Dec 31, 2009
Tobias Wolff is perhaps best known by the American reading public for his memoir This Boy’s Life, which was later made into an acclaimed movie, but his literary reputation was first established on the merit of his short stories. He is still primarily known for these short stories, in which he depicts many characters’ voices and a wide range of emotions. Since the early 1980s, Wolff has produced several collections of short stories. These fictions focus on the important relationships and the moral choices in everyday people’s lives: men and women, husbands and wives, parents and children. As scholar Marilyn C. Wesley writes in the Dictionary of Literary Biography, Wolff writes ‘‘about the basic needs of Everyman, written with a respect that Everyman deserves.’’
Wolff has often been likened to other writers of his generation such as Raymond Carver and Richard Ford. In his short stories, Wolff practices a direct, even nondramatic, style of writing. This is certainly the case in his story ‘‘Say Yes,’’ which takes as its backdrop an average evening in the life of a married couple. When the conversation delves into an issue on which the couple do not agree, the relationship experiences a newfound rockiness. The husband’s reaction to this argument demonstrates the secret undercurrents that run through relationships.
The unnamed husband and his wife, Ann, are washing and drying the dishes when they begin to discuss interracial marriages. The husband says that he thinks it is a bad idea for African Americans and whites to marry. His wife wants to know why he thinks so, and the narrator immediately believes that she is implying he is a racist. She responds that she doesn’t think he is racist, but she just doesn’t see what is wrong with interracial marriage. The husband says that whites and African Americans come from different cultural backgrounds, so they can never really know and understand each other. He also believes that foreigners should not marry Americans, because they come from a completely different background.
Ann, clearly upset by the conversation, cuts her hand when she plunges it back in the water to continue washing dishes. The husband runs to the bathroom to get first-aid equipment. He cleans out the cut, which turns out to be shallow and fairly superficial. He feels he has done something good by reacting to the accident so... » Complete Say Yes Summary
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