Dec 26, 2009
Ralph Ellison’s reputation rests primarily on Invisible Man, but Shadow and Act (1964), a collection of nonfiction prose, established him as a major force in the critical theory of pluralism and in African American aesthetics. Arranged in three thematically unified sections, the essays, most of which appeared originally in journals such as Antioch Review, Partisan Review, and The New Republic, emphasize the importance of folk and popular (especially musical) contributions to the mainstream of American culture. Several of...
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