Glück, Louise - Further Reading
FURTHER READING
Criticism
Baker, David. "Kinds of Knowing." The Kenyon Review 15, No. 1 (Winter 1993): 184-92.
In a review of several books of poetry, Baker recognizes the difficulty of presenting intellectual strategies in lyric poetry, declaring that Glück's refusal of image as the essence of poetry is responsible for the success of The Wild Iris.
Bonds, Diane S. "Entering Language in Louise Glück's The House on Marshland: A Feminist Reading." Contemporary Literature XXXI, No. 1 (Spring 1990): 58-75.
Seeks a feminist resolution to the perceived problem of Glück's immersion in a literary tradition that is primarily male, concluding that Glück's work establishes a much-needed confrontation with androcentric myth.
Cramer, Steven. "Four True Voices of Feeling." Poetry CLVII, No. 2 (November 1990): 101-06.
Recognizes in...
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- Introduction
- Principal Works
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Criticism
- Robert Boyers (essay date 1969)
- Anna Wooten (essay date 1975)
- Helen Vendler (essay date 1978)
- Peter Stitt (essay date 1981)
- Calvin Bedient (essay date 1981)
- Robert Miklitsch (essay date 1982)
- Louise Glük (1985)
- Burton Raffel (essay date 1988)
- Lynn Keller (essay date 1990)
- Calvin Bedient (essay date 1991)
- Bruce Bond (essay date 1991)
- Charles Berger (essay date 1991)
- Lynne McMahon (essay date 1992)
- Helen Vendler (essay date 1993)
- Stephen Yenser (essay date 1994)
- Emily Gordon (essay date 1996)
- Vijay Seshadri (essay date 1996)
- Further Reading
- Copyright
