Oppen, George - David McAleavy (essay date 1981)
David McAleavy (essay date 1981)
SOURCE: “Unrolling Universe: A Reading of Oppen's This in Which,” in Paideuma, Vol. 10, No. 2, Spring, 1981, pp. 105-128.
[In the following essay, McAleavy offers an explication of Oppen's This in Which.]
In that ample matrix of possibilities, The Materials (1962), Oppen sometimes hoped to explain or integrate self-consciousness by using a metaphor of birth: the self, he argues, is born into the world and grasps outward toward the present. If the self-conscious self should fully reach the present—which is the giddy hope of The Materials—union could occur. Such a transcendence is contemplated or aspired to in “Eclogue,” “Image of the Engine,” “Sara in Her Father's Arms,” “The Men of Sheepshead,” and many other poems.
In This in Which (1965) Oppen abandons the birth metaphor, but his chief desire remains that of achieving an immediate, reciprocal...
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Criticism
- Ezra Pound (essay date 1934)
- William Rose Benet (essay date 1934)
- William Carlos Williams (review date 1934)
- Denise Levertov (essay date 1963)
- Donald Davie (essay date 1973)
- Paul Zweig (essay date 1973)
- Kevin Powers with George and Mary Oppen (interview date 1975)
- Cid Corman (review date 1976)
- John Taggart (essay date 1979)
- Alan Young (essay date 1980)
- Cid Corman (essay date 1981)
- Harvey Kail (essay date 1981)
- David McAleavy (essay date 1981)
- Norman M. Finkelstein (essay date 1981)
- Andrew Crozier (essay date 1984)
- Michael Heller (essay date 1985)
- Alan Golding (essay date 1988)
- Burton Hatlen (essay date 1993)
- Cauthen Cramer (essay date 1994)
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