Glück, Louise - Lynne McMahon (essay date 1992)
Lynne McMahon (essay date 1992)
SOURCE: "The Sexual Swamp: Female Erotics and the Masculine Art," in The Southern Review, Louisiana State University, Vol. 28, No. 2, April, 1992, pp. 333-52.
[In this excerpt, McMahon addresses the issue of the aesthetic differences between men and women. Glück's work, the critic finds, often depicts female sexuality and artistic expression to be at cross-purposes; erotic love has a lack of structure that is the opposite of artistic form. For this reason, the critic concludes, Glück seems to feel that "to be an artist… means to adopt the masculine imposition of boundary."]
For some time now feminist and Marxist and psychoanalytic critics have been exploring the language of patriarchy, trying to unearth a female aesthetic from phallogocentric digs. The lexicon is often funny ("phallocrat" is one of my favorites; another is "phallogocentric," Jacques Derrida's neologism linking phallus, logos, and...
[The entire page is 3424 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Principal Works
-
Criticism
- Robert Boyers (essay date 1969)
- Anna Wooten (essay date 1975)
- Helen Vendler (essay date 1978)
- Peter Stitt (essay date 1981)
- Calvin Bedient (essay date 1981)
- Robert Miklitsch (essay date 1982)
- Louise Glük (1985)
- Burton Raffel (essay date 1988)
- Lynn Keller (essay date 1990)
- Calvin Bedient (essay date 1991)
- Bruce Bond (essay date 1991)
- Charles Berger (essay date 1991)
- Lynne McMahon (essay date 1992)
- Helen Vendler (essay date 1993)
- Stephen Yenser (essay date 1994)
- Emily Gordon (essay date 1996)
- Vijay Seshadri (essay date 1996)
- Further Reading
- Copyright
