Nearly everyone familiar with the writings of William Faulkner is aware of the fracturings of time so common in his work. Many of his major characters spend much of their fictional lives trying to piece together their experiences and lives, to put them in some kind of chronological or existential order. Few of them succeed; and when they do, as is perhaps the case with Quentin Compson (The Sound and the Fury and Absalom, Absalom!) they...
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