The Scarlet Letter | Copyright

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NfS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 1, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Ball State Teachers College Forum, v. VI, Winter, 1965. © 1965, renewed 1993 Ball State University. Reprinted by permission of the publisher.

The CEA Critic, v. 36, November, 1973. Copyright © 1973 by the College English Association, Inc. Reproduced by permission.

CIA Journal, v. XXH, June, 1979. Copyright, 1979 by The College Language Association. Reproduced by permission of The College Language Association. CIA Journal, v. XXXVI, December, 1992. Copyright, 1992 by The College Language Association. Reproduced by permission of The College Language Association. Critical Inquiry, v. 10, March, 1984. Copyright © 1984 by The University of Chicago Reproduced by permission.

Los Angeles Times Book Review, April 17, 1988. Copyright, 1988, Los Angeles Times. Reproduced by permission. Los Angeles Times Book Review, March 12,1989. Copyright, 1989, Los Angeles Times Reproduced by permission.

MELUS, v. 10, Fall, 1983. Copyright, MELUS, The Society for the Study of Multi-Ethnic Literature of the United States, 1983. Reproduced by permission.

The Midwest Quarterly, v. XV, January, 1974. Copyright, 1974, by The Midwest Quarterly, Pitts-burg State University. Reproduced by permission.

Modern Fiction Studies, v. XIV, Autumn, 1968. Copyright © 1968 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.

Modern Language Quarterly, v. XXV, December, 1964. © 1966, renewed 1994 University of Washington. Reproduced by permission of Duke University Press.

The Nation, New York, v. 246, April 23,1988. Copyright 1988 The Nation magazine/The Nation Company, Inc. Reproduced by permission.

The New Republic, v. 164, May 8, 1971. © 1971 The New Republic, Inc. Reproduced by permission of The New Republic. The New York Review of Books, June 10, 1976. Copyright © 1976 Nyrev Inc. Reproduced with permission from The New York Review of Books.

The New York Times Book Review, March 19, 1989 Copyright © 1989 by The New York Times Company. Reproduced by permission.

Nineteenth-Century Fiction, v 19, September, 1964 for "Arthur Dimmesdale as Tragic Hero" by Bruce Ingham Granger. © 1964, renewed 1992 by The Regents of the University of California. Reprinted by permission of the publisher and the author.

Notes and Queries, v. 190, June 15, 1946 for "The Noble Savage in Mary Shelley's Frankenstein" by Milton Millhauser. © Oxford University Press. Reproduced by permission of the publisher and the Literary Estate of Milton Millhauser.

Women's Studies: An Interdisciplinary Journal, v 12, February, 1986. © Gordon and Breach Science Publishers. Reproduced by permission

COPYRIGHTED EXCERPTS EV NFS, VOLUME 1, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Adams, Timothy Dow. From Telling Lies in Modern American Autobiography. The University of North Carolina Press, 1990. © 1990 The University of North Carolina Press. All rights reserved. Reproduced by permission of the publisher and the author.

Baker, Carlos. From "Chapter 17," in The American Novel from Cooper to Faulkner. Edited by Wallace Stegner. Basic Books, 1965. © 1965 by Basic Books, Inc., Publishers. Reproduced by permission of Basic Books, a division of HarperCollins Publishers, Inc.

Brown, Julia Prewitt. From "The 'Social History' of 'Pride and Prejudice'," in Approaches to Teaching Austen's Pride and Prejudice. Edited by Marcia McChntockFolsom. Modern Language Association of America, 1993. Reproduced by permission of the Modern Language Association of America.

Johnson, Wayne L. From Ray Bradbury. Frederick Ungar Publishing Company, 1980. Copyright © 1980 by Frederick Ungar Publishing Co, Inc. Reproduced by permission.

Kneedler, Susan. From "The New Romance in 'Pride and Prejudice,'" in Approaches to Teaching Austen's Pride and Prejudice. Edited by Marcia McChntock Folsom. Modern Language Association of America, 1993 Reproduced by permission of the Modern Language Association of America.

Lee, Dorothy H. From "The Quest for Self: Triumph and Failure in the World of Toni Morn-son," in Black Women Writers (1950-1980): A Critical Evaluation. Edited by Man Evans Anchor Press/Doubleday, 1984. Copyright © 1983 by Mari Evans. All rights reserved. Used by permission of Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc.

Neuhaus, Ron. From "Threshold Literature A Discussion of 'Ordinary People,'" in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copynght © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Scarseth, Thomas From "A Teachable Good Book1 'Of Mice and Men,'" in Censored Books: Critical Viewpoints Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993 Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Sewall, Richard B. From The Vision of Tragedy. Yale University Press, 1959. Copyright © 1959 by Yale University Press, Inc. Renewed 1987 by Richard B Sewall All rights reserved. Reproduced by permission of the author.

