Rumble Fish | Copyright
These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.
Novels For Students
Project Editor David Galens
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COPYRIGHTED MATERIALS IN NfS, VOLUME 15, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Literature, v. xliv, March, 1972. Copyright © 1972 Duke University Press. Reproduced by permission.—The American Scholar, Spring, 1995. Copyright © 1995 by the United Chapters of the Phi Beta Kappa Society. Reproduced by permission of the publishers.—Callaloo, v. 11, Spring, 1988. Copyright © 1988 by Charles H. Rowell. Reproduced by permission of The Johns Hopkins University Press.—Canadian Review of American Studies, v. 24, Winter, 1994. © Canadian Review of American Studies 1994. Reprinted by permission of the publisher.—Extrapolation, v. 30, Fall, 1989. Copyright © 1989 by The Kent State University Press. Reproduced by permission.— Journal of American Studies, v. 26, April, 1992 for “Reconstructing American Law: The Politics of Narrative and Eudora Welty’s Empathic Vision” by Eve Kornfeld. Reproduced by permission of Cambridge University Press and the author.—Modern Fiction Studies, v. 24, Winter, 1978–1979; v. 33, Spring, 1987. Copyright © 1979 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—Southern Literary Journal, v. 29, Spring, 1997. Copyright 1997 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.— Studies in American Fiction, v. 16, Autumn, 1988. Copyright © 1988 Northeastern University. Reproduced by permission.—Studies in Short Fiction, v. 32, Winter, 1995. Copyright 1995 by Newberry College. Reproduced by permission.— Studies in the Novel, v. 11, Spring, 1979. Copyright 1979 by North Texas State University. Reproduced by permission.—World Literature Today, v. 57, Winter, 1983. Copyright 1983 by the University of Oklahoma Press. Reprinted by permission of the publisher.
COPYRIGHTED MATERIALS IN NfS, VOLUME 15, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Daly, Jay. From Presenting S. E. Hinton. Twayne Publishers, 1987. Reproduced by permission.— Light, Martin. From The Quixotic Vision of Sinclair Lewis. Purdue University Press, 1975. © 1975 by the Purdue Research Foundation.—Rose, Ernst. From Faith from the Abyss: Hermann Hesse’s Way from Romanticism to Modernity. New York University Press, 1965. © 1965 by New York University. Reproduced by permission.— Stelzig, Eugene L. From Hermann Hesse’s Fictions of the Self: Autobiography and the Confessional Imagination. Princeton University Press, 1988. Copyright © 1988 by Princeton University Press. Reproduced by permission.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NfS, VOLUME 15, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Amin, Major General Idi, addressing the people of Kampala, photograph. AP/Wide World Photos. Reproduced by permission.—Anderson, Gillian, as Lily Barth, Eric Stoltz as Lawrence Selden in a scene from Edith Wharton’s novel “The House of Mirth,” directed by Terence Davies. The Kobal Collection. Reproduced by permission.—An arch extends over a road in Bridgetown, Barbados, photograph by Bob Krist. CORBIS. Reproduced by permission.—Bellamy, Edward, photograph. The Library of Congress.— Burgess, Anthony, photograph. AP/Wide World Photos. Reproduced by permission.—Dillon, Matt, Mickey Rourke, and William Smith, in the film “Rumble Fish,” 1983, photograph. The Kobal Collection. Reproduced by permission.—Fictional map of Wessex, created by Thomas Hardy, photograph. Source unknown.—Foden, Giles, photograph. © Jerry Bauer. Reproduced by permission.—Hardy, Thomas, photograph. Archive Photos, Inc. Reproduced by permission.—Hesse, Hermann, photograph. The Library of Congress.—Hinton, S.E., photograph by Thomas Victor. Reproduced by permission of the Estate of Thomas Victor.—Jackson, Joseph “Shoeless Joe,” photograph. AP/Wide World. Reproduced by permission.—Japanese woman, photograph. Archive Photos, Inc. Reproduced by permission.—Jewett, Sarah, photograph. Source unknown— Jung, Carl, photograph. The Library of Congress.—Kinsella, W.P., photograph. AP/Wide World. Reproduced by permission.—Lamming, George, photograph by Tony Arruza. CORBIS. Reproduced by permission.—Lancaster, Burt, Kevin Costner, in the film “Field of Dreams,” 1989, photograph. The Kobal Collection. Reproduced by permission.— Lewis, Sinclair boyhood home in Sauk Centre, Minnesota, photograph. Harry Ransom Humainties Research Center. Reproduced by permission.— Lewis, Sinclair, photograph. The Library of Congress.—McDowell, Malcolm, and others, in the film “A Clockwork Orange,” 1972, photograph. The Kobal Collection. Reproduced by permission.— Mori, Kyoko, photograph by Katherine McCabe. Reproduced by permission of Kyoko Mori.—Old fishing docks in Portland, Maine, photograph. Courtesy of The Library of Congress.—Pedestrians walking on Theatre Street, photograph. © Hulton/Archive Photos, Inc. Reproduced by permission.—Suffragist, (holding sign “Help us to win the vote”), photograph. The Granger Collection, New York. Reproduced by permission.—Title page from “Looking Backward: 2000–1887” by Edward Bellamy, illustration. The University of Michigan Library. Special Collections Library, University of Michigan. Reproduced by permission.— Welty, Eudora, 1962, photograph. NYWTS/The Library of Congress.—Wharton, Edith, 1905, photograph. The Library of Congress.— Women preparing food in Kampala, Uganda, photograph by Liba Taylor. CORBIS. Reproduced by permission.
