The Seafarer | The Manner in which Language Informs The Seafarer
Michael Lake, a published poet who holds an M.A. in English from Eastern Illinois University, currently teaches English in a Denver area community college. In the following essay, Lake examines the manner in which language informs “The Seafarer.”
If every artistic act is ultimately a social act, then poems as verbal artifacts cannot be removed from their social milieu, the totality of ambient conditions and circumstances existing among poet and audience at the time of the poems’ creation and reception.
In other words, poems as socially and temporally conditioned expressions of meaning can only be decoded from within psycho-social and intellectual perspectives of the era in which they were written and first read. But if this is so, we may well ask whether any poem like “The Seafarer” could ever be understood on its own merits...
[The entire page is 2923 words long]
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