Tate, Allen - Jan Nordby Gretlund (essay date 1998)
Jan Nordby Gretlund (essay date 1998)
SOURCE: Gretlund, Jan Nordby. “The Man at the Gate.” In Frames of Southern Mind: Reflections on the Stoic, Be-Racial and Existential South, pp. 21-9. Portland: Odense University Press, 1998.
[In the following essay, Gretlund provides a stylistic and thematic analysis of “Ode to the Confederate Dead.”]
Allen Tate began the “Ode to the Confederate Dead” in 1925, and the poem was first published in 1927. Since then it has been revised several times, and a so-called “final version” was published in 1937 in Tate's Selected Poems. Nevertheless the “Ode” was revised slightly for its inclusion in Poems: 1922-1947.1 From its first version the poem has had the rigid formality that is characteristic of T. S. Eliot's poetry. This is not surprising, for among the Fugitive Poets at Vanderbilt University, it was Allen Tate who first came to know Eliot's work and adhered...
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- Introduction
- Principal Works
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Criticism
- Morton Dauwen Zabel (review date February 1929)
- Morton Dauwen Zabel (review date April 1932)
- Samuel French Morse (review date February 1938)
- Delmore Schwartz (essay date winter 1940)
- Cleanth Brooks (review date September 1945)
- Howard Nemerov (essay date October 1948)
- Vivienne Koch (essay date summer 1949)
- Sister Mary Bernetta (essay date spring 1951)
- Alwyn Berland (essay date summer 1951)
- Louis D. Rubin, Jr. (essay date 1953)
- Lillian Feder (essay date winter 1960)
- Carol Johnson (essay date winter 1964)
- Ferman Bishop (essay date 1967)
- Martin Newitz (essay date winter 1967-68)
- Radcliffe Squires (essay date autumn 1970)
- Denis Donoghue (essay date autumn 1976)
- Michael True (essay date fall 1979)
- Robert S. Dupree (essay date 1983)
- Susan Ford Wiltshire (essay date winter 1985)
- Glenn Cannon Arbery (essay date March 1990)
- Jeffrey J. Folks (essay date fall 1994)
- Jan Nordby Gretlund (essay date 1998)
- Further Reading
- Copyright