Wood, Diane S. From "Bradbury and Atwood: Exile as Rational Decision," in The Literature of Emigration and Exile. Edited by James Whitlark and Wendall Aycock. Texas Tech University Press, 1992. Copyright 1992 Texas Tech University Press. All rights reserved. Reproduced by permission of the publisher.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 1, WERE RECEIVED FROM THE FOLLOWING SOURCES:

AP/WIDE WORLD PHOTOS: Clemens, Samuel (seated in a rocking chair), photograph. AP/Wide World Photos. Reproduced by permission. Guest, Judith (in striped sweater), 1976, photograph. AP/Wide World Photos. Reproduced by permission. Heller, Joseph, photograph. AP/Wide World Photos Reproduced by permission. Garcia Marquez, Gabnel, photograph. AP/Wide World Photos. Reproduced by permission. Morrison, Toni (bandanna on head), photograph. AP/Wide World Photos. Reproduced by permission. Mornson, Tom (accepting Nobel Prize), 1993, photograph. AP/Wide World Photos, Inc. Reproduced by permission. Plath, Sylvia, photograph. AP/Wide World Photos. Reproduced by permission. Salinger, J. D., photograph. AP/Wide World Photos. Reproduced by permission. Tan, Amy, photograph. AP/Wide World Photos. Reproduced by permission.

ARCHIVE PHOTOS, INC. • Arkin, Alan, in the film "Catch 22," photograph. Archive Photos. Reproduced by permission. Bradbury, Ray, photograph. Archive Photos, Inc. Reproduced by permission. Hirsch, Judd, and Timothy Hutton in the movie "Ordinary People," photograph. Archive/ Paramount. Reproduced by permission. Steinbeck, John, photograph. Archive Photos, Inc. Reproduced by permission. Wright, Richard, photograph. Archive Photos. Reproduced by permission.

THE BETTMANNARCHIVE/NEWSPHOTOS, INC.: Cooper, Gary, and Helen Hayes, in film "A Farewell to Arms," photograph. UPI/Corbis-Bettmann. Reproduced by permission. English ambulance driver (standing next to truck), c. 1918, Italy, photograph. UPI/Corbis-Bettmann. Reproduced by permission. Field hands sitting on bagged wheat, c. 1880, Moro, Oregon, photograph by W. A. Raymond. Corbis-Bettmann. Reproduced by permission. Garcia Marquez, Gabriel (being interviewed, on couch), photograph. UPI/Corbis-Bettmann. Reproduced by permission. Gish, Lillian, and Lars Hanson in the film "The Scarlet Letter," 1926, photograph. Springer/Corbis-Bett-mann. Reproduced by permission. Laborers weighing cotton, horse and wagon, c. 1910, photograph Corbis-Bettmann. Reproduced by permission. Mississippi riverboat loading logs, print by Currier and Ives. Corbis-Bettmann. Reproduced by permission. Nazi youths burning books, 1933, Berlin, photograph. UPI/Corbis-Bettmann. Reproduced by permission. Nurse attending patient sleeping on floor, photograph. UPI/Corbis-Bettmann. Reproduced by permission. Office workers seated at desks, large windows along side, 1952, photograph. UPI/Corbis-Bettmann. Reproduced by permission Puritan with musket standing in doorway, 1882, woodcut. Corbis-Bettmann. Reproduced by permission. Rooney, Mickey, as Huck Finn in "The Adventures of Huckleberry Finn," photograph. Springer/Cor-bis-Bettmann. Reproduced by permission. Shelley, Mary Wollstonecraft (daisy trim), painting by Samuel John Stump. Corbis-Bettmann. Reproduced by permission. Street scene (buses, rickshaws, carriers in street), Chungking, China, 1944, photograph. UPI/Corbis-Bettmann. Reproduced by permission. Temple, Shirley (as a child, curtseying in accordion-pleated dress), photograph. Corbis-Bettmann. Reproduced by permission Troops of the 85th Division march through the Porta Mag-giore, 1944, Rome, photograph. Corbis-Bettmann. Reproduced by permission. Two young men standing outside Swing Rendezvous club, 1955, Greenwich Village, photograph. UPI/Corbis-Bettmann. Reproduced by permission. Wright, Richard (seated, typing next to window), photograph. Corbis-Bettmann. Reproduced by permission.

BLACK STAR: Hemingway, Ernest (fringed buckskin shut), photograph. Hans Malmberg/Black Star. Reproduced by permission. GALE RESEARCH INC. (Detroit): Map of Colombia, illustration. Gale Research Inc. Reproduced by permission.

THE KOBAL COLLECTION: Chin, Kieu (with other cast members) in the film "The Joy Luck Club," photograph. The Kobal Collection. Reproduced by permission. Christie, Julie, and Os-kar Werner in the movie "Fahrenheit 451,"photograph. The Kobal Collection. Reproduced by permission. Garson, Greer and Laurence Olivier (in a scene from the 1940 motion picture "Pride and Prejudice"), photograph. The Kobal Collection. Reproduced by permission. Hassett, Marilyn (sitting on floor), in the film "The Bell Jar" by Sylvia Plath, photograph. The Kobal Collection. Reproduced by permission. Hutton, Timothy and Dinah Manoff (in a scene from the 1980 motion picture "Ordinary People"), photograph. The Kobal Collection. Reproduced by permission. Karloff, Boris (walking in village), in movie "Frankenstein," 1935, photograph. The Kobal Collection. Reproduced by permission. Sinise, Gary, and John Malkovich, in film of "Of Mice and Men" by John Steinbeck, photograph. The Kobal Collection. Reproduced by permission.

SOURCE UNKNOWN: Austen, Jane, water-color drawing by Cassandra Austen. First illustration of the Frankenstein Monster, by Mary Shelley. Hawthorne, Nathaniel, photograph. Jane Austen's home at Chawton, photograph.