The Red Badge of Courage | Copyright

These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NFS. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 4, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Literature, v. 62, December, 1990. Copyright 1990, Duke University Press Reprinted with permission.—Black American Literature Forum, v. 24, Spring, 1990 for "Dream, Deferral, and Closure in "The Women of Brewster Place'" by Jill M. Matus. Reproduced by permission.— Canadian Literature, Spring, 1987, for Margaret Atwood's 'The Handmaid's Tale' and the Dystopian Tradition" by Amin Malak. Reproduced by permission of the author.—The Christian Century, v. 104, November 4, 1987. Reproduced by permission.-— CLA Journal, v. XTV, June, 1971. Copyright, 1971 by The College Language Association. Used bypermission of The College Language Association.— Dickens Studies Annual, v. 1,1970. Copyright (c) 1970 by Southern Illinois University Press. All rights reserved. Reproduced by permission of AMS Press, Inc.—English Studies, v. 57, June, 1976. (c) 1976 by Swets & Zeitlmger B. V. Reproduced by permission.—The Explicator, v. 43, Winter, 1985. Copyright (c) 1985 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Massachusetts Studies in English, v. UI, Fall, 1972 for "The Character of Estella in 'Great Expectations'" by Lucille P. Shores. Copyright (c) 1972 by Lucille P. Shores Reproduced by permission of the author.—Melus, v. 12, Spring, 1985; v 15, Spring, 1988. Copyright, MELUS, The Society for the Study of Multi-Ethnic Literature of the United States, 1985,1988. Both reproduced by permission.—Modern Fiction Studies, v. XJJJ, Summer, 1967. (c) 1967. Reproduced by permission of The Johns Hopkins University Press.—MOSAIC: A Journal for the Comparative Study of Literature and Ideas, v. VII, Fall, 1973. (c) MOSAIC, 1973. Acknowledgment of previous publication is herewith made.—The Nation, New York, v. 262, February 26,1996. (c) 1996 The Nation magazine/ The Nation Company, Inc. Reproduced by permission.—South Atlantic Review, v. 56, May, 1991. Copyright (c) 1991 by the South Atlantic Modern Language Association. Reproduced by permission.—The Southern Literary Journal, v. XXII, Spring, 1990. Copyright 1990 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission. World Literature Written in English, v. 24, Autumn, 1984. Reproduced by permission.—Studies in American Fiction, v. 9, Autumn, 1981. Copyright (c) 1981 Northeastern University. Reproduced by permission.—Studies in the Novel, v. XX, Summer, 1988; v. XXTV, Winter, 1992. Copyright 1988, 1992 by North Texas State University. Both reproduced by permission.—The Yale Review, v. LXVI, December, 1976 for "Courage and Convention: The Red Badge of Courage" by Paul Breslin. Copynght 1975, by Yale University. Reproduced by permission of the author.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 4, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Allen, Shirley S. From James Baldwin: A Critical Evaluation. Edited by Therman B. O'-Daniel. Howard University Press, 1977. Copyright (c) 1977 by the College Language Association. Reproduced by permission of the publisher.—Bawer, Bruce. From Diminishing Fictions: Essays on the Modern American Novel and Its Critics. Gray wolf Press, 1988. Reproduced by permission of the author.—Bawer, Bruce. From The Aspect of Eternity: Essays by Bruce Bawer. Graywolf Press, 1993. Reproduced by permission of the author.— Hamaoui, Lea. From Elie Wiesel: Between Memory and Hope. Edited by Carol Rittner. New York University Press, 1990. Copyright (c) 1990 by New York University. Reproduced by permission.—Ozick, Cynthia. From "Saul Bellows's 'Broadway'," in Fame & Folly. Knopf, 1996. Copyright (c) 1996 by Cynthia Ozick. Reproduced by permission of Alfred A. Knopf Inc and Raines & Raines, on behalf of the author.—Turner, m, Frederick W. From Bernard Malamud and the Critics. Edited with an introduction by Leslie A. Field and Joyce W. Field. New York University Press, 1970. Copyright (c), 1970 by New York University. Reproduced by permission.—Visser, Nicholas. From Rendering Things Visible: Essays on South African Literary Culture. Edited by Martin Trump. Ohio University Press, 1990. (c) Martin Trump, 1990. All rights reserved. Reproduced by permission.—Wasserman, Earl R. From Bernard Malamud and the Critics. Edited with an introduction by Leslie A. Field and Joyce W. Field. New York University Press, 1970. Copyright (c), 1970 by New York University. Reproduced by permission.—Wood, Diane S. From "Bradbury and Atwood: Exile as Rational Decision," in The Literature of Emigration and Exile. Edited by James Whitlark and Wendall Aypock. Texas Tech University Press, 1992. Copyright 1992 Texas Tech University Press. All rights reserved. Reproduced by permission of the publisher.