—Martin, Randall. From Henry VI Part Three. Edited by Randall Martin. Oxford University Press, 2001. Copyright © 2001 by Randall Martin. All rights reserved. Used by permission of Oxford University Press, Inc.—Osborne, Laurie. From Spectacular Shakespeare: Critical Theory and Popular Cinema. Edited by Courtney Lehmann and Lisa S. Starks. Farleigh Dickinson University Press, 2002. Copyright © 2002 by Rosemont Publishing & Printing Corp. All rights reserved. Reproduced by permission.—Rowse, A. L. From The Contemporary Shakespeare Series: Antony and Cleopatra, Measure for Measure, The Merry Wives of Windsor, Troilus and Cressida, The Two Gentlemen of Verona, Volume V. Edited by A. L. Rowse. University Press of America, 1986. Copyright © 1986 by A. L. Rowse. All rights reserved. Reproduced by permission.—Timpane, John. From The Two Gentlemen of Verona: Critical Essays. Edited by June Schlueter. Garland Publishing, Inc., 1996. Copyright © 1996 by June Schlueter. All rights reserved. Reproduced by permission of Routledge, Inc., part of Taylor & Francis Group and the author.—Warren, Roger, and Stanley Wells. From Twelfth Night, or What You Will. Edited by Roger Warren and Stanley Wells. Clarendon Press, 1994. Copyright © 1994 by Roger Warren and Stanley Wells. All rights reserved. Reproduced by permission.

PHOTOGRAPHS APPEARING IN SC, VOLUME 74, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Brutus and the Ghost of Caesar in Julius Caesar, engraving by Sir Joseph Noel Patton. The Library of Congress. Reproduced by permission.—Charles the Dauphin and Joan de Pucelle in Act I, scene ii of Henry VI, Part I, engraving by

J. Ballin after a painting by Mrs. E. M. Ward. The Library of Congress.—Driscoll, Tony, as Cassius in Act I, scene ii of the 1997 GreenStage production of Julius Caesar, photograph by Grace Reamer. © GreenStage. Reproduced by permission.— Driscoll, Tony, as Cassius and Tom Nabhan as Brutus in Act I, scene ii of the 1997 GreenStage production of Julius Caesar, photograph by Grace Reamer. © GreenStage. Reproduced by permission.—Feste in Act IV, scene ii of Twelfth Night, illustration by W. Heath Robinson. The Library of Congress. Reproduced by permission.—Gurnett, Jane, as Olivia and Sylvestra Le Touzel as Viola in a scene from the 1991 production of Twelfth Night at Stratford Upon Avon, photograph by Robbie Jack. Corbis. Reproduced by permission.—Julia (disguised as Sebastian), Silvia, Valentine, and Proteus in Act V, scene iv of The Two Gentlemen of Verona, photograph by W. Holman Hunt.—Malvolio in a scene from Twelfth Night, engraving by Robert Staines, from a painting by Daniel Maclise. The Library of Congress.—Miles, Ben, as Proteus and Dominic Arnold as Valentine in a scene from the 1993 Royal Shakespeare Company production of The Two Gentlemen of Verona, photograph by Robbie Jack. Corbis. Reproduced by permission.—Nabhan, Tom, as Brutus in Act III, scene i of the 1997 GreenStage production of Julius Caesar, photograph by Grace Reamer. © GreenStage. Reproduced by permission.— Nabhan, Tom, as Brutus and David Russo as Marc Antony in Act III, scene i of the 1997 GreenStage production of Julius Caesar, photograph by Grace Reamer. © GreenStage. Reproduced by permission.—Nabhan, Tom, as Brutus and Erin Day as Portia in Act II, scene i of the 1997 GreenStage production of Julius Caesar, photograph by Grace Reamer. © Green-Stage. Reproduced by permission.—Proteus, Julia (disguised as Sebastian), Launce, and Crab in Act IV, scene iv of The Two Gentlemen of Verona, photograph.—Russo, David, as Marc Antony in Act III, scene i of the 1997 GreenStage production of Julius Caesar, photograph by Grace Reamer. © GreenStage. Reproduced by permission.—Scates, Malcolm, as Fabian, John Quayle as Sir Andrew Augecheek, and David Calder as Sir Toby Belch in a scene from the 1997 Royal Shakespeare Company production of Twelfth Night, photograph by Robbie Jack. Corbis. Reproduced by permission.—Somerset, Suffolk, Warwick, Richard Plantagenet, Vernon, and a lawyer in Act II, scene iv of Henry VI, Part 1, artwork by John Boydell.—Title page of the First Folio edition of Henry VI, photograph.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian

The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher

David M. Durant

Jackson Library Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Assistant Director of Materials and Programming University of Tennessee Sno-Isle Regional Library System