Char, René - Virginia A. LaCharité (essay date spring 1976)
Virginia A. LaCharité (essay date spring 1976)
SOURCE: LaCharité, Virginia A. “Beyond the Poem: René Char's La Nuit talismanique.” Symposium: A Quarterly Journal in Modern Foreign Literatures 30, no. 1 (spring 1976): 14-26.
[In the following essay, LaCharité focuses attention on Char's La Nuit talismanique while exploring the relationship between Char-as-poet and Char-as-painter.]
Any examination of the whole body of Char's work reveals a variety of written modes: regular verse poems (sonnet, ballade), free verse texts, prose poems,1 aphorisms, diary notations, prefaces, essays, introductions to art catalogues, radio scenarios, theater, and ballet. One aspect which these multiple forms of written expression have in common is Char's interest in the plastic arts, for some mention of an artist2 is found in all of his writings. In fact, in his aphorisms and poems Char acclaims Georges de La Tour as...
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- Introduction
- Principal Works
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Criticism
- Kenneth Douglas (essay date fall-winter 1948)
- Wallace Fowlie (essay date 1958)
- Times Literary Supplement (review date 21 October 1965)
- Paulène Aspel (essay date spring 1968)
- Virginia A. LaCharité (essay date 1968)
- Virginia A. LaCharité (essay date spring 1976)
- Mary Ann Caws (essay date 1977)
- Mary Ann Caws (essay date 1977)
- Paulène Aspel (review date spring 1980)
- James R. Lawler (review date spring 1984)
- John Porter Houston (essay date September 1985)
- Virginia A. LaCharité (essay date 1989)
- Charles D. Minahen (essay date fall-winter 1989)
- Michael Worton (essay date 1992)
- Jean Starobinski (essay date 1994)
- Michael Bishop (essay date 1994)
- Van Kelly (essay date winter 1995)
- Van Kelly (essay date 2001)
- Further Reading
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