The Porcupine (Magill’s Literary Annual 1991-2005)

At a glance:

At slightly fewer than fifty thousand words, Julian Barnes’s latest work falls into that no-man’s land of fiction, the long short story or brief novel known as the novella. It is the form of some of the best fiction of the twentieth century—Joseph Conrad’s Heart of Darkness (1899), and Franz Kafka’s The Metamorphosis (1915) come easily to mind—but it is a notoriously difficult hybrid. Lacking both the leisurely expansiveness of the novel and the pointed brevity of the short story, the novella often is dismissed as having the faults of both genres and the...

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