Silverstein, Shel - Variety (essay date 13 December 1989)
Variety (essay date 13 December 1989)
SOURCE: “A Review of Oh, Hell, written by Shel Silverstein and David Mamet.” Variety 337, no. 10 (13 December 1989): 89.
[In the following review of the theatrical double-bill Oh, Hell, the reviewer criticizes Silverstein's one-act play The Devil and Billy Markham as silly, tedious, underdeveloped, and juvenile.]
s Hell isn't much fun in Oh, Hell, the double bill that opens the Lincoln Center Theater's season at the Mitzi Newhouse Theater. David Mamet's contribution is intermittently amusing but below par for him, and the Shel Silverstein opus is silly and tedious.
The Silverstein piece, The Devil And Billy Markham, is a shaggy-dog narrative poem about a down-and-out Nashville songwriter who dices with the devil and outwits him. Steeped in scatology and bawdy hippie barroom humor, the 50-minute piece aims at Rabelaisian effects but mainly induces...
[The entire page is 415 words long]
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Criticism
- Anne Collins (review date 22 June 1981)
- Publishers Weekly (review date 18 September 1981)
- Variety (essay date 22 June 1983)
- Nancy Larrick (essay date October 1986)
- Ruth K. MacDonald (essay date 1986-1987)
- Melanie Kirkpatrick (review date 12 December 1989)
- Variety (essay date 13 December 1989)
- Mimi Kramer (review date 25 December 1989)
- Robert Brustein (essay date 29 January 1990)
- Publishers Weekly (review date 16 November 1992)
- Publishers Weekly (review date 29 April 1996)
- Maj Asplund Carlsson (essay date spring-fall 1996)
- Ruth K. MacDonald (essay date 1997)
- Ruth K. MacDonald (essay date 1997)
- Bart Barnes (essay date 11 May 1999)
- Megan Rosenfeld (essay date 11 May 1999)
- Publishers Weekly (essay date 17 May 1999)
- Ellen Handler Spitz (essay date May/June 1999)
- Charles Isherwood (essay date 29 October 2001)
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