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by David Barber; v. 170, July, 1997 for “Four and a Half Books” by Paul Breslin. Copyright © 1988, 1991, 1994, 1997 by The Modern Poetry Association. All reproduced by permission of the Editor of Poetry and the respective authors.—Prairie Schooner, v. 72, spring, 1998. Copyright © 1997 by University of Nebraska Press. All rights reserved. Reproduced by permission.—Representations, no. 19, summer, 1987 for “Rimbaud and the Resistance to Work” by Kristin Ross. Copyright © 1987 by The Regents of the University of California. Reproduced by permission of the publisher and the author. www.ucpress.edu.—Rivista di Letterature moderne e comparate, v. 53, 2000 for “The Sound of Silence: Word of Exile and Liberation in Ungaretti’s Desert” by Ariella Lang. Edited by Arnaldo Pizzorusso. Copyright © 2000 by Pacini Editore. Reproduced by permission.—Women’s Review of Books, v. 13, July, 1996 for “In Solitude and Sorrow” by Adrian Oktenberg. Copyright © 1996. All rights reserved. Reproduced by permission of the author.—World Literature Today, v. 71, spring, 1997; v. 77, July-September, 2003. Copyright © 1997, 2003 by the University of Oklahoma Press. Both reproduced by permission of the publisher.

COPYRIGHTED MATERIAL IN PC, VOLUME 57, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Bishop, Michael. From Nineteenth-Century French Poetry. Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by permission of the Gale Group.—Breslin, Paul. From “Jane Kenyon’s ‘Manners Toward God’: Gratitude and the ‘Anti-Urge,’” in Bright Unequivocal Eye: Poems, Papers, and Remembrances from the First Jane Kenyon Conference. Edited by Bert G. Hornback. Peter Lang, 2000. Copyright © 2000 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Brown, Georgia E. From “Breaking the Canon: Marlowe’s Challenge to the Literary Status Quo in ‘Hero and Leander,’” in Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. Edited by Paul Whitfield White. AMS Press, Inc., 1998. Copyright © 1998 by AMS Press, Inc. Reproduced by permission.—Cohn, Robert Greer. From The Poetry of Rimbaud. Princeton University Press, 1973. Copyright © 1973, renewed 2001 by Princeton University Press. Reproduced by permission of Princeton University Press.—Davis, Todd F., and Kenneth Womack. From “Settling into the Light: The Ethics of Grace in the Poetry of Jane Kenyon,” in Bright Unequivocal Eye: Poems, Papers, and Remembrances from the First Jane Kenyon Conference. Edited by Bert G. Hornback. Peter Lang, 2000. Copyright © 2000 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Harris, Judith. From “Vision, Voice, and Soul-Making in ‘Let Evening Come,’” in Bright Unequivocal Eye: Poems, Papers, and Remembrances from the First Jane Kenyon Conference. Edited by Bert G. Hornback. Peter Lang, 2000. Copyright © 2000 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Hostetler, Ann. From “Food as Sacrament in the Poetry of Jane Kenyon,” in Bright Unequivocal Eye: Poems, Papers, and Remembrances from the First Jane Kenyon Conference. Edited by Bert G. Hornback. Peter Lang, 2000. Copyright © 2000 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Jones, Frederic Joseph. From Giuseppe Ungaretti: Poet and Critic. Edinburgh University Press, 1977. Copyright © 1977 by Edinburgh University Press. Reproduced by permission. www.eup.ed.ac.uk—Lawler, James. From “Of Ecstasy and Action: Rimbaud’s &lsdquo;Matinée d’ivresse’” in Understanding French Poetry: Essays for a New Millennium. Edited by Stamos Metzidakis. Garland Publishing, 1994. Copyright © 1994 by Stamos Metzidakis. All rights reserved. Reproduced by permission of the publisher and the author.—Little, Roger. From “Rimbaud: The Shaping of a Vision,” in Artistic Relations: Literature and the Visual Arts in Nineteenth-Century France. Edited by Peter Collier and Robert Lethbridge. Yale University Press, 1994. Copyright © 1994 by the contributors and Yale University Press. Reproduced by permission.—Mandelbaum, Allen. From a Preface to Selected Poems of Giuseppe Ungaretti. Translated and edited by Allen Mandelbaum. Copyright © 1975 by Cornell University Press. Reproduced by permission of the author.—Morris, Brian. From “Comic Method in Marlowe’s ‘Hero and Leander,’” in Christopher Marlowe. Edited by Brian Morris. Ernest Benn Limited, 1968. Copyright © 1968 by Ernest Benn Limited. Reproduced by permission of A & C Black Publishers Ltd.—Rifelj, Carol de Dobay. From Word and Figure: The Language of Nineteenth-Century French Poetry. Ohio State University Press, 1987. Copyright © 1987 by the Ohio State University Press. All rights reserved. Reproduced by permission of the author.—Riffaterre, Michael. From “Sylleptic Symbols: Rimbaud’s ‘Memoire,’” in Nineteenth-Century French Poetry: Introductions to Close Reading. Edited by Christopher Prendergast. Cambridge University Press, 1990. Copyright © Cambridge University Press 1990. Reproduced by permission of Cambridge University Press.—Spirko, Robert. From “Affective Disorders: The Treatment of Emotion in Jane Kenyon’s Poetry,” in Bright Unequivocal Eye: Poems, Papers, and Remembrances from the First Jane Kenyon Conference. Edited by Bert G. Hornback. Peter Lang, 2000. Copyright © 2000 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Summers, Claude. From “‘Hero and Leander’: The Arbitrariness of Desire,” in Constructing Christopher Marlowe. Edited by J. A. Downie and J. T. Parnell. Cambridge University Press, 2000. Copyright © 2000 Cambridge University Press. All rights reserved. Reproduced by permission.—Thum, Reinhard H. From “Arthur Rimbaud,” in The City: Baudelaire, Rimbaud, Verhaeren. Peter Lang Publishing, 1994. Copyright © Peter Lang Publishing, Inc., New York 1994. All rights reserved. Reproduced by permission.—Timmerman, John H. From Jane

Kenyon: A Literary Life. William B. Eerdmans Publishing Company, 2002. Copyright © 2002 by William B. Eerdmans Publishing Company. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 57, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Marlowe, Christopher, 1585, painting. The Granger Collection, New York. Reproduced by permission.—Rimbaud, Arthur, engraving. The Library of Congress.—Ríos, Alberto, photograph. Reproduced by permission of Alvaro Ríos.—Ungaretti, Giuseppe, Rome, Italy, 1961, photograph by Mario Torrisi. AP/Wide World Photos. Reproduced by permission.

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