Criticism > Poetry > Sailing to Byzantium, William Butler Yeats - Richard Ellmann (essay date 1948)

Sailing to Byzantium, William Butler Yeats - Richard Ellmann (essay date 1948)

Richard Ellmann (essay date 1948)

SOURCE: Ellmann, Richard. “‘Sailing to Byzantium.’” In Yeats: The Man and the Masks, pp. 252-56. New York: E. P. Dutton & Co., Inc., 1948.

[In the following essay, Ellman examines the poem's history, dramatic structure, and symbolism, and shows how the poem builds upon Yeats's earlier work and experiences.]

In ‘Sailing to Byzantium’ Yeats reached the climax of this period by creating richer and more multitudinous overtones than before. He attempted here to evoke a symbol—in the poem as a whole and also in the symbolic bird spoken of in the poem—which would have a life of its own into which he could put himself:

“SAILING TO BYZANTIUM”

I

That is no country for old men. The young
In one another's arms, birds in the trees,
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long...

[The entire page is 1599 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the: