Jan 2, 2010
SOURCE: Kermode, Frank. “Cymbeline.” In William Shakespeare: The Final Plays, pp. 19-29. London: Longmans, Green & Co., 1963.
[In the following excerpt, Kermode calls Cymbeline one of Shakespeare's most oblique works but nonetheless finds it to be a “superb play.” Kermode also considers the play's sources, language, plot, characterization, and themes.]
Heminge and Condell placed Cymbeline with the tragedies. Perhaps the printing was held up by copyright difficulties; perhaps they were puzzled as to the category of so strange a play, by the unprecedented mixture of ancient Britain and modern Italy, comedy and tragedy, history and romance. Dr. Johnson was severe upon these inconsistencies:
This play has many just sentiments, some natural dialogue, and some pleasing scenes, but they are obtained at the expense of much incongruity. To remark the folly of the...
[The entire page is 3650 words long]
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