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 4, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Haworth Village, home of the Bronte family, 19th century, engraving.—Man standing with top hat in hand, and an elderly woman, seated, illustration by Frederic W. Pailthorpe. From Great Expectations, by Charles Dickens. Dodd, Mead & Company, 1942.—Child refugees fleeing a torched camp, 1991, South Africa, photograph. AP/Wide World Photos. Reproduced by permission.— Crowds outside Abysinnian Baptist Church, photograph. AP/Wide World Photos. Reproduced by permission.—"March for Life" Demonstration, photgraph. AP/Wide World Photos. Reproduced by permission.—Navajo medicine man at dedication ceremony, photograph. AP/Wide World Photos. Reproduced by permission.—Naylor, Gloria, photograph. AP/Wide World Photos. Reproduced by permission.—Remarque, Erich Maria (with dog), photograph. AP/Wide World Photos. Reproduced by permission.—Vietnam Veterans Memorial, photograph. AP/Wide World Photos. Reproduced by permission.—Anderson, Sherwood, photograph. Archive Photos, Inc. Reproduced by permission.—Baldwin, James, photograph. Archive Photos, Inc. Reproduced by permission.—Benson, Robby and Barry Miller, in the film "The Chosen", photograph. Archive Photos, Inc. Reproduced by permission.—Bronte, Charlotte (engraved according to an act of Congress), 1873, engraving. Archive Photos/Kean. Reproduced by permission.—Busy New York City street scene, photograph. Archive Photos, Inc. Reproduced by permission.— Fontaine, Joan and Orson Welles in the film "Jane Eyre,", 1944, photograph. Archive Photos, Inc. Reproduced by permission.—Jewish women and children, en route to Auschwitz, photograph, (c) Archive Photos, Inc. Reproduced by permission.—Oliver E. Almis's Dairy Farm in Power, North Dakota, photograph. From the Potter Collection/Archive Photos, Inc. Reproduced by permission.—South African policeman, (wielding a whip), photograph, (c) Archive Photos, Inc. Reproduced by permission.—Street scene of 5th Avenue in Clinton, Ohio in 1936, photograph. Archive Photos, Inc. Reproduced by permission.-—Wiesel, Elie, photograph by Nancy Rica Schiff. Archive Photos, Inc. Reproduced by permission.— Gordimer, Nadine (in corduroy shirt), photograph by Jerry Bauer, (c) Jerry Bauer. Reproduced by permission.—Mason, Bobbie Anne, photograph by Jerry Bauer, (c) Jerry Bauer. Reproduced by permission.—Potok, Chaim, photograph by Jerry Bauer, (c) Jerry Bauer. Reproduced by permission.—American troops during World War I gas attack, 1918, France, photograph. Corbis-Bettmann. Reproduced by permission.—Battle of Chancellorsville, May 3, 1863, lithograph by Currier and Ives. Corbis-Bettman. Reproduced by permission.—Brynner, Yul and Joanne Woodward, in the film 'The Sound and the Fury", 1959, photograph. Springer/Corbis-Bettmann. Reproduced by permission.—Faulkner, William (with Eddie Ar-caro at Kentucky Derby), 1955, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Harlem, New York, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Has-sidim dancing at the Western Wall, 1973, Jerusalem, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Scene from film "Red Badge of Courage" (older soldier marching with younger), photograph. Springer/Corbis-Bettmann. Reproduced by permission.—Wager, Anthony, as Magwich, grabbing Pip, in the film "Great Expectations," 1946, photograph. Springer/Corbis-Bettmann. Reproduced by permission.—Redford, Robert, in the film "The Natural," 1984, photograph. The Kobal Collection. Reproduced by permission.—Thomas, Richard (in the trenches) in the television movie "All Quiet on the Western Front", 1979, photograph. The Kobal Collection. Reproduced by permission.—Willis, Bruce and Emily Lloyd in the film "In Country,", 1989, photograph. The Kobal Collection. Reproduced by permission.—Winfrey, Oprah, starring in film "The Women of Brewster Place", photograph. The Kobal Collection. Reproduced by permission.—Atwood, Margaret, photograph. The Library of Congress.— Bellow, Saul (seated on chair arm), photograph. The Library of Congress.—Crane, Stephen (wear-iung dark suit, hair parted down center), photograph. The Library of Congress.—Dickens, Charles, photograph. The Library of Congress.— Faulkner, William, photograph by Carl Van Vechten. The Library of Congress.—Malamud, Bernard, photograph. The Library of Congress.— Ruth, Babe (in uniform), photograph. The Library of Congress.—Urban decay, broken windows, street corner ("Mike's Cut-Rate"), photograph. The Library of Congress.—Prisoners of war on the Bataan Death March, 1942, photograph. National Archives and Records Administration.—Wiesel, Elie (with fellow inmates, Buchenwald, Germany), photograph. National Archives and Records Administration.—Woman of the Laguna Pueblo (holding jar), photograph. National Archives and Records Administration.—Silko, Leslie Marmon (looking right, in black shirt), photograph by Robyn McDaniels. (c) Robyn McDaniels.