The Raven, Edgar Allan Poe - Copyright Page
ISSN 1052-4851
Poetry Criticism
Excerpts from Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature
Volume 54
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Poetry Criticism, Vol. 54
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ISBN 0-7876-6956-3
ISSN 1052-4851
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COPYRIGHTED MATERIAL IN PC, VOLUME 54, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Clark, L. D. The Minoan Distance: The Symbolism of Travel in D. H. Lawrence. University of Arizona Press, 1980. Copyright © 1980 by L. D. Clark. All rights reserved. Reproduced by permission of the author.—Draper, R. P. From “The Poetry of D. H. Lawrence,” in D. H. Lawrence: New Studies. Edited by Christopher Heywood. Copyright © (chapter 2) 1987 by R. P. Draper. Reprinted by permission of St. Martin’s Press, LLC.—DuPlessis, Rachel Blau. From “Whowe” in The Pink Guitar: Writing as Feminist Practice. Routledge, 1990. Copyright © 1990 by Routledge, Chapman and Hall, Inc. Reproduced by permission of the publisher and the author.—Eddings, Dennis W. From “Theme and Parody in the Raven,” in Poe and His Times: The Artist and His Milieu. Edited by Benjamin Franklin Fisher IV. The Edgar Allan Poe Society, 1990. Copyright © 1990 by The Edgar Allan Poe Society. Reproduced by permission.—Ellman, Richard. From “Barbed Wire and Coming Through,” in The Achievement of D. H. Lawrence. Edited by Frederick J. Hoffman and Harry
T. Moore. University of Oklahoma Press, 1953. Copyright © 1953 by University of Oklahoma Press. Renewed 1981 by Beatrice Moore. All rights reserved. Reproduced by permission.—Erkkila, Betsy. From “The Poetics of Whiteness: Poe and the Racial Imaginary,” in Romancing the Shadow: Poe and Race. Edited by J. Gerald Kennedy & Liliane Weissberg. Oxford University Press, 2001. Copyright © 2001 by Oxford University Press. All rights reserved. Reproduced by permission Oxford University Press.—Gallagher, Tess, and Raymond Carver. From an Introduction to A New Path to the Waterfall: Poems. Atlantic Monthly Press, 1989. Copyright © 1989 by the Estate of Raymond Carver. All rights reserved. Reproduced by permission.—Hammond, J. R. From An Edgar Allan Poe Companion. Barnes & Noble Books, 1981. Copyright © 1981 by J. R. Hammond. All rights reserved. Reproduced by permission of Rowman and Littlefield.— Lockwood, M. J. From A Study of the Poems of D. H. Lawrence: Thinking in Poetry. Copyright © 1987 by M. J. Lockwood. All rights reserved. Reprinted by permission of St. Martin’s Press, LLC.—McCaffery, Larry. From Alive and Writing: Interviews with American Authors of the 1980s. University of Illinois Press, 1987. Copyright © 1987 by the Board of Trustees of the University of Illinois. Reproduced by permission.—Perloff, Marjorie. From Poetic License: Essays on Modernist and Postmodernist Lyric. Northwestern University Press, 1990. Copyright © 1990 by Marjorie Perloff. All rights reserved. Reproduced by permission.—Poe, Edgar Allan. From “The Philosophy of Composition,” in Literary Criticism of Edgar Allan Poe. Edited by Robert L. Hough. Copyright © 1965 by University of Nebraska Press. Reproduced by permission.—Quartermain, Peter. From Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge University Press, 1992. Copyright © 1992 by Cambridge University Press. Reproduced by permission of Cambridge University Press.—Renfield, Linda. From Language Poetry: Writing as Rescue. Louisiana State University Press, 1992. Copyright © 1992 by Louisiana State University Press. All rights reserved. Reproduced by permission.— Rexroth, Kenneth. From Bird in the Bush. New Directions Publishing Corporation, 1947. Copyright © 1947 by New Directions publishing Corporation. Reproduced by permission.—Runyon, Randolph Paul. From Reading Raymond Carver. Syracuse University Press, 1993. Copyright © 1992 by Syracuse University Press. All rights reserved. Reproduced by permission.—Rushdie, Salman. From Imaginary Homelands: Essays and Criticism 1981-1991. Granta Books, 1991. Copyright © 1991 by Salman Rushdie. All rights reserved. Reproduced by permission of the Penguin Group.—Simpson, Megan. From Poetic Epistemologies: Gender and Knowing in Women’s Language-Oriented Writing. State University of New York Press, 2000. Copyright © 2000 by State University of New York Press. All rights reserved. Reproduced by permission of the State University of New York Press.—Steward, E. Kate. From “‘The Raven’ and ‘The Bracelets,’” in Poe and His Times: The Artist and His Milieu. Edited by Benjamin Franklin Fisher IV. The Edgar Allan Poe Society, 1990. Copyright © 1990 by The Edgar Allan Poe Society. Reproduced by permission.—Wright, T. R. From D. H. Lawrence and the Bible. Cambridge University Press, 2000. Copyright © 2000 by T. R. Wright. Reprinted with permission of Cambridge University Press.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 54, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Carver, Raymond, photograph by Jerry Bauer. Reproduced by permission.—Lawrence, David Herbert, photograph by Nicholas Muray. The Granger Collection, New York. Reproduced by permission.—Poe, Edgar Allen, photograph.
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