Jan 5, 2010
In this comedy of morals, Shaw tilts at two particularly English windmills, the class structure and an inadequate alphabet. Using the myth of the sculptor Pygmalion, who fell in love with his marble masterpiece, Shaw introduces phonetician Henry Higgins to the Cockney flower-seller Eliza Doolittle. Eliza, kept firmly in her place by her appearance and particularly by her lower-class accent, would love to become genteel and sell flowers in a “proper shop.”
When Higgins demonstrates his skill at placing any English person by his or her neighborhood accent, he amazes the...
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