Glück, Louise - Calvin Bedient (essay date 1981)
Calvin Bedient (essay date 1981)
SOURCE: "Birth, Not Death, Is the Hard Loss," in Parnassus: Poetry in Review, Vol. 9, No. 1, Spring-Summer, 1981, pp. 168-86.
[In the following review of Descending Figure, Bedient discusses themes and techniques that appear in all of Glück's work. The critic finds that Glück's emphasis on the sensuality of the form of the poem raises it to the level of high art, at the same time as her subjects stand as testament to the poet's inherent humanity.]
1.
Louise Glück once ended a poem, "Open my room, trees. Child's come." This nostalgia for flourishing apart from others, this nature-huddling, the little head-pat of "Child's come"—yes, charming; but it composes the only charming moment in her volumes—of which now, as of the Fates, there are three.
Glück's importance lies more and more in her stringency, which is an earnest of her truthfulness and courage. Her poetry is rock-bottom...
[The entire page is 7180 words long]
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- Introduction
- Principal Works
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Criticism
- Robert Boyers (essay date 1969)
- Anna Wooten (essay date 1975)
- Helen Vendler (essay date 1978)
- Peter Stitt (essay date 1981)
- Calvin Bedient (essay date 1981)
- Robert Miklitsch (essay date 1982)
- Louise Glük (1985)
- Burton Raffel (essay date 1988)
- Lynn Keller (essay date 1990)
- Calvin Bedient (essay date 1991)
- Bruce Bond (essay date 1991)
- Charles Berger (essay date 1991)
- Lynne McMahon (essay date 1992)
- Helen Vendler (essay date 1993)
- Stephen Yenser (essay date 1994)
- Emily Gordon (essay date 1996)
- Vijay Seshadri (essay date 1996)
- Further Reading
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