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duced from The Times Literary Supplementby permission.—The Wilson Quarterly, v. XXII, Autumn, 1991 for “Jorge Luis Borges” by Edward Hirsch. Reproduced by permission of the author.—World Literature Today, v. 58, Autumn, 1984; v. 69, Autumn, 1995. Copyright 1984, 1995 by the University of Oklahoma Press. Both reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN PC, VOLUME 32, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Alazraki, Jaime. From Borges and the Kabbalah: And Other Essays on His Fiction and Poetry. Cambridge University Press, 1988. © Cambridge University Press 1988. Reproduced by permission of the Cambridge University Press and the author.—Arce de Vazquez, Margot. From Gabriela Mistral: The Poet and Her Work. Translated by Helene Masslo Anderson. New York University Press, 1964. © 1964 by New York University. Reproduced by permission.—Arce de Vazquez, Margot. From Gabriela Mistral: The Poet and Her Work. Translated by Helene Masslo Anderson. New York University Press, 1964. © 1964 by New York University. Reproduced by permission.—Bastos, Maria Luisa. From “Whitman as Inscribed in Borges,” translated with Daniel Balderston, in Borges the Poet. Edited by Carlos Cortinez. The University of Arkansas Press, 1986. Copyright © 1986 by the Board of Trustees of the University of Arkansas. All rights reserved. Reproduced by permission of Carlos Cortinez.—Canas, Dionisio. From “The Eye of the Mind: Borges and Wallace Stevens,” in Borges the Poet. Edited by Carlos Cortinez. The University of Arkansas Press, 1986. Copyright © 1986 by the Board of Trustees of the University of Arkansas. All rights reserved. Reproduced by permission of Carlos Cortinez.—Carter, A. E. From Paul Verlaine. Twayne Publishers, Inc., 1971. Copyright © 1971 by Twayne Publishers, Inc. The Gale Group.— Coleman, Alexander. From “The Ghost of Whitman in Neruda and Borges,” in Walt Whitman of Mickle Street: A Centennial Collection. Edited by Geoffrey M. Sill. University of Tennessee Press, 1994. Copyright © 1994 by The University of Tennessee Press/Knoxville. All rights reserved. Reproduced by permission of Geoffrey M. Sill.—Erickson, Peter. From Rewriting Shakespeare, Rewriting Ourselves. University of California Press, 1991. © 1991 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—Evans, Maurice. From “Divided Aims in the ‘Revised Arcadia,’” in Sir Philip Sidney and the Interpretation of Renaissance Culture: A Poet in His Time and Ours. Edited by Gary F. Waller and Michael D. Moore. Croom Helm, 1984. Copyright © 1984 G. F. Waller and M. D. Moore. Reproduced by permission.—Freer, Coburn. From “The Style of Sidney’s Psalms,” in Essential Articles for the Study of Sir Philip Sidney. Edited by Arthur F. Kinney. Archon Books, 1986. Copyright © 1986 Arthur F. Kinney. Reproduced by permission.—Gullberg, H. J. From “Noble Prize Citation,” in Selected Poems of Gabriela Mistral. Translated by Langston Hughes. Indiana University Press, 1957. Copyright © 1957 by Indiana University Press.—Hagen, Lyman B. From Heart of a Woman, Mind of a Writer, and Soul of a Poet: A Critical Analysis of the Writings of Maya Angelou. University Press of America, Inc., 1997. Copyright © 1997 by University Press of America, Inc. Reproduced by permission.—Holditch, W. Kenneth. From “Borges and Emerson: The Poet as Intellectual,” in Borges the Poet. Edited by Carlos Cortinez. The University of Arkansas Press, 1986. Copyright © 1986 by the Board of Trustees of the University of Arkansas. All rights reserved. Reproduced by permission of Carlos Cortinez.—Hughes, Langston. From in an introduction to Selected Poems of Gabriela Mistral. Translated by Langston Hughes. Indiana University Press, 1957. Copyright © 1957 by Indiana University Press. Introduction copyright © 1957 by Langston Hughes. Reproduced by permission of Harold Ober Associates Incorporated.—Jones, Julie. From “Borges and Browning: A Dramatic Dialogue,” in Borges the Poet. Edited by Carlos Cortinez. The University of Arkansas Press, 1986. Copyright © 1986 by the Board of Trustees of the University of Arkansas. All rights reserved. Reproduced by permission of Carlos Cortinez.—Kalstone, David. From Sidney’s Poetry. Harvard University Press, 1965. Copyright © 1965 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission Harvard University Press.—Kodama, Maria. From “Oriental Influences in Borges’ Poetry: The Nature of the Haiku and Western Literature,” in Borges the Poet. Edited by Carlos Cortinez. The University of Arkansas Press, 1986. Copyright © 1986 by the Board of Trustees of the University of Arkansas. All rights reserved. Reproduced by permission of Carlos Cortinez.—Lisandrelli, Elaine Slivinski. From Maya Angelou: More Than a Poet. Enslow Publishers, Inc., 1996. Copyright © 1996 by Elaine Slivinski Lisandrelli. All rights reserved. Reproduced by permission.—Montgomery, Jr., Robert, L. From Symmetry and Sense: The Poetry of Sir Philip Sidney. University of Texas Press, 1961. Copyright © 1961 by Robert L. Montgomery, Jr. Reproduced by permission.—Peschel, Enid Rhodes. From Four French Symbolist Poets: Baudelaire, Rimbaud, Verlaine, Mallarme. Translated by Enid Rhodes Peschel. Ohio University Press, 1981. © Translations 1981 by Enid Rhodes Peshel. All rights reserved. Reproduced by permission of the Literary Estate of Enid Rhodes Peschel.—Porter, Laurence M. From The Crisis of French Symbolism. Cornell University Press, 1990. Copyright © 1990 by Cornell University. Reproduced by permission of the publisher, Cornell University Press.—Rosenbaum, Sidonia Carmen. From Modern Women Poets of Spanish America. Hispanic Institute in the United States, 1945. Copyright 1945 by Sidonia Carmen Rosenbaum. Reproduced by permission.—Stabbs, Martin S. From Borges Revisited. Twayne Publishers, 1991. Copyright 1991 by G. K. Hall & Co. The Gale Group.—Stephan, Philip. From Paul Verlaine and the Decadence, 1882-90. Manchester University Press, 1974. © 1974 Philip Stephan. Reproduced by permission of the author.—Strong, Beret E. From The Poetic Avant-Garde: The Groups of Borges, Auden, and Breton. Northwestern University Press, 1997.

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Copyright © 1997 by Northwestern University Press. Reproduced by permission.—Tate, Claudia. From Black Women Writers at Work. Edited by Claudia Tate. Continuum, 1983. Copyright © 1983 by Continuum. Reproduced by permission.—Virgillo, Carmelo. From Woman as Myth and Metaphor in Latin American Literature. Edited by Carmelo Virgillo and Naomi Lindstrom. University of Missouri Press, 1985. Copyright © 1985 by The Curators of the University of Missouri. All rights reserved. Reproduced by permission.—Wall, Cheryl. From an interview in Women Writers Talking. Edited by Janet Todd. Holmes & Meier, Publishers, 1983. Copyright © 1983 by Holmes & Meier Publishers, Inc. Reproduced by permission of the publisher.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 32, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Angelou, Maya, 1970, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Angelou, Maya, photograph. AP/ Wide World Photos. Reproduced by permission.—Mistral, Gabriela, photograph. AP/Wide World Photos. Reproduced by permission.—Verlaine, Paul, photograph by Popperfoto/Archive Photos, Inc. Reproduced by permission.

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