Sailing to Byzantium, William Butler Yeats - Richard Ellmann (essay date 1948)
Richard Ellmann (essay date 1948)
SOURCE: Ellmann, Richard. “‘Sailing to Byzantium.’” In Yeats: The Man and the Masks, pp. 252-56. New York: E. P. Dutton & Co., Inc., 1948.
[In the following essay, Ellman examines the poem's history, dramatic structure, and symbolism, and shows how the poem builds upon Yeats's earlier work and experiences.]
In ‘Sailing to Byzantium’ Yeats reached the climax of this period by creating richer and more multitudinous overtones than before. He attempted here to evoke a symbol—in the poem as a whole and also in the symbolic bird spoken of in the poem—which would have a life of its own into which he could put himself:
“SAILING TO BYZANTIUM”
I
That is no country for old men. The young In one another's arms, birds in the trees, —Those dying generations—at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long...
[The entire page is 1599 words long]
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Criticism
- Harriet Monroe (essay date January 1931)
- Howard Baker (essay date winter 1941)
- Richard Ellmann (essay date 1948)
- Frederick L. Gwynn (essay date January 1953)
- Harry Modean Campbell (essay date December 1955)
- Curtis Bradford (essay date March 1960)
- L. C. Parks (essay date October-December 1963)
- A. Norman Jeffares (essay date 1968)
- David Eggenschwiler (essay date March 1971)
- Stanley M. Holberg (essay date December 1974)
- Simon O. Lesser (essay date 1977)
- Epifanio San Juan (essay due 1979)
- William H. O'Donnell (essay date 1986)
- J. L. Kerbaugh (essay date fall 1990)
- Jonathan Allison (essay date 1990)
- Michael Steinman (essay date winter 1994)
- Edward Larissy (essay date 1994)
- William Franke (essay date summer 1998)
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