Glück, Louise - Helen Vendler (essay date 1978)
Helen Vendler (essay date 1978)
SOURCE: "The Poetry of Louise Gluck," in The New Republic, Vol. 178, No. 24, June 17, 1978, pp. 34-37.
[Vendler is an American educator and critic specializing in modern poets. Her books include studies of Wallace Stevens, John Keats, and William Butler Yeats, as well as Part of Nature, Part of Us: Modern American Poets (1981). Here, she focuses on Glück's second book, The House on Marshland, analyzing the poet's voice and lyric form. She contends that the separate lyrics in linked structures, as well as Glück's "transparently removed" narrative voice, provide a highly personal and exciting alternative to confessional poetry.]
"All Hallows" appeared on the first page of Louise Glück's The House on Marshland (1975). If there were echoes of Stevens and perhaps of Sexton, they were assimilated into a new voice. "All Hallows" is about bearing a child—or so it seems to me—but it is...
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- Introduction
- Principal Works
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Criticism
- Robert Boyers (essay date 1969)
- Anna Wooten (essay date 1975)
- Helen Vendler (essay date 1978)
- Peter Stitt (essay date 1981)
- Calvin Bedient (essay date 1981)
- Robert Miklitsch (essay date 1982)
- Louise Glük (1985)
- Burton Raffel (essay date 1988)
- Lynn Keller (essay date 1990)
- Calvin Bedient (essay date 1991)
- Bruce Bond (essay date 1991)
- Charles Berger (essay date 1991)
- Lynne McMahon (essay date 1992)
- Helen Vendler (essay date 1993)
- Stephen Yenser (essay date 1994)
- Emily Gordon (essay date 1996)
- Vijay Seshadri (essay date 1996)
- Further Reading
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