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reserved. Reproduced by permission of the author.—Renascence, v. 21, spring, 1969. Copyright © 1969 by Marquette University Press. Reproduced by permission.—Salmagundi, spring, 1970. Copyright © 1970 by Skidmore College. Reproduced by permission.—The Sewanee Review, v. 109, fall, 2001 for “Richard Wilbur” by Anthony Hecht. Copyright © 2001 by The University of the South. Reproduced with permission of the editor and the author.—Shenandoah, v. 27, Autumn, 1965 for “On My Own Work” by Richard Wilbur. Copyright © 1965 by Shenandoah. Reproduced by permission of the author.—Southern Quarterly, v. 34, winter, 1996. Copyright © 1996 by the University of Southern Mississippi. Reproduced by permission.—The Southern Review, v. 7, winter, 1941 for “Domes of Byzantium” by Howard Baker; v. 15, summer 1979 for &lsdquo;©Richard Wilbur’s The Mind Reader” by Bruce Michelson. Copyright © 1941, renewed 1969 by the Louisiana State University; Copyright © 1979 by Bruce Michelson. Both reproduced by permission of the respective authors.—Times Literary Supplement, August, 1991; June, 1996. Copyright © 1991, 1996 by The Times Supplements Limited. Both reproduced from The Times Literary Supplement by permission.—University of Toronto Quarterly, v. 67, spring, 1998. Copyright © 1998 by The University of Toronto Press Incorporated. All rights reserved. Reproduced by permission of University of Toronto Press Inc.—The Virginia Quarterly Review, v. 66, summer, 1990. Copyright © 1990 by the Virginia Quarterly Review. Reproduced by permission.—War, Literature and the Arts: An International Journal of the Humanities, v. 10, spring-summer, 1998 for “Mind and World in Richard Wilbur’s War Poetry” by Jewel Spears Brooker. Copyright © 1998 by Jewel Spears Brooker. Reproduced by permission of the author.—Yeats, v. 8, 1990. Copyright © 1990 by the University of Michigan. All rights reserved. Reproduced by permission.—Yeats Eliot Review, v. 10, fall, 1990 for “Yeats’s &lsdquo;Sailing to Byzantium’ and &lsdquo;The Tower’: A Dialect of Body and Intellect” by

J.L. Kerbaugh; v. 15, summer, 1998 for “The Dialectical Logic of Yeats’s Byzantium Poems” by William Franke. Both reproduced by permission of the respective authors.

COPYRIGHTED MATERIAL IN PC, VOLUME 51, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Cummins, Paul F. From Richard Wilbur: A Critical Essay. William B. Eerdmans Publishing Co., 1971. Copyright © 1971 by William B. Eerdmans Publishing Co. Reproduced by permission.—Davison, Peter. From The Fading Smile: Poets in Boston, 1955-1960, from Robert Frost to Robert Lowell to Sylvia Plath. Alfred A. Knopf, 1994. Copyright © 1994 by Peter Davison. All rights reserved. Reproduced by permission of Alfred A. Knopf, Inc, a division of Random House, Inc.— Edgecombe, Rodney Stenning. From A Reader’s Guide to the Poetry of Richard Wilbur. The University of Alabama Press, 1995. Copyright © 1995 by University of Alabama Press. Reproduced with permission.—Epifanio, San Juan. From Poetics: The Imitation of Action. Associated University Presses, Inc., 1979. Copyright © 1979 by Associated University Presses. Reproduced by permission.—Gotera, Vincente F. From “Depending on the Light: Yusef Komunyakaa’s Dien Cai Dau,” in America Rediscovered: Critical Essays on Literature and Film of the Vietnam War. Edited by Owen W. Gilman, Jr., and Lorrie Smith. Garland Publishing, 1990. Copyright © 1990 by Owen W. Gilman, Jr., and Lorrie Smith. All rights reserved. Reproduced by permission.—Hougen, John B. From Ecstasy Within Discipline: The Poetry of Richard Wilbur. Scholars Press, 1995. Copyright © 1995 by Scholars Press. Reproduces by permission.—Jeffares, A. Norman. From A New Commentary on the Poems of W.B. Yeats. Macmillan, 1984. Reproduced by permission of Palgrave Macmillan.— Komunyakaa, Yusef, with Ernest Suarez. From “Yusef Komunyakaa,” in Southbound: Interviews with Southern Poets. Edited by Ernest Suarez. University of Missouri Press, 1999. Copyright © 1999 by The Curators of the University of Missouri. All rights reserved. Reproduced by permission.—Larissy, Edward. From Yeats the Poet: Measures of Difference. Harvester Wheatsheaf, 1994. Copyright © 1994 by Harvester Wheatsheaf. Reproduced by permission of Pearson Education Limited.—Lesser, Simon O. From The Whispered Meanings: Selected Essays of Simon O. Lesser. The University of Massachusetts Press, 1977. Copyright © 1977 by University of Massachusetts Press. Reproduced by permission.—O’Donnell, William H. From The Poetry of William Butler Yeats: An Introduction. The Ungar Publishing Company, 1986. Copyright © 1986 by The Ungar Publishing Company. Reproduced by permission.—Salas, Angela M. From &lsdquo;©Flashbacks through the Heart’: Yusef Komunyakaa and the Poetry of Self-Assertion,” in The Furious Flowering of African American Poetry. Edited by Joanne V. Gabbin. University Press of Virginia, 1999. Copyright © 1999 by the Rector and Visitors of the University of Virginia. All rights reserved. Reproduced by permission of the University of Virginia Press.—Wilbur, Richard. From “The Genie in the Bottle,” in Mid-Century American Poets. Edited by John Ciardi. Twayne Publishers, 1950. Copyright © 1950 by John Ciardi. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 51, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Komunyakaa, Yusef, photograph by David Snodgress. AP/Wide World Photos/Bloomington Herald-Times. Reproduced by permission.—Szirtes, George, photograph by Clarissa Upchurch. Reproduced by permission.—Wilbur, Richard Purdy, photograph by Oscar White. Corbis. Reproduced by permission.—Yeats, William Butler, photograph by Martin Vos. Getty Images. Reproduced by permission.

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