Szirtes, George - John Lucas (essay date 13 January 1984)
John Lucas (essay date 13 January 1984)
SOURCE: Lucas, John. “Sight Lines.” New Statesman 107 (13 January 1984): 24-5.
[In the following essay, Lucas writes about Szirtes's word choice and use of rhythm.]
There is more than a trace of Geoffrey Grigson in the manner of George Szirtes' relish for the observable world. Describing a bullfinch perched on a lilac flower, he says that the bird's weight ‘bothered the lilac, she bent / a little, her small tent / of pleasure collapsing / inward with the swaying’. Although those lines could never be mistaken for Grigson, the weighting and positioning of rhyme and phrase owe something to his example. In Short Wave, notation becomes poetry: ‘Tired, you slumped into the chair / and shade and water burned a stain / across the colour of your coat.’ That comes from a poem called ‘Against Dullness’, whose sentiment Grigson would certainly echo. But the lines also make plain Szirtes'...
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- Introduction
- Principal Works
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Criticism
- William Palmer (review date December 1980)
- Alan Jenkins (essay date August 1982)
- John Lucas (essay date 13 January 1984)
- Andrew Motion (review date April 1984)
- John Lucas (review date 26 August 1988)
- Mark Ford (essay date 19 January 1989)
- George Szirtes (essay date spring 1989)
- Stephen Romer (review date 16 August 1991)
- Stan Smith (review date 9 January 1992)
- Nicholas Murray (review date 7 June 1996)
- Caitriona O'Reilly (essay date March-April 1999)
- Judith Kitchen (essay date summer 1999)
- George Szirtes with András Gerevich (interview date winter 2001)
- James Sutherland-Smith (review date September-October 2001)
- James Hopkin (essay date 27 October 2001)
- Further Reading
- Copyright
