Szirtes, George - Mark Ford (essay date 19 January 1989)
Mark Ford (essay date 19 January 1989)
SOURCE: Ford, Mark. “Sssnnnwhuffffll.” London Review of Books 11, no. 2 (19 January 1989): 14-5.
[In the following essay, Ford discusses the themes of Szirtes's book Metro.]
George Szirtes is a less frolicsome poet than Morgan, and his new volume, Metro, has him dealing with particularly grim subject-matter. The book's long title poem is set in the Hungary of 1944-45. The country has been overrun by fascist forces, and Hungarian Jews, including the poet's own mother, are being rounded up and sent to concentration camps. The poem's narrative cuts between his own childhood memories of Hungary and the fates of various branches of the Szirtes family, but mainly concerns his mother's love for a disdainful older brother, lost during the war, her courtship, and the circumstances surrounding her arrest. In contrast with Carson's Belfast, wartime Budapest is presented by Szirtes in lurid, mythical...
[The entire page is 707 words long]
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- Introduction
- Principal Works
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Criticism
- William Palmer (review date December 1980)
- Alan Jenkins (essay date August 1982)
- John Lucas (essay date 13 January 1984)
- Andrew Motion (review date April 1984)
- John Lucas (review date 26 August 1988)
- Mark Ford (essay date 19 January 1989)
- George Szirtes (essay date spring 1989)
- Stephen Romer (review date 16 August 1991)
- Stan Smith (review date 9 January 1992)
- Nicholas Murray (review date 7 June 1996)
- Caitriona O'Reilly (essay date March-April 1999)
- Judith Kitchen (essay date summer 1999)
- George Szirtes with András Gerevich (interview date winter 2001)
- James Sutherland-Smith (review date September-October 2001)
- James Hopkin (essay date 27 October 2001)
- Further Reading
- Copyright
